ASH RARE BOOKS – ANTIQUE PRINTS ENGRAVED BY JOSEPH SKELTON

Antique print engraved by Joseph Skelton

ANTIQUE PRINTS ENGRAVED BY JOSEPH SKELTON AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

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ANTIQUE PRINTS ENGRAVED BY JOSEPH SKELTON (1783-1871)

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ANTIQUE PRINT: ALL HALLOWS THE GREAT. UNITED WITH ALL HALLOWS THE LESS.

CONEY, John, 1786-1833 : ALL HALLOWS THE GREAT. UNITED WITH ALL HALLOWS THE LESS.

London : J. Booth, 1812. A handsome antique print – the exterior of the Wren church of All Hallows the Great on Upper Thames Street, demolished in the late nineteenth century. Engraved by Joseph Skelton (1783-1871) from an original study (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 268 x 163mm (approx. 10-1/2” x 6-1/2”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/007.

£75

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ANTIQUE PRINT: ALLHALLOWS BREAD STREET. UNITED WITH ST. JOHN THE EVANGELIST.

CONEY, John, 1786-1833 : ALLHALLOWS BREAD STREET. UNITED WITH ST. JOHN THE EVANGELIST.

London : J. Booth, 1814. A handsome antique print – the exterior of the Wren church of Allhallows Bread Street, demolished in 1876. It once stood at the south-east corner of Bread Street and Watling Street. Engraved by Joseph Skelton (1783-1871) from an original study (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 275 x 166mm (approx. 10-3/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/006.

£75

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ANTIQUE PRINT: INTERIOR OF ST. PAUL’S, THE VIEW TAKEN FROM THE NORTHERN ENTRANCE LOOKING TOWARD THE SOUTH & WEST DOORS.

CONEY, John, 1786-1833 : INTERIOR OF ST. PAUL’S, THE VIEW TAKEN FROM THE NORTHERN ENTRANCE LOOKING TOWARD THE SOUTH & WEST DOORS.

London : J. Booth, 1818. A handsome antique print – the interior of St. Paul’s below the great dome. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the V&A) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper etching and line engraving on paper. Engraved surface 297 x 188mm (approx. 11-5/8” x 7-3/8”). A couple of tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/021.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36662 – or simply click on the button

ANTIQUE PRINT: INTERIOR OF ST. STEPHEN WALBROOK.

CONEY, John, 1786-1833 : INTERIOR OF ST. STEPHEN WALBROOK.

London : J. Booth, 1813. A handsome antique print – the celebrated interior of the Wren church. Engraved by Joseph Skelton (1783-1871) from an original drawing by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper etching and line engraving on paper. Engraved surface 224 x 226mm (approx. 8-3/4” x 8-7/8”). A few tiny marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/115.

£75

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ANTIQUE PRINT: ST. ALPHAGE.

CONEY, John, 1786-1833 : ST. ALPHAGE.

London : J. Booth, 1814. A handsome antique print – the exterior of the old church of St. Alfege London Wall – here attributed to Sir Christopher Wren, but shown as rebuilt in 1777, with its Venetian window and two pedimented doors. The church was demolished in 1923. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 205 x 217mm (approx. 8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36333 – or simply click on the button

ANTIQUE PRINT: ST. BOTOLPH ALDERSGATE.

CONEY, John, 1786-1833 : ST. BOTOLPH ALDERSGATE.

London : J. Booth, 1814. A handsome antique print – a view of the church at the corner of Little Britain and Aldersgate. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 207 x 216mm (approx. 8-1/8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/028.

£75

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ANTIQUE PRINT: ST. CLEMENTS EASTCHEAP. UNITED WITH ST. MARTIN ORGARS.

CONEY, John, 1786-1833 : ST. CLEMENTS EASTCHEAP. UNITED WITH ST. MARTIN ORGARS.

London : J. Booth, 1812. A handsome antique print – Clements Lane and the Wren church of St. Clement Eastcheap. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 213 x 197mm (approx. 8-3/8” x 7-3/4”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/035.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36338 – or simply click on the button

ANTIQUE PRINT: ST. GEORGE’S BOTOLPH, UNITED WITH ST. BOTOLPH BILLINGSGATE.

