ASH RARE BOOKS – ANTIQUE PRINTS OF LONDON N6 – HIGHGATE

Antique print of Highgate, North London

ANTIQUE PRINTS OF HIGHGATE AT
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ANTIQUE PRINTS OF HIGHGATE

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ANTIQUE PRINT: HIGHGATE PONDS.

BROMLEY, Charles James, 1839-1890 : HIGHGATE PONDS.

[London : 1878 (or later)]. An antique print of Highgate Ponds, houses and the hill beyond, men fishing in the foreground. Engraved by Charles James Bromley and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 105 x 143mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HIGHGATE CHURCH.

GREIG, John : HIGHGATE CHURCH.

[London : Vernor & Hood, 1805]. An antique print of the old sixteenth-century church, drawn, etched and engraved by John Greig (fl.1800-1843). Originally produced for James Storer and John Greig’s part-work publication “Select Views of London and its Environs : Containing a Collection of Highly Finished Engravings” (London : 1804-1805).
Etching and line engraving on paper. Later hand colour. Engraved surface 171 x 108mm (approx. 6-3/4” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 90/067.

£30

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ANTIQUE PRINT: HIGHGATE CHURCH.

GREIG, John : HIGHGATE CHURCH.

[London : Vernor & Hood, 1805]. An antique print of the old sixteenth-century church, drawn, etched and engraved by John Greig (fl.1800-1843). Originally produced for James Storer and John Greig’s part-work publication “Select Views of London and its Environs : Containing a Collection of Highly Finished Engravings” (London : 1804-1805).
Etching and line engraving on paper. Engraved surface 171 x 108mm (approx. 6-3/4” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 90/067A.

£25

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ANTIQUE PRINT: GATE HOUSE, HIGHGATE MIDDLESEX.

HENSHALL, Josiah, 1801?-1869 : GATE HOUSE, HIGHGATE MIDDLESEX.

[London : 1838 (or later)]. A charming antique print – Highgate Village in the nineteenth century – a public house selling Barclay Perkins to the left, the parish church of St. Michael beyond. Engraved by John Cox (fl.1834-1839) from an original study by the painter-engraver Josiah Henshall. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (1837-1838).
Steel line engraving on paper. Later hand colour. Engraved surface 110 x 152mm (approx. 4-3/8” x 6”). A few faint marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 190/019.

£40

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ANTIQUE PRINT: GATE HOUSE, HIGHGATE MIDDLESEX.

HENSHALL, Josiah, 1801?-1869 : GATE HOUSE, HIGHGATE MIDDLESEX.

[London : 1838 (or later)]. A charming antique print – Highgate Village in the nineteenth century – a public house selling Barclay Perkins to the left, the parish church of St. Michael beyond. Engraved by John Cox (fl.1834-1839) from an original study by the painter-engraver Josiah Henshall. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (1837-1838).
Steel line engraving on paper. Engraved surface 110 x 152mm (approx. 4-3/8” x 6”). A few faint specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 190/019.

£30

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ANTIQUE PRINT: LONDON, FROM HIGHGATE.

MARSHALL, Charles, 1806-1890 : LONDON, FROM HIGHGATE.

[London : 1838 (or later)]. A charming antique print – a view of the village and the prospect across London from the top of the hill – after the landscape painter Charles Marshall. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (London : 1837-1838).
Steel line engraving on paper. Later hand colour. Engraved surface 115 x 145mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 190/020.

£40

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ANTIQUE PRINT: HIGHGATE CHURCH (FROM THE CEMETERY).

[PAYNE, Albert Henry, 1812-1902] : HIGHGATE CHURCH (FROM THE CEMETERY).

[London : E. T. Brain & Co., 1847]. A charming small antique print of St. Michael Highgate, built by Lewis Vulliamy in 1831-1832. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 67 x 86mm (approx. 2-5/8” x 3-3/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/074A.

£20

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ANTIQUE PRINT: WHITTINGTON’S ALMS HOUSES, HIGHGATE.

[PAYNE, Albert Henry, 1812-1902] : WHITTINGTON’S ALMS HOUSES, HIGHGATE.

