ASH RARE BOOKS – ANTIQUE PRINTS OF KENT – GRAVESEND

Antique print of Gravesend

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ANTIQUE PRINTS OF GRAVESEND

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ANTIQUE PRINT: OFF GRAVESEND.

BALL, Wilfrid Williams, 1853-1917 : OFF GRAVESEND.

[London : ca.1882]. A charming small sepia etching by Wilfrid Williams Ball. Better known for his work in watercolour, it was his series of small etchings of the Thames that first brought him to notice, with praise from Whistler himself.
Etching in sepia ink on paper. Printed surface 54 x 96mm (approx. 2-1/8” x 3-3/4”). Trimmed close to platemark, but otherwise in very good and clean condition. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GRAVESEND.

BARTLETT, William Henry, 1809-1854 : GRAVESEND.

[London : George Virtue, 1842]. A handsome antique print – paddle-steamers, tall ships and pleasure boats off Gravesend. Engraved by Henry Adlard (1799-1893) from an original study by the well-known William Henry Bartlett. Originally produced for the part-work series “Ports, Harbours, Watering Places and Coast Scenery of Great Britain” (London : 1836-1842).
Steel line engraving on paper. Engraved surface 135 x 181mm (approx. 5-1/4” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: GRAVESEND. KENT.

BAYNES, Thomas Mann, 1794-1854 : GRAVESEND. KENT.

London : George Virtue, 1831. A pleasant antique print – Gravesend from the river- engraved by John Rogers (1800?-1882) from an original study by the landscape painter Thomas Mann Baynes. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 99 x 146mm (approx. 3-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: COBHAM HALL. KENT : THE SEAT OF EARL DARNLEY.

CAMPION, George Bryant, 1796-1870 : COBHAM HALL. KENT : THE SEAT OF EARL DARNLEY.

London : George Virtue, 1830. An attractive antique print – the magnificent Elizabethan Cobham Hall – a view from the deer park. Engraved by John Rogers (1800?-1882) from an original study by the landscape painter George Bryant Campion. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 109 x 151mm (approx. 4-3/8” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GRAVESEND, FROM THE TERRACE PIER.

DIBDIN, Thomas Colman, 1810-1893 : GRAVESEND, FROM THE TERRACE PIER.

[London : Simpkin, Marshall & Co. 1838]. A charming antique print in vignette style – a view of the crowded river-front through the wooden pillars of the pier. Engraved by Josiah Henshall (1801?-1869) from an original study by the landscape painter Thomas Colman Dibdin. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (London : 1837-1838).
Steel line engraving on paper. Later hand colour. Engraved surface 102 x 134mm (approx. 4” x 5-1/4”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 190/034.

£40

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ANTIQUE PRINT: GRAVESEND, FROM THE TERRACE PIER.

DIBDIN, Thomas Colman, 1810-1893 : GRAVESEND, FROM THE TERRACE PIER.

[London : Simpkin, Marshall & Co. 1838]. A charming antique print in vignette style – a view of the crowded river-front through the wooden pillars of the pier. Engraved by Josiah Henshall (1801?-1869) from an original study by the landscape painter Thomas Colman Dibdin. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (London : 1837-1838).
Steel line engraving on paper. Engraved surface 102 x 134mm (approx. 4” x 5-1/4”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 190/034.

£30

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ANTIQUE PRINT: COBHAM HALL, KENT, THE SEAT OF EARL DARNLEY.

[ENGLISH SCHOOL] : COBHAM HALL, KENT, THE SEAT OF EARL DARNLEY.

[London : 1860]. A charming small antique print – the magnificent Elizabethan Cobham Hall. A note below the title gives details of nineteenth-century guided tours – "by ticket only, to be had at Mr. Caddel’s Library, Gravesend". Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 85 x 110mm (approx. 3-3/8” x 4-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: GRAVESEND KENT.

[ENGLISH SCHOOL] : GRAVESEND KENT.

[London : 1860]. A charming antique print – a view from Tilbury across the Thames, a paddle-steamer on the river, etc. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Later hand colour. Engraved surface 94 x 127mm (approx. 3-3/4” x 5”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 186/036.

£25

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ANTIQUE PRINT: NORTHFLEET, NEAR GRAVESEND, KENT.

[ENGLISH SCHOOL] : NORTHFLEET, NEAR GRAVESEND, KENT.

[London : 1860]. A charming small antique print – the foreshore at Northfleet. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 85 x 109mm (approx. 3-3/8” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: GRAVESEND.

FUSSELL, Joseph : GRAVESEND.

London : George Virtue, 1828. A most attractive antique print – Gravesend from the river, the quay alive with boats and bustle. Engraved by Josiah Henshall (1801?-1869) from an original study by the landscape painter Joseph Fussell (fl.1821-1845). Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 105 x 151mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: GRAVESEND.

FUSSELL, Joseph : GRAVESEND.

