ASH RARE BOOKS – ANTIQUE PRINTS OF BUCKINGHAMSHIRE

Antique print of Marlow

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ANTIQUE PRINTS OF BUCKINGHAMSHIRE

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ANTIQUE PRINT: THE QUADRANGLE, ETON.

[ENGLISH SCHOOL] : THE QUADRANGLE, ETON.

[London : Cassell & Co., 1883]. A handsome antique print – the quad at Eton in the late nineteenth century. Signed E. J. W. in the block and perhaps to be attributed to Edward J. Whymper. Originally produced for the partwork publication “Our Own Country” (London : 1879-1883).
Wood engraving on paper. Engraved surface 143 x 201mm (approx. 5-5/8” x 7-5/8”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: [GAYHURST] GOTHURST.

GRIFFITHS, Moses, 1747-1819 : [GAYHURST] GOTHURST.

[London : ca.1790]. A pleasant antique print of the old manor house (birthplace of Sir Kenelm Digby) and the church. Engraved by Peter Mazell (1734?-1808) from an original study by Moses Griffiths.
Copper line engraving on paper. Engraved surface 147 x 204mm (approx. 5-7/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: WHADDON HALL, BUCKS.

HAMNER, W.H. : WHADDON HALL, BUCKS.

[London] : J. Greig, 1812. A pleasant small antique print – a view of the old Whaddon Hall near Stony Stratford – gardeners at work in the foreground. Engraved and published by John Greig (fl.1800-1843) from an original painting by a member of the Hamner family.
Copper line engraving on paper. Engraved surface 79 x 101mm (approx. 3-1/8” x 4”). Some faint marking to upper blank margin, but otherwise in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WYCOMBE HOUSE, BUCKINGHAMSHIRE.

HANNAN, William, 1720?-1772 : WYCOMBE HOUSE, BUCKINGHAMSHIRE.

London : Vernor & Hood, 1803. An elegant antique print – the great house at West Wycombe, home of Sir Francis Dashwood – a view across the lake. Engraved by John Greig (fl.1798-1839) from an original study by the painter ‘W. Hanman’, i.e. William Hannan, who had worked on decorating the house. Originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Engraved surface 111 x 151mm (approx. 4-3/8” x 5-7/8”). Trimmed tight at foot; a few tiny specks and flecks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ETON COLLEGE AND CHAPEL, FROM THE SLOUGH ROAD.

HARVEY, William, 1796-1866 & THORNE, James, 1815-1881 : ETON COLLEGE AND CHAPEL, FROM THE SLOUGH ROAD.

[London : William S. Orr & Co., 1856]. A handsome antique print – a view from the bridge – the college seen through trees. Engraved by the gifted Thomas Abiel Prior (1809-1866) from an original design by James Thorne, worked up for publication by the well-known William Harvey. Originally produced in 1848 for the part-work publication “The Land We Live In” (London : 1847-1851) – and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 152 x 199mm (approx. 6” x 7-3/4”). In very good and clean state. A guaranteed genuine antique print.

£75

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ANTIQUE PRINT: CLIVEDEN.

[LYDON, Frank (Alexander Francis), 1836-1917] : CLIVEDEN.

[London : W. Mackenzie, 1880]. A pleasant antique print – a view from the lawns of the great house. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 137 x 196mm (approx. 5-3/8” x 7-3/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: DANESFIELD HOUSE.

[LYDON, Frank (Alexander Francis), 1836-1917] : DANESFIELD HOUSE.

[London : W. Mackenzie, 1880]. A handsome antique print – Danesfield House near Great Marlow. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 142 x 194mm (approx. 5-5/8” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: HUGHENDEN MANOR.

[LYDON, Frank (Alexander Francis), 1836-1917] : HUGHENDEN MANOR.

[London : W. Mackenzie, 1880]. A handsome antique print – Disraeli’s house near High Wycombe as rebuilt for him by Edward Buckton Lamb in the 1860s. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 140 x 194mm (approx. 5-1/2” x 7-5/8”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: STOWE PARK.

[LYDON, Frank (Alexander Francis), 1836-1917] : STOWE PARK.