[London : John Tallis & Co., 1852]. A deftly-worked antique print of the old Whittington College almshouses at the foot of Highgate Hill. An engraving from the workshop of A. H. Payne, originally produced for his “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression dating from 1852.
Steel line engraving on paper. Engraved surface 95 x 136mm (approx. 3-3/4” x 5-3/8”). A few tiny marks to outer blank margins, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/117.

£25

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ANTIQUE PRINT: HIGHGATE TUNNEL.

POLLARD, James, 1792-1867 : HIGHGATE TUNNEL.

London : J. Moore, ca.1830. A pleasant and uncommon antique print – a mail-coach passes through the tunnel, a labourer sits at his work to the right, two men and two dogs to the right. Engraved by George Hunt (fl.1820-1845) from a painting by the celebrated James Pollard.
Aquatint on paper. Original hand colour. Engraved surface 123 x 155mm (approx. 5” x 6-1/8”). Some faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£100

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ANTIQUE PRINT: THE GATE-HOUSE, HIGHGATE, IN 1820. (FROM AN ORIGINAL SKETCH).

PRIOR, William Henry, 1812-1882 : THE GATE-HOUSE, HIGHGATE, IN 1820. (FROM AN ORIGINAL SKETCH).

[London : 1878 (or later)]. A pleasant antique print of the heart of the village – a flock of sheep on the road. From a study (based on an earlier sketch) by William Henry Prior. Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 105 x 142mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HIGHGATE, FROM UPPER HOLLOWAY. (FROM CHATELAIN, 1745.)

PRIOR, William Henry, 1812-1882 : HIGHGATE, FROM UPPER HOLLOWAY. (FROM CHATELAIN, 1745.)

[London : 1878 (or later)]. A handsome antique print of eighteenth-century Highgate from the south – a wagon pulled by a team of horses on the road. Engraved by John Greenaway (1816-1890) from a study by William Henry Prior – itself based on an eighteenth-century print by Jean Baptiste Claude Chatelain (1710-1771). Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 141 x 208mm (approx. 5-1/2” x 8-1/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: THE “OLD CROWN INN,” HIGHGATE, IN 1830.

PRIOR, William Henry, 1812-1882 : THE “OLD CROWN INN,” HIGHGATE, IN 1830.

[London : 1878 (or later)]. An antique print of the old inn from the road – a horse-drawn wagon awaits its driver. From a study (based on an earlier drawing) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 104 x 143mm (approx. 4-1/4” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: VIEWS IN HIGHGATE.

PRIOR, William Henry, 1812-1882 : VIEWS IN HIGHGATE.

[London : 1878 (or later)]. A charming antique print – a composite view with a medley of individual studies of Highgate Town, Highgate Church, the Old Archway, the Old Forge, the house of Sir William Ashurst, and the Mansion House, all contained within a single border. From original sketches by William Henry Prior (1812-1882) – and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 207 x 142mm (approx. 8-1/4” x 5-5/8”). Text on verso. Very faint diagonal crease, but otherwise in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: WHITTINGTON’S ALMS HOUSES, HIGHGATE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WHITTINGTON’S ALMS HOUSES, HIGHGATE.

London : Jones & Co., 1827. An antique print of the old Whittington College almshouses at the foot of Highgate Hill built by the Mercers’ Company in 1822 in a very early example of Gothic Revival style. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 97 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: WHITTINGTON’S ALMS HOUSES, HIGHGATE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WHITTINGTON’S ALMS HOUSES, HIGHGATE.

London : Jones & Co., 1827. An antique print of the old Whittington College almshouses at the foot of Highgate Hill built by the Mercers’ Company in 1822 in a very early example of Gothic Revival style. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 97 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WHITTINGTONS ALMS HOUSES : HIGHGATE HILL MIDDLESEX.

SHEPHERD, Thomas Hosmer, 1793-1864 : WHITTINGTONS ALMS HOUSES : HIGHGATE HILL MIDDLESEX.

[London : 1860]. An attractive antique print – the foot of Highgate Hill – a coach and four pass by. Engraved by John R. Davies (fl.1829-1843) from an original study by Thomas Hosmer Shepherd. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 98 x 139mm (approx. 3-7/8” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print.

£20

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