CONEY, John, 1786-1833 : ST. GEORGE’S BOTOLPH, UNITED WITH ST. BOTOLPH BILLINGSGATE.

London : J. Booth, 1814. A handsome antique print – the exterior of the now demolished Wren church of St. George Botolph Lane, with its urn-capped square tower. Farryner House now stands on the site. Engraved by Joseph Skelton (1783-1871) from an original drawing by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 265 x 167mm (approx. 10-1/2” x 6-1/2”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/044.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36336 – or simply click on the button

ANTIQUE PRINT: ST. JAMES, DUKES PLACE.

CONEY, John, 1786-1833 : ST. JAMES, DUKES PLACE.

London : J. Booth, 1812. A handsome antique print – an exterior view of the old church near Aldgate, demolished in the nineteenth century. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the Guildhall Library) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 210 x 215mm (approx. 8-1/4” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/053.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35800 – or simply click on the button

ANTIQUE PRINT: ST. JOHN OF JERUSALEM CLERKENWELL.

CONEY, John, 1786-1833 : ST. JOHN OF JERUSALEM CLERKENWELL.

London : J. Booth, 1818. A handsome antique print – the exterior of the early eighteenth-century parish church of St. John Clerkenwell as it stood in the early nineteenth century. Engraved by Joseph Skelton (1783-1871) from an original drawing by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 265 x 160mm (approx. 10-1/2” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 129/057.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36344 – or simply click on the button

ANTIQUE PRINT: ST. JOHN THE EVANGELIST, WESTMINSTER.

CONEY, John, 1786-1833 : ST. JOHN THE EVANGELIST, WESTMINSTER.

London : J. Booth, 1814. A handsome antique print – the much maligned "Queen Anne’s foot-stool" – the exterior of St. John, Smith Square – now a concert hall. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in Westminster Public Library) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are two lines of explanatory text.
Copper etching and line engraving on paper. Engraved surface 205 x 234mm (approx. 8” x 9-1/4”). A couple of tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/056.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36364 – or simply click on the button

ANTIQUE PRINT: ST. KATHERINE COLEMAN STREET.

CONEY, John, 1786-1833 : ST. KATHERINE COLEMAN STREET.

London : J. Booth, 1812. A handsome antique print – the exterior of the eighteenth-century church of St. Katherine Coleman, which used to stand just to the south of Fenchurch Street. The church was demolished in 1926. Engraved by Joseph Skelton (1783-1871) from an original drawing by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are two lines of explanatory text.
Copper etching and line engraving on paper. Engraved surface 195 x 215mm (approx. 7-5/8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/060.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36362 – or simply click on the button

ANTIQUE PRINT: ST. MARGARET PATTEN’S, UNITED WITH ST. GABRIEL FENCHURCH STREET.

CONEY, John, 1786-1833 : ST. MARGARET PATTEN’S, UNITED WITH ST. GABRIEL FENCHURCH STREET.

London : J. Booth, 1814. A handsome antique print – Rood Lane and the Wren church of St. Margaret Pattens. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 280 x 166mm (approx. 11” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/068.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35512 – or simply click on the button

ANTIQUE PRINT: ST. MARY LE STRAND.

CONEY, John, 1786-1833 : ST. MARY LE STRAND.

London : J. Booth, 1818. A handsome antique print – the Strand and the baroque magnificence of St. Mary le Strand. Engraved by Joseph Skelton (1783-1871) from an original drawing by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 262 x 167mm (approx. 10-3/8” x 6-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 129/081.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35484 – or simply click on the button

ANTIQUE PRINT: ST. MARY SOMERSET. UNITED WITH ST. MARY MOUNTHAW.

CONEY, John, 1786-1833 : ST. MARY SOMERSET. UNITED WITH ST. MARY MOUNTHAW.

London : J. Booth, 1812. A handsome antique print – the exterior of the Wren church demolished in 1831 to make way for the King William Street approach to the new London Bridge. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are two lines of explanatory text.
Copper line engraving on paper. Engraved surface 257 x 165mm (approx. 10-1/8” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/085.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36331 – or simply click on the button

ANTIQUE PRINT: ST. MATHEW FRIDAY STREET : UNITED WITH ST. PETER’S WEST CHEAP.

