ASH RARE BOOKS – ANTIQUE PRINTS OF EAST LONDON – HACKNEY

Antique print of Hackney, London

ANTIQUE PRINTS OF HACKNEY AT
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ANTIQUE PRINTS OF HACKNEY

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ANTIQUE PRINT: VIEW OF HACKNEY.

[COOKE, John, 1731-1810 – publisher] : VIEW OF HACKNEY.

[London : J. Cooke, 1779]. A handsome eighteenth-century antique print – a prospect of the village from a country road. Originally produced for Cooke’s part-work, “A New and Universal History, Description and Survey of the Cities of London and Westminster” (London : 1775-1777). The present example is the slightly later state, utilised to accompany another Cooke part-work, “The Modern Universal British Traveller” (London : 1779).
Copper line engraving on paper. Engraved surface 173 x 264mm (approx. 6-7/8” x 10-3/8”). A few tiny specks; tiny hole repaired in sky, but overall in very good and clean state. A guaranteed genuine antique print. Adams 60/019.

£125

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ANTIQUE PRINT: COLUMBIA MARKET.

[ENGLISH SCHOOL] : COLUMBIA MARKET.

[London : Cassell & Co., 1878]. A handsome antique print of the mock-gothic market in Bethnal Green designed by H. A. Darbishire and opened at the expense of Baroness Burdett-Coutts in 1869. The market was demolished in 1958 – Columbia Road and the flower market mark the site. Originally produced as an extra presentation plate for the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 137 x 206mm (approx. 5-3/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: HACKNEY CHURCH, 1750.

[ENGLISH SCHOOL] : HACKNEY CHURCH, 1750.

[London : 1878 (or later)]. A pleasant antique print – the old parish church (St. Augustine) – the tower of which survives – and the adjacent houses from a grassed walk. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE LONDON ORPHAN ASYLUM, HACKNEY ROAD. MIDDLESEX.

[ENGLISH SCHOOL] : THE LONDON ORPHAN ASYLUM, HACKNEY ROAD. MIDDLESEX.

[London : 1860]. An antique print – the fine classical edifice built in 1823 to accommodate 300 destitute orphans and later becoming the Clapton Congress Hall of the Salvation Army. The central portion still stands in Linscott Road. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 82 x 111mm (approx. 3-1/4” x 4-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: NEW LODGE, VICTORIA PARK, BONNER’S FIELDS.

[PAYNE, Albert Henry, 1812-1902] : NEW LODGE, VICTORIA PARK, BONNER’S FIELDS.

[London : E. T. Brain & Co., 1847]. A charming small antique print of the recently laid out Victoria Park. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/069A.

£20

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ANTIQUE PRINT: BITS OF OLD HACKNEY.

PRIOR, William Henry, 1812-1882 : BITS OF OLD HACKNEY.

[London : 1878 (or later)]. A charming antique print – a composite view with a medley of individual studies of Brooke House, Barber’s Barn and Shore Place. Engraved from original studies by William Henry Prior – and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 207 x 143mm (approx. 8-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: THE BLACK AND WHITE HOUSE, 1800.

PRIOR, William Henry, 1812-1882 : THE BLACK AND WHITE HOUSE, 1800.

[London : 1878 (or later)]. An attractive antique print – the old Tudor house known as the Black and White House, near the parish church on Church Street in Hackney. Engraved from a study (based on an earlier source) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HACKNEY, LOOKING TOWARDS THE CHURCH, 1840.

PRIOR, William Henry, 1812-1882 : HACKNEY, LOOKING TOWARDS THE CHURCH, 1840.

[London : 1878 (or later)]. A pleasant antique print – early Victorian Mare Street, with the King’s Head, shops with blinds and a wagon and sheep on the road. Engraved by John Greenaway (1816-1890) from an original study by William Henry Prior and originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Engraved surface 106 x 145mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE MANOR-HOUSE, DALSTON.

PRIOR, William Henry, 1812-1882 : THE MANOR-HOUSE, DALSTON.

[London : 1878 (or later)]. A pleasant antique print – the old manor house on Dalston Lane, used as a Refuge for Destitute Females in the nineteenth century. Engraved from an original study by William Henry Prior – and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Engraved surface 106 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HACKNEY.

SCHNEBBELIE, Robert Blemmel, 1781-1847 : HACKNEY.

London : J. Stratford, 1805. An interesting antique print – a view of early nineteenth-century Hackney, looking towards the old parish church of St. Augustine. Engraved by Ambrose William Warren (1780-1856) from an original study by Robert Blemmel Schnebbelie. Originally produced for the part-work by “Dr David Hughson” [David Pugh] known as "London : Being an Accurate History and Description of the British Metropolis" (London : 1805-1809).
Copper line engraving on paper. Engraved surface 157 x 97mm (approx. 6-1/8” x 3-3/4”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: CHAPEL OF EASE, WEST HACKNEY.

SHEPHERD, Thomas Hosmer, 1793-1864 : CHAPEL OF EASE, WEST HACKNEY.

London : Jones & Co., 1827. An elegant antique print – a view of the newly built and imposing St. Barnabas on Stoke Newington Road – the effect of the classical portico “destroyed by the wings and conventicle-headed windows, and the incubus of a bell tower that is riding on its back” according to a contemporary commentator. Engraved by Henry Winsor Bond (1804-1881) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 151 x 93mm (approx. 5-7/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/027.

£30

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ANTIQUE PRINT: CHAPEL OF EASE, WEST HACKNEY.

SHEPHERD, Thomas Hosmer, 1793-1864 : CHAPEL OF EASE, WEST HACKNEY.

London : Jones & Co., 1827. An elegant antique print – a view of the newly built and imposing St. Barnabas on Stoke Newington Road – the effect of the classical portico “destroyed by the wings and conventicle-headed windows, and the incubus of a bell tower that is riding on its back” according to a contemporary commentator. Engraved by Henry Winsor Bond (1804-1881) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 151 x 93mm (approx. 5-7/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/027.

£25

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ANTIQUE PRINT: LONDON ORPHAN ASYLUM, CLAPTON.

SHEPHERD, Thomas Hosmer, 1793-1864 : LONDON ORPHAN ASYLUM, CLAPTON.

London : Jones & Co., 1828. An antique print – the fine classical edifice built in 1823 to accommodate 300 destitute orphans and later becoming the Clapton Congress Hall of the Salvation Army. The central portion still stands in Linscott Road. Engraved by Henry Winsor Bond (1804-1881) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 104 x 150mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/147.

£30

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ANTIQUE PRINT: LONDON ORPHAN ASYLUM, CLAPTON.

SHEPHERD, Thomas Hosmer, 1793-1864 : LONDON ORPHAN ASYLUM, CLAPTON.

London : Jones & Co., 1828. An antique print – the fine classical edifice built in 1823 to accommodate 300 destitute orphans and later becoming the Clapton Congress Hall of the Salvation Army. The central portion still stands in Linscott Road. Engraved by Henry Winsor Bond (1804-1881) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 150mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/147.

£25

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