[London : W. Mackenzie, 1880]. A handsome antique print – the great house at Stowe, near Buckingham. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 130 x 190mm (approx. 5-1/8” x 7-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WEST WYCOMBE.

[LYDON, Frank (Alexander Francis), 1836-1917] : WEST WYCOMBE.

[London : W. Mackenzie, 1880]. A handsome antique print – the south front and colonnade of West Wycombe Park. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 141 x 193mm (approx. 5-1/2” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: MEDMENHAM ABBEY. BUCKINGHAMSHIRE.

NASH, Frederick, 1782-1856 : MEDMENHAM ABBEY. BUCKINGHAMSHIRE.

London : Vernor & Hood, 1802. A pleasant antique print – the ancient Cistercian abbey long ago associated with the Hellfire Club – a view from the Thames. Engraved by John Smith from a drawing by Frederick Nash. Originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Engraved surface 107 x 150mm (approx. 4-1/4” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: DORNEY COURT. BUCKINGHAMSHIRE.

NEALE, John Preston, 1780-1847 : DORNEY COURT. BUCKINGHAMSHIRE.

London : Jones & Co., 1831. A charming antique print – the beautiful Tudor manor house. Engraved by Samuel Lacey (1786-1859) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 98 x 127mm (approx. 3-7/8” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: STOWE HOUSE. BUCKINGHAMSHIRE.

[NEALE, John Preston, 1780-1847] : STOWE HOUSE. BUCKINGHAMSHIRE.

[London : Jones & Co., 1831]. A handsome antique print – the great house at Stowe, near Buckingham. Engraved by Frederick Rudolph Hay (fl.1807-1831) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 96 x 128mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: STOWE HOUSE. 2ND VIEW. BUCKINGHAMSHIRE.

NEALE, John Preston, 1780-1847 : STOWE HOUSE. 2ND VIEW. BUCKINGHAMSHIRE.

London : Jones & Co., 1831. An attractive antique print – a view through the trees of the great house at Stowe, near Buckingham. Engraved by Frederick Rudolph Hay (fl.1807-1831) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 102 x 128mm (approx. 4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WESTON, BUCKINGHAMSHIRE.

NEALE, John Preston, 1780-1847 : WESTON, BUCKINGHAMSHIRE.

London : Jones & Co., [1831]. A pleasant antique print – Weston or Weston Underwood near Olney – home of the Throckmorton family. Engraved by John Greig (fl.1800-1843) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 98 x 128mm (approx. 3-7/8” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GREAT MARLOW.

OWEN, Samuel, 1768-1857 : GREAT MARLOW.

London : Vernor, Hood & Sharpe; & W.Cooke, 1809. A very pleasant antique print – a delicate etching – the church dominating the cluster of buildings – a weir to the right. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 129 x 189mm (approx. 5-1/8” x 7-1/2”). Tiny paper flaw in one corner, but in very good and clean state. A guaranteed genuine antique print. Adams 106/023.

£40

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ANTIQUE PRINT: TAPLOW HOUSE.

OWEN, Samuel, 1768-1857 : TAPLOW HOUSE.

London : Vernor, Hood & Sharpe; & W. Cooke, 1810. A charming antique print – a delicate etching of the woodland at Taplow – the house on the hill – a cottage on the riverbank. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Engraved surface 127 x 191mm (approx. 5” x 7-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 106/025.

£30

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ANTIQUE PRINT: ETON COLLEGE.

[PAYNE, Albert Henry, 1812-1902] : ETON COLLEGE.

[London : John Tallis & Co., 1852]. A charming small antique print – a view of the school from a vantage point high across the river. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Later hand colour. Engraved surface 65 x 87mm (approx. 2-1/2” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/050A.

£25

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ANTIQUE PRINT: ETON COLLEGE.

[PAYNE, Albert Henry, 1812-1902] : ETON COLLEGE.

[London : E. T. Brain & Co., 1847]. A charming small antique print – a view of the school from a vantage point high across the river. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 65 x 87mm (approx. 2-1/2” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/050A.

£20

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ANTIQUE PRINT: BURNHAM ABBEY, BUCKS.

POWELL, John, 1780-1833 : BURNHAM ABBEY, BUCKS.