CONEY, John, 1786-1833 : ST. MATHEW FRIDAY STREET : UNITED WITH ST. PETER’S WEST CHEAP.

London : J. Booth, 1814. A handsome antique print – a funeral procession departs the old Wren church of St. Matthew Friday Street – demolished in 1881. Engraved by Joseph Skelton (1783-1871) from an original drawing (dated 1812 and now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 200 x 220mm (approx. 7-7/8” x 8-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 129/089.

£60

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35476 – or simply click on the button

ANTIQUE PRINT: ST. MICHAEL QUEEN-HITHE. UNITED WITH THE PARISH OF HOLY TRINITY.

CONEY, John, 1786-1833 : ST. MICHAEL QUEEN-HITHE. UNITED WITH THE PARISH OF HOLY TRINITY.

London : J. Booth, 1812. A handsome antique print – a view of Upper Thames Street, Huggin Hill, and the old Wren church demolished by the City Corporation in 1876. Engraved by Joseph Skelton (1783-1871) from an original study (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 278 x 167mm (approx. 10-7/8” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/094.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35759 – or simply click on the button

ANTIQUE PRINT: ST. MICHAEL WOOD STREET, UNITED WITH ST. MARY STAINING.

CONEY, John, 1786-1833 : ST. MICHAEL WOOD STREET, UNITED WITH ST. MARY STAINING.

London : J. Booth, 1814. A handsome antique print – the exterior of the Wren church of St. Michael Wood Street – demolished in the 1890s. Engraved by Joseph Skelton (1783-1871) from an original drawing (dated 1812 and now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 262 x 166mm (approx. 10-1/4” x 6-1/2”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/095.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36350 – or simply click on the button

ANTIQUE PRINT: ST. MICHAELS CROOKED LANE.

CONEY, John, 1786-1833 : ST. MICHAELS CROOKED LANE.

London : J. Booth, 1812. A handsome antique print – the exterior of the Wren church demolished in 1831 to make way for the King William Street approach to the new London Bridge. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 257 x 165mm (approx. 10-1/8” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/092.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36330 – or simply click on the button

ANTIQUE PRINT: ST. MILDRED BREAD STREET, UNITED WITH ST. MARGARET MOSES.

CONEY, John, 1786-1833 : ST. MILDRED BREAD STREET, UNITED WITH ST. MARGARET MOSES.

London : J. Booth, 1814. A handsome antique print – the exterior of the Wren church destroyed in the Blitz. It stood at the lower end of Bread Street – between Cannon Street and Queen Victoria Street. The premises of Underwood, boot and shoe maker, are shown in some prominence to the right of the church. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 260 x 166mm (approx. 10-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/096.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36329 – or simply click on the button

ANTIQUE PRINT: ST. SAVIOUR’S, ANCIENTLY ST. MARY OVERIE’S SOUTHWARK.

CONEY, John, 1786-1833 : ST. SAVIOUR’S, ANCIENTLY ST. MARY OVERIE’S SOUTHWARK.

London : J. Booth, 1814. A handsome antique print – a view of Southwark Cathedral from the south-west – a horse and cart pass by. Engraved by Joseph Skelton (1783-1871) from an original study by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 216 x 214mm (approx. 8-1/2” x 8-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 129/110.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35763 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN WALBROOK. UNITED WITH ST. BENNET SHEREHOG.

CONEY, John, 1786-1833 : ST. STEPHEN WALBROOK. UNITED WITH ST. BENNET SHEREHOG.

