ASH RARE BOOKS – ANTIQUE PRINTS OF BATH

Antique print of Bath

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ANTIQUE PRINTS OF BATH

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ANTIQUE PRINT: VIEW OF THE CITY OF BATH, FROM S.E. TO CAPTAIN PARRY R.N. THIS VIEW OF HIS NATIVE CITY IS INSCRIBED BY J. BRITTON.

BARTLETT, William Henry, 1809-1854 : VIEW OF THE CITY OF BATH, FROM S.E. TO CAPTAIN PARRY R.N. THIS VIEW OF HIS NATIVE CITY IS INSCRIBED BY J. BRITTON.

London : J. Britton, 1829. A handsome antique print – a prospect of Bath from the hills above. Engraved by John Charles Varrall (1794-1855) from an original study by William Henry Bartlett, with the figures in the foreground by F. Baynes. Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1828-1830).
Copper line engraving on paper. Engraved surface 164 x 222mm (approx. 6-3/8” x 8-3/4”). A couple of tiny specks to margins, but overall in very good and clean state. A guaranteed genuine antique print.

£100

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ANTIQUE PRINT: WESTON BRIDGE, NEAR BATH.

BARTLETT, William Henry, 1809-1854 : WESTON BRIDGE, NEAR BATH.

London : Jones & Co., 1830. A charming antique print – a view of the bridge from the river, a small boat ties up. Engraved by Henry Adlard (1799-1893) from an original study by William Henry Bartlett. Originally produced for the partwork series “Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 117 x 146mm (approx. 4-5/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: INTERIOR OF BATH CATHEDRAL.

GASTINEAU, Henry, 1791-1876 : INTERIOR OF BATH CATHEDRAL.

[London] : Sherwood, Neely & Jones, 1816. A pleasant antique print – the interior of Bath Abbey. Engraved by James Sargant Storer (1771-1853) from an original drawing by Henry Gastineau. Originally produced for Storer’s partwork “History and Antiquities of the Cathedral Churches of Great Britain” (London : 1812-1819).
Copper line engraving on paper. Engraved surface 137 x 81mm (approx. 5-3/8” x 3-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: 7. BROAD STREET AND ST. MICHAEL’S CHURCH [BATH].

HARVEY, William, 1796-1866 : 7. BROAD STREET AND ST. MICHAEL’S CHURCH [BATH].

[London : Charles Knight, 1849]. A charming oval vignette antique print – a busy Bath in the nineteenth century. Engraved by Thomas Williams (fl.1828-1862) from an original study by the well-known William Harvey. Originally produced for the part-work publication “The Land We Live In” (1847-1851).
Wood engraving on paper. Engraved surface 188 x 141mm (approx. 7-3/8” x 5-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BATH, FROM BEECHEN CLIFF.

HATHERELL, William, 1855-1928 : BATH, FROM BEECHEN CLIFF.

[London : Cassell & Co., 1883]. An attractive antique print – a prospect across the rooftops of Victorian Bath. Engraved by Andrew Scott (fl.1880-1886) from an original study by William Hatherell. Originally produced for the partwork publication “Our Own Country” (London : 1879-1883).
Wood engraving on paper. Engraved surface 139 x 200mm (approx. 5-3/8” x 7-7/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: THE NEW BRIDGE, BATHWICK.

HAY, Frederick Rudolph : THE NEW BRIDGE, BATHWICK.

London : Jones & Co., 1830. An attractive antique print – the newly built iron bridge from below. Engraved by Frederick Rudolph Hay (fl.1807-1831) and originally produced for the partwork series “Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 125 x 153mm (approx. 5” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: [FARLEIGH HUNGERFORD] PART OF FARLEY CASTLE, SOMERSETSHIRE.

PROUT, Samuel, 1783-1852 : [FARLEIGH HUNGERFORD] PART OF FARLEY CASTLE, SOMERSETSHIRE.

London : J. Storer, 1812. A pleasant antique print – Farleigh Hungerford Castle from below. Engraved by James Sargant Storer (1771-1853) from an original study by Samuel Prout.
Copper line engraving on paper. Engraved surface 84 x 101mm (approx. 3-1/4” x 4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: [BATH] THE SOUTH PARADE.

[ROBERTSON, Archibald, ca.1745-1813] : [BATH] THE SOUTH PARADE.

[London : For the Author & W. Faden, 1792]. A pleasant and uncommon antique print – a view from the river of the South Parade at Bath. Originally produced for Robertson’s “A Topographical Survey of the Great Road from London to Bath and Bristol” (London : 1792).
Aquatint on paper. Later hand colour. Engraved surface 113 x 181mm (approx. 4-1/2” x 7-1/8”). Faint diagonal crease, a couple of tiny marks to margins, but in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: [FARLEIGH HUNGERFORD] FARLEY CASTLE, SOMERSETSHIRE.

