ASH RARE BOOKS – ANTIQUE PRINTS OF CRIPPLEGATE WARD

Antique print of St Giles Cripplegate

ANTIQUE PRINTS OF CRIPPLEGATE WARD AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

Tel: (+44)-(0)20-8672-2263
e-mail: prints@ashrare.com


VISITORS BY APPOINTMENT ONLY

ANTIQUE PRINTS OF CRIPPLEGATE WARD

CLICK ON REFRESH/RELOAD TO ENSURE YOU HAVE THE UPDATED VERSION OF THIS PAGE
ANTIQUE PRINT: ST. ALBAN’S, WOOD STREET.

BILLINGS, Robert William, 1815-1874 : ST. ALBAN’S, WOOD STREET.

London : C. Tilt, 1838. A handsome antique print giving a view of Wood Street and the old Wren church – the tower of which still survives. Engraved by John le Keux (1783-1846) from an original study by the painter and architect Robert William Billings. Originally produced for George Godwin’s serially published “The Churches of London” (London : 1837-1839).
Steel line engraving on paper. Engraved surface 181 x 95mm (approx. 7-1/8” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 189/045.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32022 – or simply click on the button

ANTIQUE PRINT: ST. ALPHAGE.

CONEY, John, 1786-1833 : ST. ALPHAGE.

London : J. Booth, 1814. A handsome antique print – the exterior of the old church of St. Alfege London Wall – here attributed to Sir Christopher Wren, but shown as rebuilt in 1777, with its Venetian window and two pedimented doors. The church was demolished in 1923. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 205 x 217mm (approx. 8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36333 – or simply click on the button

ANTIQUE PRINT: ST. MICHAEL WOOD STREET, UNITED WITH ST. MARY STAINING.

CONEY, John, 1786-1833 : ST. MICHAEL WOOD STREET, UNITED WITH ST. MARY STAINING.

London : J. Booth, 1814. A handsome antique print – the exterior of the Wren church of St. Michael Wood Street – demolished in the 1890s. Engraved by Joseph Skelton (1783-1871) from an original drawing (dated 1812 and now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 262 x 166mm (approx. 10-1/4” x 6-1/2”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/095.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36350 – or simply click on the button

ANTIQUE PRINT: A MAP OF ST. GILES’S  CRIPPLE GATE. WITHOUT. WITH LARGE ADDITIONS AND CORRECTIONS.

[ENGLISH SCHOOL] : A MAP OF ST. GILES’S CRIPPLE GATE. WITHOUT. WITH LARGE ADDITIONS AND CORRECTIONS.

[London : for A. Churchill, J. Knapton & others, 1720]. A most attractive early eighteenth-century map of the northern fringe of the City of London – “Upper Moor Fields” (now Finsbury Square), “Artillery Ground” (the H.A.C. grounds), the City Road, Bunhill Fields, Old Street and beyond, the Goswell Road, Golden Lane, Whitecross Street, Chiswell Street, etc. A numbered key gives the names of over seventy of the smaller courts, yards and alleys. Originally produced for the 1720 edition of John Stow’s “Survey of London”.
Copper line engraving on paper. Later hand colour. Engraved surface 280 x 358mm (approx. 11-1/8” x 14-1/8”). Very faint press crease, but in very good and clean state. A guaranteed genuine antique map. Adams 25/052.

£200

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 20957 – or simply click on the button

ANTIQUE PRINT: FORE STREET, LOOKING TOWARDS ST. GILES’, CRIPPLEGATE.

LUKER, William, 1862-1934 : FORE STREET, LOOKING TOWARDS ST. GILES’, CRIPPLEGATE.

[London : Drapers’ Record, 1895]. A pleasant antique print – late Victorian Fore Street, with the church beyond. Engraved from an original design by the painter and illustrator William Luker. Originally produced for John Wells Thatcher’s “Textile London” (1895).
Hand touched and finished half-tone process block. Image area 223 x 154mm (approx. 8-3/4” x 6-1/8”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42605 – or simply click on the button

ANTIQUE PRINT: LOVE LANE, ALDERMANBURY.

LUKER, William, 1862-1934 : LOVE LANE, ALDERMANBURY.

[London : Drapers’ Record, 1895]. A charming antique print – Love Lane in the City of London. From an original design by the painter and illustrator William Luker, originally produced for John Wells Thatcher’s “Textile London” (1895).
Hand touched and finished half-tone process block. Image area 137 x 192mm (approx. 5-3/8” x 3-5/8”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42610 – or simply click on the button

ANTIQUE PRINT: BARBER SURGEON’S HALL. THE COMPANY ADMITTING A NEW MEMBER.

MELVILLE, Henry, 1792-1870 : BARBER SURGEON’S HALL. THE COMPANY ADMITTING A NEW MEMBER.