London : Vernor & Hood, 1805. An antique print – pigs and chickens sniff and peck for food in the yard of the ruined abbey. Engraved by John Greig (fl.1800-1843) from an original study by John Powell. Originally produced for James Storer and John Greig’s part-work publication “Select Views of London and its Environs: Containing a Collection of Highly Finished Engravings” (1804-1805).
Line engraving on paper. Later hand colour. Engraved surface 149 x 183mm (approx. 5-7/8” x 7-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 90/062.

£30

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ANTIQUE PRINT: GREAT MARLOW, FROM QUARRY WOODS.

SEYMOUR, George L. : GREAT MARLOW, FROM QUARRY WOODS.

[London : Cassell & Co., 1883]. An attractive antique print – a prospect across the Thames to Great Marlow. Engraved by H. Werdmüller from an original study by George L. Seymour (fl.1876-1916) and originally produced for the partwork publication “Our Own Country” (London : 1879-1883).
Wood engraving on paper. Engraved surface 134 x 200mm (approx. 5-1/4” x 7-7/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: GOTHURST [GAYHURST], BUCKS.

STORER, Henry Sargant, 1797-1837 : GOTHURST [GAYHURST], BUCKS.

London : W. Clarke & J. Carpenter, 1810. A charming small antique print – a pleasant view of the old manor house. Engraved by James Sargant Storer (1771-1853) from an original study by his young son, Henry Sargant Storer. Originally produced for the part-work series “The Antiquarian and Topographical Cabinet” (1807-1811).
Copper line engraving on paper. Engraved surface 67 x 89mm (approx. 2-5/8” x 3-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: 9. – ETON COLLEGE, FROM BLACK POTS.

[THORNE, James, 1815-1881] : 9. – ETON COLLEGE, FROM BLACK POTS.

[London : Charles Knight, 1851]. A charming oval vignette antique print – a view of the college through trees. Engraved by Mason Jackson (1819-1903) from an original study by James Thorne. Originally produced for the part-work publication “The Land We Live In” (London : 1847-1851).
Wood engraving on paper. Engraved surface 186 x 139mm (approx. 7-3/8” x 5-3/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: DORNEY CHURCH, BUCKS.

TOMBLESON, William : DORNEY CHURCH, BUCKS.

London : Tombleson & Co., [1833]. A pleasant antique print of the church from the river, men bathing, etc. The central image is surrounded by an ornate engraved border in gothic style. Engraved by Robert Sands (1782-1855) from an original study by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 162 x 201mm (approx. 6-3/8” x 7-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/022.

£40

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ANTIQUE PRINT: ETON COLLEGE. BERKS.

TOMBLESON, William : ETON COLLEGE. BERKS.

London : Tombleson & Co., [1833]. A handsome antique print of the college from the river, with an engraved decorative border in gothic style. Engraved by Henry Winkles (1800-1860) from an original design by William Tombleson (fl.1824-1841) and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 162 x 203mm (approx. 6-3/8” x 8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/023.

£50

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ANTIQUE PRINT: MEDMENHAM ABBEY.

TOMBLESON, William : MEDMENHAM ABBEY.

London : Tombleson & Co., [1833]. A charming antique print – the ancient Cistercian abbey long ago associated with the Hellfire Club – a view from the Thames – a rowing-boat on the river. The view is set within an elaborate engraved border featuring serpents, mermaids, etc. Engraved by James Tingle (1801-1858) from an original study by William Tombleson (fl.1824-1841). Originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 163 x 205mm (approx. 6-3/8” x 8-1/8”). A couple of tiny specks and spots, but overall in very good and clean state. A guaranteed genuine antique print. Adams 178/052.

£50

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ANTIQUE PRINT: SUSPENSION BRIDGE, GT. MARLOW, BUCKS.

TOMBLESON, William : SUSPENSION BRIDGE, GT. MARLOW, BUCKS.

London : Tombleson & Co., [1833]. An attractive antique print of the Thames at Marlow. The central image is surrounded by an ornate engraved border in a design of shells, etc. Engraved by Henry Winsor Bond (1804-1881) from an original study by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 147 x 194mm (approx. 5-3/4” x 7-5/8”). A couple of tiny marks, but overall in very good and clean state. A guaranteed genuine antique print.

£50

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