ASH RARE BOOKS – ANTIQUE PRINTS OF HYDE PARK

Antique print of Hyde Park

ANTIQUE PRINTS OF HYDE PARK AT
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ANTIQUE PRINTS OF HYDE PARK

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 2. NORTH TRANSEPT.

CHAVANNE, Edward, 1812-1881 : INTERIOR OF THE GREAT EXHIBITION. NO. 2. NORTH TRANSEPT.

[London : Read & Co., 1851]. A handsome antique print – the extraordinary interior of the original Crystal Palace in Hyde Park, as laid out for the Great Exhibition of 1851 – fountains, trees, statuary and wax flowers. Engraved by Edward Chavanne (1812-1881) from his own original study. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 189 x 235mm (approx. 7-1/2” x 9-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/042.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 5. FROM THE TRANSEPT LOOKING WEST.

CHAVANNE, Edward, 1812-1881 : INTERIOR OF THE GREAT EXHIBITION. NO. 5. FROM THE TRANSEPT LOOKING WEST.

[London : Read & Co., 1851]. A handsome antique print – the magnificent interior of the original Crystal Palace in Hyde Park, as laid out for the Great Exhibition of 1851 – statuary, boats and parasols. Engraved by Edward Chavanne (1812-1881) from his own original study. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 189 x 235mm (approx. 7-1/2” x 9-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/045.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 9. FROM DANTE’S TEMPLE.

CLARK, Thomas : INTERIOR OF THE GREAT EXHIBITION. NO. 9. FROM DANTE’S TEMPLE.

[London : Read & Co., 1851]. A handsome antique print – the world’s first Great Exhibition thronging with visitors – the Austrian display can be seen to the right of the aisle. Engraved by Thomas Clark (fl.1831-1855) from his own original study. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 187 x 230mm (approx. 7-3/8” x 9”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/049.

£40

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ANTIQUE PRINT: EXHIBITION.

[ENGLISH SCHOOL] : EXHIBITION.

[London : 1851]. A handsome and neatly engraved antique print – the Crystal Palace in Hyde Park at the time of the Great Exhibition. Originally produced for W.G.Fearnside & T.Harrel’s “Holmes’s Great Metropolis : or, Views and History of London in the Nineteenth Century” (London : 1851).
Steel line engraving on paper. Engraved surface 119 x 151mm (approx. 4-3/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 211/003.

£25

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ANTIQUE PRINT: [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

[ENGLISH SCHOOL] : [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

[London : Cassell & Co., 1878]. A handsome antique print – the triple arches of the Hyde Park Screen designed by Decimus Burton at Hyde Park Corner, fashionable carriages clattering by, mounted policemen on duty, Park Lane beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 142 x 208mm (approx. 5-5/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

[ENGLISH SCHOOL] : [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

[London : Cassell & Co., 1878]. A handsome antique print – the triple arches of the Hyde Park Screen designed by Decimus Burton at Hyde Park Corner, fashionable carriages clattering by, mounted policemen on duty, Park Lane beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Later hand colour. Engraved surface 142 x 208mm (approx. 5-5/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: EXTERIOR OF THE GREAT EXHIBITION OF 1851.

JUSTYNE, Percy William, 1812-1883 : EXTERIOR OF THE GREAT EXHIBITION OF 1851.

[London : 1878 (or later)]. An antique print – the Crystal Palace as it looked in Hyde Park in 1851. Engraved by Joseph Swain (1820-1909) from an original study by Percy William Justyne. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 139 x 208mm (approx. 5-1/2” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

MACLURE, Andrew & MACDONALD, Archibald Gray : [HYDE PARK CORNER] ENTRANCE TO HYDE PARK.

London : Cassell & Co., [1878]. A handsome antique print – the triple arches of the Hyde Park Screen designed by Decimus Burton at Hyde Park Corner, fashionable carriages clattering by, mounted policemen on duty, Park Lane beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Lithograph on paper. Printed surface 142 x 210mm (approx. 5-5/8” x 8-1/4”). A few faint marks to outer margins, but overall in very good and clean state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: HYDE PARK CORNER – PICCADILLY.