[London : J. Mead, 1843]. A charming antique print of the Court Room in Monkwell Street – livery, paintings, ledgers, paintings and silverware. Engraved by Thomas Henry Ellis (1814-1886) from an original study by Henry Melville. Originally produced for the part-work “London Interiors : A Grand National Exhibition” (London : 1841-1844).
Steel line engraving on paper. Later hand colour. Engraved surface 151 x 179mm (approx. 6” x 7”). In very good and clean state. A guaranteed genuine antique print. Adams 195/033.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 18634 – or simply click on the button

ANTIQUE PRINT: CRIPPLEGATE CHURCH.

[PAYNE, Albert Henry, 1812-1902] : CRIPPLEGATE CHURCH.

[London : John Tallis & Co., 1852]. A charming small antique print – a view Fore Street and St. Giles without Cripplegate – the City Wine Vaults to the left. An engraving from the workshop of A. H. Payne, originally produced for his “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Later hand colour. Engraved surface 65 x 85mm (approx. 2-5/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/085A.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35529 – or simply click on the button

ANTIQUE PRINT: BARBER SURGEON’S HALL, MONKWELL STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : BARBER SURGEON’S HALL, MONKWELL STREET.

[London : Jones & Co. 1830]. An attractive small antique print of the handsome entrance to the old hall. Engraved by John Greig (fl.1800-1843) from an original study by Thomas Hosmer Shepherd, the master recorder of 19th century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 110 x 69mm (approx. 4-3/8” x 2-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/075.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 25001 – or simply click on the button

ANTIQUE PRINT: BREWERS’ HALL, ADDLE STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : BREWERS’ HALL, ADDLE STREET.

London : Jones & Co., 1831. An attractive antique print – the courtyard of the old seventeenth-century hall (destroyed in the Blitz), with its sweeping staircase and upper tier of oval windows. Engraved by William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 111 x 156mm (approx. 4-5/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/131.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 25373 – or simply click on the button

ANTIQUE PRINT: FORE STREET, AND CRIPPLEGATE CHURCH.

SHEPHERD, Thomas Hosmer, 1793-1864 : FORE STREET, AND CRIPPLEGATE CHURCH.

[London : Jones & Co., 1831]. A charming small antique print – a view down Fore Street to the church – a flock of sheep heading towards the viewer. Engraved by James Tingle (1801-1858) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 101 x 67mm (approx 4” x 2-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/105.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37428 – or simply click on the button

ANTIQUE PRINT: ST. GILES’S CRIPPLEGATE, FORE STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. GILES’S CRIPPLEGATE, FORE STREET.

London : Jones & Co., 1830. A charming antique print of the church now rebuilt in the centre of the Barbican development, the burial place of John Foxe, Martin Frobisher, John Milton and John Speed. A busy street scene, with a local shopkeeper advertising "Great Reduction in Gin". Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 114 x 147mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/074.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 27439 – or simply click on the button

ANTIQUE PRINT: ST. MARY, ALDERMANBURY.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. MARY, ALDERMANBURY.

London : Jones & Co., 1830. A pleasant antique print – an exterior view of the Wren church of St. Mary the Virgin, Aldermanbury – now removed to the campus of Westminster College, Fulton, Missouri, as a memorial to Sir Winston Churchill. Engraved by Robert Acon (1792-1880) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 124 x 147mm (approx. 4-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/086.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37568 – or simply click on the button

ANTIQUE PRINT: BARBER SURGEON’S-HALL, MONKWELL STREET. SEE PENNANT’S.

[SMITH, John Thomas, 1766-1833] : BARBER SURGEON’S-HALL, MONKWELL STREET. SEE PENNANT’S.

London : John Manson, 1800. An unusual antique print of Barber Surgeons’ Hall – engraved by John Thomas “Antiquity” Smith, draughtsman, etcher, author, scholar and later Keeper of Prints at the British Museum. Published as part of his “Antiquities of London and Environs” series (1791-1800).
Etching and engraving on paper. Engraved surface 194 x 139mm (approx. 7-5/8” x 5-1/2”). Trimmed tight to neatlines, tiny corner crease, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 70/054.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33653 – or simply click on the button

ANTIQUE PRINT: PART OF LONDON WALL. IN THE CHURCH YARD OF ST. GILES, CRIPPLEGATE.

[SMITH, John Thomas, 1766-1833] : PART OF LONDON WALL. IN THE CHURCH YARD OF ST. GILES, CRIPPLEGATE.

London : N. Smith, 1792. An unusual antique print of the best-preserved part of London Wall as it stood in the late eighteenth century. Below the print are several lines of explanatory text. Engraved by John Thomas “Antiquity” Smith, draughtsman, etcher, author, scholar and later Keeper of Prints at the British Museum, and published by his father, Nathaniel Smith the “antient printseller”, as part of their “Antiquities of London and Environs” series (1791-1800).
Etching and engraving on paper. Engraved surface 218 x 172mm (approx. 8-5/8” x 6-3/4”). Some marks and scratches to plate; very faint crease to lower corner, but overall in good and clean state. A guaranteed genuine antique print. Adams 70/003.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32005 – or simply click on the button

Credit Card Logos

Return to Ash Rare Books home page.
Return to Antique Prints index page.
Return to City of London Prints index page.

Designed and © 2016 Ash Rare Books
e-mail: prints@ashrare.com