London : George Virtue, 1828. A most attractive antique print – Gravesend from the river, the quay alive with boats and bustle. Engraved by Josiah Henshall (1801?-1869) from an original study by the landscape painter Joseph Fussell (fl.1821-1845). Originally produced for the “England’s Topographer” series of Kent views (London 1828-1831).
Steel line engraving on paper. Engraved surface 105 x 151mm (approx. 4-1/8” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: GRAVESEND.

GYFFORD, Edward, 1772-1834 : GRAVESEND.

London : J. Stratford, 1807. An early nineteenth-century antique print – Gravesend viewed from a thatched barn above – the parish church of St. George prominent – the river and shipping beyond. Engraved by Samuel Turner Sparrow (fl.1773-1810) from an original drawing by Edward Gyfford. Originally produced for James Stratford’s part-work series “London; being an Accurate History and Description of the British Metropolis and its Neighbourhood ... by David Hughson” (London : 1805-1810). “Hughson” was in fact the pseudonym of David Pugh.
Copper line engraving on paper. Engraved surface 106 x 163mm (approx. 4-1/8” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: COBHAM HALL.

[LYDON, Frank (Alexander Francis), 1836-1917] : COBHAM HALL.

[London : 1880]. An attractive antique print – a view of Cobham Hall from the lawns. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 131 x 188mm (approx. 5-1/8” x 7-3/8”). A hint of dustiness to blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: COBHAM HALL, SOUTH EAST VIEW. KENT.

[NEALE, John Preston, 1780-1847] : COBHAM HALL, SOUTH EAST VIEW. KENT.

[London : Jones & Co., 1831]. A pleasant antique print – the magnificent Elizabethan Cobham Hall – a view from the deer-park. Engraved by Thomas Hosmer Shepherd (1793-1864) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 97 x 133mm (approx. 3-7/8” x 5-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GRAVESEND.

[PAYNE, Albert Henry, 1812-1902] : GRAVESEND.

[London : John Tallis & Co., 1852]. A charming small antique print of Gravesend from the Thames. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Later hand colour. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/062A.

£25

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ANTIQUE PRINT: [GRAVESEND] THE THAMES, FROM THE CLIFFS AT ROSHERVILLE.

[PAYNE, Albert Henry, 1812-1902] : [GRAVESEND] THE THAMES, FROM THE CLIFFS AT ROSHERVILLE.

[London : John Tallis & Co., 1852]. A pleasant antique print – the broad sweep of the Thames from the pleasure gardens at Gravesend. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 98 x 139mm (approx. 3-7/8” x 5-1/2”). Trimmed a little tight at foot, but in very good and clean state. A guaranteed genuine antique print. Adams 207/048.

£25

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ANTIQUE PRINT: ROSHERVILLE GARDENS, GRAVESEND.

[PAYNE, Albert Henry, 1812-1902] : ROSHERVILLE GARDENS, GRAVESEND.

[London : John Tallis & Co., 1852]. A charming small antique print – view of the pleasure gardens, visitors perambulate a parapeted walk with a central fountain. One of two identically titled but different engravings of Rosherville from the workshop of A. H. Payne. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847) – and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-5/8” x 3-3/8”). Very faint crease to right-hand blank margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/061B.

£20

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ANTIQUE PRINT: ROSHERVILLE GARDENS, GRAVESEND.

[PAYNE, Albert Henry, 1812-1902] : ROSHERVILLE GARDENS, GRAVESEND.

[London : E. T. Brain & Co., 1847]. A charming small antique print – view of the pleasure gardens, the walks dotted with visitors, a group of ladies take tea in an arbour. One of two identically titled but different engravings of Rosherville from the workshop of A. H. Payne. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-5/8” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/061A.

£20

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ANTIQUE PRINT: TERRACE PIER GRAVESEND.

[PAYNE, Albert Henry, 1812-1902] : TERRACE PIER GRAVESEND.

[London : E. T. Brain & Co., 1847]. A charming small antique print – the pier at Gravesend. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/062B.

£20

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ANTIQUE PRINT: THE BATHS AT GRAVESEND.

SHEPHERD, George Sidney, 1784-1862 : THE BATHS AT GRAVESEND.

[London : George Virtue, 1828]. A pleasant antique print – visitors promenade at Gravesend – the baths beyond – a bathing-machine at the water’s edge – shipping on the river. Engraved by Henry Adlard (1799-1893) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (1828-1831).
Steel line engraving on paper. Engraved surface 97 x 149mm (approx. 3-3/4” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GRAVESEND.

TOMBLESON, William : GRAVESEND.

London : Tombleson & Co., [1833]. A handsome antique print – the town from the windmill above, looking towards the river. The central image is surrounded by an ornate engraved border composed of agricultural implements. Engraved from an original study by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 148 x 181mm (approx. 5-7/8” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/069.

£50

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ANTIQUE PRINT: NORTHFLEET, KENT.

TOMBLESON, William : NORTHFLEET, KENT.

London : Tombleson & Co., [1833]. A handsome antique print – a group of buildings with the river beyond – the central image surrounded by an ornate engraved border. Engraved by Wallis from an original study by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 149 x 179mm (approx. 5-7/8” x 7”). In very good and clean state. A guaranteed genuine antique print. Adams 178/068.

£40

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