London : J. Booth, 1813. A handsome antique print – the exterior of the Wren church of St. Stephen Walbrook. Engraved by Joseph Skelton (1783-1871) from an original study (dated 1811 and now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 261 x 164mm (approx. 10-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/114.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36342 – or simply click on the button

ANTIQUE PRINT: ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

CONEY, John, 1786-1833 : ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

London : J. Booth, 1812. A handsome antique print – the exterior of the now lost Wren church of St. Swithin on Cannon Street – the London Stone prominent in the foreground. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 282 x 176mm (approx. 11-1/8” x 7”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/116.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36335 – or simply click on the button

ANTIQUE PRINT: ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

CONEY, John, 1786-1833 : ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

London : J. Booth, 1812. A handsome antique print – the exterior of the now lost Wren church of St. Swithin on Cannon Street – the London Stone prominent in the foreground. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Later hand colour. Engraved surface 282 x 176mm (approx. 11-1/8” x 7”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/116.

£100

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39868 – or simply click on the button

ANTIQUE PRINT: ST. MICHAEL PATERNOSTER ROYAL. UNITED WITH ST. MARTINS VINTRY.

CONEY, W. : ST. MICHAEL PATERNOSTER ROYAL. UNITED WITH ST. MARTINS VINTRY.

London : J. Booth, 1812. A handsome antique print – the exterior of the Wren church on College Hill. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by W. Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 269 x 164mm (approx. 10-5/8” x 6-1/2”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/093.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36327 – or simply click on the button

ANTIQUE PRINT: ST. NICHOLAS COLE ABBEY. UNITED WITH ST. NICHOLAS OLAVE.

CONEY, W. : ST. NICHOLAS COLE ABBEY. UNITED WITH ST. NICHOLAS OLAVE.

London : J. Booth, 1812. A handsome antique print – the exterior of the Wren church. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by W. Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 270 x 164mm (approx. 10-5/8” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/098.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35481 – or simply click on the button

ANTIQUE PRINT: ST. MARY MAGDALEN. UNITED WITH ST. GREGORY.

SHEPHERD, George Sidney, 1784-1862 : ST. MARY MAGDALEN. UNITED WITH ST. GREGORY.

London : J. Booth, 1812. A handsome antique print – an attractive view of the old Wren church on Knightrider Street, demolished in the nineteenth century. Engraved by Joseph Skelton (1783-1871) from an original drawing by George Sidney Shepherd. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 273 x 160mm (approx. 10-3/4” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 129/082.

£60

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35469 – or simply click on the button

ANTIQUE PRINT: ST. MARY WOOLNOTH. UNITED WITH ST. MARY WOOLCHURCH.

SHEPHERD, George Sidney, 1784-1862 : ST. MARY WOOLNOTH. UNITED WITH ST. MARY WOOLCHURCH.

London : J. Booth, 1812. A handsome antique print – the head of Lombard Street and the Hawksmoor church. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by George Sidney Shepherd. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 276 x 171mm (approx. 10-7/8” x 6-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 129/087.

£75

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ANTIQUE PRINT: ST. MILDRED’S, POULTRY. UNITED WITH ST. MARY COLECHURCH.

SHEPHERD, George Sidney, 1784-1862 : ST. MILDRED’S, POULTRY. UNITED WITH ST. MARY COLECHURCH.

London : J. Booth, 1812. A handsome antique print – a busy scene of the Poultry in the early nineteenth century, with the old Wren church of St. Mildred – long since demolished. Engraved by Joseph Skelton (1783-1871) from an original drawing by George Sidney Shepherd. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 260 x 164mm (approx. 10-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/097.

£75

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ANTIQUE PRINT: ST. SEPULCHRE SNOW HILL.

SHEPHERD, George Sidney, 1784-1862 : ST. SEPULCHRE SNOW HILL.

London : J. Booth, 1814. A handsome antique print – the exterior of Holy Sepulchre without Newgate. Engraved by Joseph Skelton (1783-1871) from an original drawing by George Sidney Shepherd. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 224 x 222mm (approx. 8-7/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 129/112.

£75

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ANTIQUE PRINT: ST. CATHERINE CREE CHURCH.

SKELTON, Joseph, 1781?-1850 : ST. CATHERINE CREE CHURCH.

London : J. Booth, 1813. A handsome antique print – the exterior of the seventeenth-century church of St. Katherine Cree on Leadenhall Street. Engraved by Joseph Skelton (1783-1871) from his own original drawing. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 193 x 205mm (approx. 7-5/8” x 8”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 189/061.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36348 – or simply click on the button

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