ROE, J. : [FARLEIGH HUNGERFORD] FARLEY CASTLE, SOMERSETSHIRE.

London : J. Storer, 1812. A charming antique print – the remains of Farleigh Hungerford Castle – a view from the drive. Engraved by James Sargant Storer from a study by the amateur artist J. Roe.
Copper line engraving on paper. Engraved surface 85 x 102mm (approx. 3-3/8” x 4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE HOT BATHS, AND NEW INFIRMARY, BATH.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE HOT BATHS, AND NEW INFIRMARY, BATH.

[London : Jones & Co., 1829]. An attractive antique print – fashionable visitors – a sedan-chair awaits a customer. Engraved by James Baylis Allen (1803-1876) from an original study by Thomas Hosmer Shepherd. Originally produced for the partwork series “Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 110 x 161mm (approx. 4-3/8” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: MAUDLIN CHAPEL, BATH.

SHEPHERD, Thomas Hosmer, 1793-1864 : MAUDLIN CHAPEL, BATH.

[London : Jones & Co., 1829]. An attractive antique print – the chapel from the road. Engraved by James Baylis Allen (1803-1876) from an original study by Thomas Hosmer Shepherd. Originally produced for the partwork series “Bath and Bristol, with the Counties of Somerset and Gloucester, Displayed in a Series of Views” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 107 x 151mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: S. TRANSEPT, BATH CATHEDRAL.

STORER, Henry Sargant, 1797-1837 : S. TRANSEPT, BATH CATHEDRAL.

[London] : Sherwood, Neely & Jones, 1816. A stylish antique print – the interior of Bath Abbey. Drawn and engraved by Henry Sargant Storer. Originally produced for the partwork “History and Antiquities of the Cathedral Churches of Great Britain” (London : 1812-1819).
Copper line engraving on paper. Engraved surface 130 x 79mm (approx. 5-1/8” x 3-1/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BATH, FROM BEACON HILL.

SYER, John, 1815-1885 : BATH, FROM BEACON HILL.

Bath : William Everitt, [ca.1850]. A rare and unusual antique print – an oval vignette view of Bath from Beacon Hill, the artist himself seen sketching in the foreground. The engraving decorates a double-leaf of ornamental notepaper. Engraved by John Shury (1789-1854) from an original study by the Bristol artist John Syer and locally published by William Everitt of Bath.
Steel line engraving on wove paper, watermarked 1850. Engraved surface 123 x 156mm (approx. 4-3/4” x 6-1/8”). A few tiny specks, slight dustiness to extreme outer margin, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: WIDCOMBE CHURCH, NEAR BATH.

WESTALL, William, 1781-1850 : WIDCOMBE CHURCH, NEAR BATH.

[London : Charles Tilt, 1830]. A most attractive antique print – a view of Widcombe Manor and the adjacent church of St. Thomas a Becket. Engraved by Edward Francis (fl.1828-1830) from an original drawing by William Westall A.R.A. Originally produced for the part-work series “Great Britain Illustrated” (London : 1828-1830).
Steel line engraving on paper. Engraved surface 98 x 141mm (approx. 3-7/8” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: 113. WEST FRONT OF BATH ABBEY-CHURCH.

WHITTOCK, Nathaniel, 1791-1860 : 113. WEST FRONT OF BATH ABBEY-CHURCH.

[London : Charles Knight, 1835]. A handsome antique print – a sharply engraved view of Bath Abbey. Engraved by John Jackson (1801-1848) from an original study by Nathaniel Whittock. Originally produced for “One Hundred and Fifty Wood Cuts, Selected from the Penny Magazine” (London : 1835).
Wood engraving on paper. Engraved surface 175 x 128mm (approx. 6-7/8” x 5”). Small and faint mark at foot, but otherwise in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: [NEWTON PARK] NEWTON ST. LOE, SOMERSET. THE SEAT OF WILLIAM GOER LANGTON, ESQR.

WILSON, Andrew, 1780-1848 : [NEWTON PARK] NEWTON ST. LOE, SOMERSET. THE SEAT OF WILLIAM GOER [sic] LANGTON, ESQR.

London : John Harris, 1812. A charming antique print – Newton Park and the grounds laid out by Capability Brown – the estate then in the possession of William Gore Langton M.P. (1760-1847). Engraved by Frederick Rudolph Hay (fl.1807-1831) from an original study by Andrew Wilson. Originally produced for the part-work “Beauties of England and Wales” (London : 1801-1816).
Copper line engraving on paper. Engraved surface 110 x 147mm (approx. 4-3/8” x 5-3/4”). A slightly weak impression, with a couple of small specks, but otherwise in very good and clean state. A guaranteed genuine antique print.

£25

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