NELSON & SONS, Thomas – publishers : HYDE PARK CORNER – PICCADILLY.

[London] : T. Nelson & Sons, [1892]. An attractive antique print – Hyde Park Corner, looking towards Piccadilly. Originally produced for the Nelson “English Scenery” series of views and view-books.
Chromolithograph on paper. Printed surface 84 x 122mm (approx. 3-1/4” x 5”). A couple of tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE SERPENTINE, FROM THE BRIDGE.

NELSON & SONS, Thomas – publishers : THE SERPENTINE, FROM THE BRIDGE.

[London] : T. Nelson & Sons, [1889]. An attractive antique print – the Serpentine in Hyde Park – swans and a rowing boat on the lake. Originally produced for the Nelson “English Scenery” series of views and view-books.
Chromolithograph on paper. Printed surface 82 x 122mm (approx. 3-1/8” x 4-3/4”). A couple of tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BRIDGE OVER THE SERPENTINE.

[PAYNE, Albert Henry, 1812-1902] : BRIDGE OVER THE SERPENTINE.

[London : E. T. Brain & Co., 1847]. An attractive small antique print – the graceful bridge over the Serpentine built by John Rennie. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 67 x 83mm (approx. 2-5/8” x 3-1/4”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/076A.

£20

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ANTIQUE PRINT: ROYAL HUMANE SOCIETY SERPENTINE.

[PAYNE, Albert Henry, 1812-1902] : ROYAL HUMANE SOCIETY SERPENTINE.

[London : E. T. Brain & Co., 1847]. An attractive small antique print – the Humane Society Receiving House, erected in 1834. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 67 x 83mm (approx. 2-5/8” x 3-1/4”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/076B.

£20

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ANTIQUE PRINT: HYDE PARK CORNER IN 1750. (FROM THE CRACE COLLECTION.)

PRIOR, William Henry, 1812-1882 : HYDE PARK CORNER IN 1750. (FROM THE CRACE COLLECTION.)

[London : 1878 (or later)]. A pleasant antique print – the still rural western approach to London in the eighteenth century. Engraved from a study (based on a drawing in the Crace Collection) by William Henry Prior and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 144 x 210mm (approx. 5-7/8” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: OUTFALL OF WESTBOURNE.

PRIOR, William Henry, 1812-1882 : OUTFALL OF WESTBOURNE.

[London : 1878 (or later)]. A pleasant antique print – the old River Westbourne entering Hyde Park near Lancaster Gate – where it is dammed to form the Serpentine – a bridge, a fountain, etc. Engraved from a study by William Henry Prior and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 107 x 145mm (approx. 4-1/4” x 5-3/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE ENTRANCE TO HYDE PARK ON A SUNDAY.

PUGH, Edward, 1763-1813 : THE ENTRANCE TO HYDE PARK ON A SUNDAY.

London : Richard Phillips, 1804. A most attractive antique print – the Sunday parade and promenade of fashion and quality in Hyde Park – Rotten Row to the left – the Serpentine and Kensington Gardens beyond. Engraved by John Pass (fl.1796-1828) from an original study by Edward Pugh, and originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (1804).
Copper line engraving on paper. Engraved surface 139 x 185mm (approx. 5-3/8” x 7-1/4”). A few faint specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 89/007.

£50

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ANTIQUE PRINT: HYDE PARK ON SUNDAY. (FROM A PRINT PUBLISHED IN 1804.)

[PUGH, Edward, 1763-1813] : HYDE PARK ON SUNDAY. (FROM A PRINT PUBLISHED IN 1804.)

