ASH RARE BOOKS – ANTIQUE PRINTS OF OLD BROAD STREET

Antique print of Broad Street

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ANTIQUE PRINTS OF BROAD STREET

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ANTIQUE PRINT: THE NAVY OFFICE IN BROAD STREET.

COLE, Benjamin, 1697?-1783 : THE NAVY OFFICE IN BROAD STREET.

[London : for T. Osborne & J. Shipton; and J. Hodges, 1756]. An attractive antique print – an elevation of the eighteenth-century Navy Pay Office on Old Broad Street. Originally engraved by Benjamin Cole for the part-work edition of William Maitland’s “History of London” (London : 1753-1756).
Copper line engraving on paper. Later hand colour. Engraved surface 184 x 232mm (approx. 7-1/4” x 9-1/8”). Cropped close at head; slight nick to lower margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 38/093B.

£40

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ANTIQUE PRINT: THE SOUTH EAST PROSPECT OF ST. PETER’S LE POOR IN BROAD STREET.

COLE, Benjamin, 1697?-1783 : THE SOUTH EAST PROSPECT OF ST. PETER’S LE POOR IN BROAD STREET.

[London : for T. Osborne & J. Shipton; and J. Hodges, 1756]. An attractive antique print – an elevation of the original church of St. Peter-le-Poer on Old Broad Street, repaired and enlarged between 1615 and 1630 and a survivor of the Great Fire. Originally engraved by Benjamin Cole for the part-work edition of William Maitland’s “History of London” (London : 1753-1756).
Copper line engraving on paper. Engraved surface 184 x 232mm (approx. 7-1/4” x 9-1/8”). Cropped to neatline at head; faint creasing, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 38/070B.

£40

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ANTIQUE PRINT: GRESHAM COLLEGE AS IT APPEARED BEFORE IT WAS TAKEN DOWN TO BUILD AN EXCISE OFFICE.

[ENGLISH SCHOOL] : GRESHAM COLLEGE AS IT APPEARED BEFORE IT WAS TAKEN DOWN TO BUILD AN EXCISE OFFICE.

[London : John Cooke, 1770]. An elegant eighteenth-century print of the original Gresham College (originally Gresham’s house) between Broad Street and Bishopsgate. A view of the courtyard and cloister, before it was demolished in 1768. Originally engraved for the John Cooke part-work publication, Henry Chamberlain, “A New and Compleat History and Survey of the Cities of London and Westminster” (1770).
Copper line engraving on paper. Engraved surface 121 x 164mm (approx. 4-1/2” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 48/038B.

£30

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ANTIQUE PRINT: BROAD STREET.

LUKER, William, 1862-1934 : BROAD STREET.

[London : Leadenhall Press, 1891]. A pleasant antique print – a view of Broad Street at its busiest, the pavements bustling with top-hatted City men. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 153 x 100mm (approx. 6” x 4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ST. PETER LE POOR, BROAD STREET.

MACKENZIE, Frederick, 1787-1854 : ST. PETER LE POOR, BROAD STREET.

London : C. Tilt, 1839. An attractive antique print – Old Broad Street and the eighteenth-century City of London church of St. Peter-le-Poer (demolished in 1907). Engraved by John le Keux (1783-1846) from an original study by the architectural painter and draughtsman Frederick Mackenzie. Originally produced for George Godwin’s serially published “The Churches of London” (London : 1837-1839).
Steel line engraving on paper. Later hand colour. Engraved surface 163 x 100mm (approx. 6-3/8” x 4”). In very good and clean state. A guaranteed genuine antique print. Adams 189/083.

£30

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ANTIQUE PRINT: THE NEW CHURCH OF ST. PETER LE POOR, BROAD STREET.

PRATTENT, Thomas : THE NEW CHURCH OF ST. PETER LE POOR, BROAD STREET.

Shrewsbury : C. Hulbert, [ca. 1820]. An uncommon antique print of Old Broad Street and the eighteenth-century church of St. Peter-le-Poer, built to the designs of Jesse Gibson between 1788 and 1792. Engraved by the London draughtsman, engraver, printer and printseller, Thomas Prattent (fl.1790-1819), who had premises in Cloth Fair. Here in a later impression with the imprint of Charles Hulbert of Shrewbury.
Etching and line engraving on paper. Engraved surface 165 x 97mm (approx. 6-1/2” x 3-7/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ST. PETER’S THE POOR.

SCHNEBBELIE, Robert Blemmel, 1781-1847 : ST. PETER’S THE POOR.

London : J. Booth, 1811. A handsome antique print – Old Broad Street and the old church of St. Peter-le-Poer. Engraved by Samuel Lacey (1786-1859) from an original study by Robert Blemmel Schnebbelie. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Etching and line engraving on paper. Engraved surface 274 x 162mm (approx. 10-3/4” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 129/106.

£75

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ANTIQUE PRINT: ST. BENNET FINCK.

SHEPHERD, George Sidney, 1784-1862 : ST. BENNET FINCK.

London : J. Booth, 1811. A well-worked antique print – a view looking down Old Broad Street to the junction with Threadneedle Street – the ten-sided Wren church of St. Benet Fink in the foreground, the North Gate of the Royal Exchange beyond. The church was demolished in 1842-1844 to make way for the rebuilding of the Exchange. Engraved by J. T. Wedgwood (1783-1856) from an original pencil and watercolour drawing (now in the Guildhall Library) by George Sidney Shepherd. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are four lines of explanatory text.
Copper line engraving on paper. Later hand colour. Engraved surface 264 x 165mm (approx. 10-1/2” x 6-1/2”). A few faint marks and mild creases, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/024.

£75

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ANTIQUE PRINT: EXCISE OFFICE, BROAD STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : EXCISE OFFICE, BROAD STREET.

London : Jones & Co., 1830. An antique print – a lively street scene looking southwards down Broad Street, with the Excise Office (on the site of the modern Nat West Tower) on the left. Engraved by Archelaus Cruse (1806-1861) from an original sketch by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 108 x 154mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 161/044.

£30

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ANTIQUE PRINT: ST. PETER LE POOR, BROAD STREET.

[SHEPHERD, Thomas Hosmer, 1793-1864] : ST. PETER LE POOR, BROAD STREET.

[London : Jones & Co., 1830]. A pleasant small antique print – Old Broad Street and the eighteenth-century City of London church of St. Peter-le-Poer (demolished in 1907). Engraved by Thomas Barber (fl.1818-1846) from an original study (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 109 x 69mm (approx. 4-1/4” x 2-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/091.

£25

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ANTIQUE PRINT: WINCHESTER HOUSE, WINCHESTER STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : WINCHESTER HOUSE, WINCHESTER STREET.

London : Jones & Co., 1830. An antique print – the ancient house (also known as Paulet House) between Austin Friars and [Great] Winchester Street, here in its last days and let as a warehouse to Bryan Mills, packer and Custom House agent. Engraved by James Tingle (1801-1858) from an original sketch (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 105 x 156mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/089.

£30

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ANTIQUE PRINT: WINCHESTER HOUSE, WINCHESTER STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : WINCHESTER HOUSE, WINCHESTER STREET.

London : Jones & Co., 1830. An antique print – the ancient house (also known as Paulet House) between Austin Friars and [Great] Winchester Street, here in its last days and let as a warehouse to Bryan Mills, packer and Custom House agent. Engraved by James Tingle (1801-1858) from an original sketch (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 105 x 156mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/089.

£25

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