[London : 1878 (or later)]. A very attractive antique print – the Sunday parade and promenade of fashion and quality in Hyde Park – Rotten Row to the left – the Serpentine and Kensington Gardens beyond. Engraved from an 1804 print by Edward Pugh and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 123 x 210mm (approx. 5-5/8” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: OLD HYDE PARK CORNER, IN 1820. (FROM MR. CRACE’S COLLECTION.)

QUARTLEY, John Arthur, 1818?-1895 : OLD HYDE PARK CORNER, IN 1820. (FROM MR. CRACE’S COLLECTION.)

[London : 1878 (or later)]. An attractive antique print – old Hyde Park Corner, with the turnpike lodges. Engraved by John Arthur Quartley (1818?-1895) and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 144 x 210mm (approx. 5-5/8” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: HER MAJESTY’S BOUDOIR. IN THE GREAT EXHIBITION OF 1851. NO. 11.

READ, Samuel, 1815-1883 : HER MAJESTY’S BOUDOIR. IN THE GREAT EXHIBITION OF 1851. NO. 11.

[London : Read & Co., 1851]. An interesting antique print – Queen Victoria and the royal party are bowed into the room – Hyde Park and the Serpentine through the great glass walls to the left. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 189 x 229mm (approx. 7-1/2” x 8-3/4”). A few tiny specks and faint creases to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/051.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 8. BRITISH DEPARTMENT.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. NO. 8. BRITISH DEPARTMENT.

London : Read & Co., [1851]. A delightful antique print – the manufactures of the British Isles laid out to amaze the visitors to the world’s first Great Exhibition. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. From the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 187 x 230mm (approx. 7-3/8” x 9”). In very good and clean state. A guaranteed genuine antique print. Adams 213/048.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. RUSSIAN DEPARTMENT. NO.19.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. RUSSIAN DEPARTMENT. NO.19.

London : Read & Co., [1851]. A delightful antique print – the manufactures of Russia laid out on display at the world’s first Great Exhibition. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. From the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 194 x 224mm (approx. 7-5/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 213/059.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. ITALIAN DEPARTMENT. NO.15.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. ITALIAN DEPARTMENT. NO.15.

London : Read & Co., [1851]. A handsome antique print – the manufactures of Italy – statuary predominant – the wares of Tuscany, Rome and Sardinia laid out on display at the world’s first Great Exhibition. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. From the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 188 x 223mm (approx. 7-3/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 213/055.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 4. FROM TRANSEPT LOOKING EAST.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. NO. 4. FROM TRANSEPT LOOKING EAST.

[London : Read & Co., 1851]. An interesting antique print – the elaborate interior of the original Crystal Palace in Hyde Park, as laid out for the Great Exhibition of 1851 – fountains, trees, statuary and enthralled visitors. Engraved by Thomas Clark (fl.1831-1855) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 188 x 231mm (approx. 7-3/8” x 9-1/8”). A couple of tiny marks to outer margins, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 213/044.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 6. AMERICAN  DEPARTMENT, (EAST END).

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. NO. 6. AMERICAN DEPARTMENT, (EAST END).

[London : Read & Co., 1851]. A handsome antique print – the American eagle hovers over the wares of the United States – india rubber goods and official catalogues say the placards. The display at the world’s first Great Exhibition. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 188 x 232mm (approx. 7-1/2” x 9-1/8”). A few tiny marks and specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/046.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 7. SOUTH TRANSEPT.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. NO. 7. SOUTH TRANSEPT.

[London : Read & Co., 1851]. A lively antique print – the world’s first Great Exhibition thronging with visitors, shawls and silks in the upper gallery, good from India and China on either side of the aisle. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 189 x 226mm (approx. 7-1/2” x 8-7/8”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/047.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. NO. 10. GRAND STATE OPENING, MAY 1, 1851.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. NO. 10. GRAND STATE OPENING, MAY 1, 1851.

[London : Read & Co., 1851]. A lively antique print – the world’s first Great Exhibition thronging with visitors, soldiers at attention, Queen Victoria and the royal party on the dais. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 186 x 229mm (approx. 7-1/4” x 9”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/050.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. FRENCH & BELGIUM DEPARTMENTS. NO. 13.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. FRENCH & BELGIUM DEPARTMENTS. NO. 13.

[London : Read & Co., 1851]. An interesting antique print – goods from France and Belgium attract visitors to the world’s first great international exhibition – the galleries above feature wares specifically from Lyons. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 189 x 229mm (approx. 7-1/2” x 9”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/053.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. WEST END, LOOKING EAST. NO. 14.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. WEST END, LOOKING EAST. NO. 14.

[London : Read & Co., 1851]. A handsome antique print – visitors throng the Great Exhibition – philosophical and electrical goods in the galleries, the flag of Liverpool to the right. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 192 x 229mm (approx. 7-1/2” x 9”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/054.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. ZOLLVEREIN DEPARTMENT. NO. 16.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. ZOLLVEREIN DEPARTMENT. NO. 16.

[London : Read & Co., 1851]. A handsome antique print – visitors explore the Great Exhibition, inspecting the variety of wares available from the German states of the customs union of the Zollverein. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 186 x 229mm (approx. 7-3/8” x 9”). A few faint marks and tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/056.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. INDIAN DEPARTMENT. NO. 18.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. INDIAN DEPARTMENT. NO. 18.

[London : Read & Co., 1851]. A handsome antique print – visitors explore the Great Exhibition, the Indian department dominated by an elephant. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 192 x 225mm (approx. 7-1/2” x 8-7/8”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/058.

£40

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ANTIQUE PRINT: INTERIOR OF THE GREAT EXHIBITION. CEYLON, MALTA & CANADIAN DEPARTMENTS. NO. 20.

READ, Samuel, 1815-1883 : INTERIOR OF THE GREAT EXHIBITION. CEYLON, MALTA & CANADIAN DEPARTMENTS. NO. 20.

[London : Read & Co., 1851]. A handsome antique print – visitors explore the Great Exhibition – goods from Ceylon, Malta and Canada on the main aisle, with displays of glass and ribbons in the galleries above. Engraved by Edward Chavanne (1812-1881) from an original study by Samuel Read R.W.S., draughtsman, illustrator and painter. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 196 x 224mm (approx. 7-3/4” x 8-5/8”). A few tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/060.

£40

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ANTIQUE PRINT: A MEET OF THE FOUR-IN-HAND CLUB.

SHELDON-WILLIAMS, Alfred, 1841-1880 : A MEET OF THE FOUR-IN-HAND CLUB.

[London : 1878 (or later)]. A handsome antique print – the celebrated Four-in-Hand Club assembles in Hyde Park. Engraved by Moritz Klinkicht (1849-1932) from an original study by Alfred Sheldon-Williams. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 143 x 208mm (approx. 5-5/8” x 8-1/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: APSLEY HOUSE & ENTRANCE TO HYDE PARK. PICCADILLY.

SHEPHERD, Thomas Hosmer, 1793-1864 : APSLEY HOUSE & ENTRANCE TO HYDE PARK. PICCADILLY.

London : Read & Co., [1851]. A handsome antique print – the triple arches of the Hyde Park Screen designed by Decimus Burton, Apsley House (now the Wellington Museum), fashionably dressed pedestrians, carriages, etc. Engraved by John Wrightson (fl.1836-1865) from an original study by Thomas Hosmer Shepherd, the master recorder of 19th century London. Originally produced for the scarce part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (London 1851-1855).
Steel line engraving on paper. Later hand colour. Engraved surface 176 x 225mm (approx. 7” x 8-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 213/009.

£75

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ANTIQUE PRINT: GRAND ENTRANCE TO HYDE PARK, PICCADILLY. TO DECIMUS BURTON ESQ: THE ARCHITECT, THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : GRAND ENTRANCE TO HYDE PARK, PICCADILLY. TO DECIMUS BURTON ESQ: THE ARCHITECT, THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1828. A pleasant antique print – the triple arches of the Ionic Hyde Park Screen at Hyde Park Corner – then recently built to the designs of Decimus Burton. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 102 x 154mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/104.

£30

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ANTIQUE PRINT: INTERIOR OF THE CRYSTAL PALACE, OR GREAT BUILDING FOR INTERNATIONAL EXHIBITION, HYDE PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : INTERIOR OF THE CRYSTAL PALACE, OR GREAT BUILDING FOR INTERNATIONAL EXHIBITION, HYDE PARK.

[London : Read & Co., 1851]. A handsome antique print – the dazzling interior of the original Crystal Palace in Hyde Park, as laid out for the Great Exhibition of 1851. Engraved by Edward Chavanne (1812-1881) from an original study by the well-known Thomas Hosmer Shepherd. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (1851-1855).
Steel line engraving on paper. Engraved surface 182 x 231mm (approx. 7-1/8” x 9”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 213/043.

£40

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ANTIQUE PRINT: THE NEW BRIDGE, OVER THE SERPENTINE, HYDE PARK. TO MESSRS RENNIES, ENGINEERS, THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE NEW BRIDGE, OVER THE SERPENTINE, HYDE PARK. TO MESSRS RENNIES, ENGINEERS, THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A charming antique print – the graceful bridge over the Serpentine built by John Rennie. Engraved by Major Samuel Barenger (1776-1837) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 97 x 147mm (approx. 3-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/037.

£30

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ANTIQUE PRINT: THE NEW BRIDGE, OVER THE SERPENTINE, HYDE PARK. TO MESSRS RENNIES, ENGINEERS, THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE NEW BRIDGE, OVER THE SERPENTINE, HYDE PARK. TO MESSRS RENNIES, ENGINEERS, THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A charming antique print – the graceful bridge over the Serpentine built by John Rennie. Engraved by Major Samuel Barenger (1776-1837) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 97 x 147mm (approx. 3-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/037.

£25

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ANTIQUE PRINT: ONE OF THE NEW LODGES, HYDE PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ONE OF THE NEW LODGES, HYDE PARK.

London : Jones & Co., 1828. A pleasant antique print – the lodge designed by Decimus Burton. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/105.

£25

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ANTIQUE PRINT: [WELLINGTON ARCH] TRIUMPHAL ARCH & DUKE OF WELLINGTON’S STATUE. CONSTITUTION HILL.

SHEPHERD, Thomas Hosmer, 1793-1864 : [WELLINGTON ARCH] TRIUMPHAL ARCH & DUKE OF WELLINGTON’S STATUE. CONSTITUTION HILL.

London : Read & Co., [1851]. A delightful antique print – the Wellington or Constitution Arch at Hyde Park Corner – with its original thirty-foot high statue of Wellington. Engraved by William Edward Albutt (fl.1836-1863) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From the scarce part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (London 1851-1855).
Steel line engraving on paper. Later hand colour. Engraved surface 179 x 230mm (approx. 7-1/8” x 9-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 213/008.

£100

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ANTIQUE PRINT: PRINCE ALBERT’S MODEL LODGING HOUSE. ERECTED IN HYDE PARK 1851.

[TALLIS, John, 1818-1876 – publisher] : PRINCE ALBERT’S MODEL LODGING HOUSE. ERECTED IN HYDE PARK 1851.

[London : John Tallis & Co., 1852]. An interesting antique print – the model dwelling for four families designed by Henry Roberts for Prince Albert – exhibited in Hyde Park and later re-erected in Kennington Park, where it still stands. Originally produced for the John Tallis part-work “Tallis’s Illustrated London; in Commemoration of the Great Exhibition of All Nations in 1851. Forming a Complete Guide to The British Metropolis and its Environs” (London : 1851-1852).
Steel line engraving on paper. Engraved surface 99 x 134mm (approx. 3-7/8” x 5-1/4”). Trimmed a little tight at foot, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 215/157.

£25

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