ASH RARE BOOKS – ANTIQUE PRINTS OF LONDON BRIDGE

Antique print of London Bridge

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ANTIQUE PRINTS OF LONDON BRIDGE

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ANTIQUE PRINT: OLD LONDON BRIDGE WITH COFFER DAMS, THE TOWER OF ST. MAGNUS CHURCH &C.

BARTLETT, William Henry, 1809-1854 & HARVEY, William, 1796-1866 : OLD LONDON BRIDGE WITH COFFER DAMS, THE TOWER OF ST. MAGNUS CHURCH &C.

[London] : Longman & Co., [1829]. A handsome antique print – old London Bridge in its last days, work in progress – the Monument, St. Magnus the Martyr, Fishmongers’ Hall and the City beyond. Engraved by John le Keux (1783-1846) from an original study by William Henry Bartlett, with the figures by the well-known William Harvey. Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1829-1830). The plate is dedicated to Henry Carington Bowles F.S.A.
Line engraving on paper. Engraved surface 170 x 204mm (approx. 6-5/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 165/001.

£75

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ANTIQUE PRINT: LONDON BRIDGE.

[BROWNE, Hablot Knight, 1815-1882 & GARLAND, Robert, 1808-1863] : LONDON BRIDGE.

[London : W. S. Orr, 1837 (but later)]. A pleasant antique print – London Bridge from the south-west – Fishmongers’ Hall, the Monument and the spire of St. Magnus the Martyr beyond. Engraved by John Woods (fl.1835-1855) from a study by Hablot Knight Browne (“Phiz”), which was in turn based on a drawing by Robert Garland. Originally produced for Wood’s “History of London : Illustrated by Views”, first published in parts 1837-1838 and subsequently reissued in various guises between 1838 and 1862.
Steel line engraving on paper. Engraved surface 114 x 151mm (approx. 4-1/2” x 6”). Faint mark to lower margin, but overall in very good and clean state. A guaranteed genuine antique print. Adams 188/011.

£40

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ANTIQUE PRINT: LONDON BRIDGE. FROM BANKSIDE. AS SEEN IN SEPTR. 1826.

COOKE, Edward William, 1811-1880 : LONDON BRIDGE. FROM BANKSIDE. AS SEEN IN SEPTR. 1826.

London : Longman & Co., J. & A. Arch & G. Cooke, 1826. An elegant antique print – old London Bridge in its last days – a panoramic view from the Monument round to the Tower of London. Etched and engraved by George Cooke (1781-1834) from an original drawing by his son, Edward William Cooke, worked up for publication by Augustus Wall Callcott (1779-1844). Originally produced for the part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 122 x 167mm (approx. 4-3/4” x 6-1/2”). A few tiny marks and specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 149/002.

£40

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ANTIQUE PRINT: PART OF THE OLD & NEW LONDON BRIDGES.

COOKE, Edward William, 1811-1880 : PART OF THE OLD & NEW LONDON BRIDGES.

London : Longman & Co., J. & A. Arch & G. Cooke, 1833. An elegant and interesting antique print – the Thames at high water, old London Bridge being dismantled, new London Bridge already busy with traffic, Southwark and Blackfriars Bridges beyond, fruit landing at Fresh Wharf to the right, small craft on the water. Etched and engraved by George Cooke (1781-1834) from an original drawing by his son, Edward William Cooke. Originally produced for the part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 150 x 200mm (approx. 6” x 7-7/8”). A few tiny marks and specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 149/003.

£75

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ANTIQUE PRINT: [LONDON BRIDGE] A LONDON MAY DAY.

DURAND, Godefroy : [LONDON BRIDGE] A LONDON MAY DAY.

[London : The Graphic, 1876]. A large and handsome antique print – pedestrian and horse-drawn traffic struggles through the howling rain at the southern end of London Bridge – umbrellas, hats and heads down. An ironic view of a London May Day, engraved from an original study by Godefroy Durand (fl.1870-1890), born in Dusseldorf of French parents in 1832 and working in London from 1870. Originally produced for "The Graphic" of 6th May 1876.
Wood engraving on paper. Later hand colour. Engraved surface 299 x 502mm (approx. 11-3/4” x 19-3/4”). Text on verso. Some wrinkling and minor discolouration to left-hand margin; very faint central fold, but otherwise in good state. A guaranteed genuine antique print.

£100

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ANTIQUE PRINT: LONDON BRIDGE.

[ENGLISH SCHOOL] : LONDON BRIDGE.

[London : Cassell & Co., 1878]. A pleasant antique print of London Bridge from the west – Fishmongers’ Hall, the Monument, St. Magnus, etc., beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 147 x 206mm (approx. 5-3/4” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: LONDON BRIDGE. (FROM A PRINT DATED 1796.)

[ENGLISH SCHOOL] : LONDON BRIDGE. (FROM A PRINT DATED 1796.)

[London : 1878 (or later)]. An attractive antique print – old London Bridge with the Monument and the church of St. Magnus the Martyr beyond. Engraved from an earlier source and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 145mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: NEW LONDON BRIDGE.

[ENGLISH SCHOOL] : NEW LONDON BRIDGE.

[London : 1860]. A pleasant small antique print – the London Bridge built between 1825 and 1831 – a view from the west, with shipping on the river. Originally produced for the publisher John Tallis’s “London Street Views” (1838 on) and reissued with Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Later hand colour. Engraved surface 58 x 116mm (approx. 2-1/4” x 4-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: OLD LONDON BRIDGE, DURING ITS DEMOLITION, FEB. 1832.

[ENGLISH SCHOOL] : OLD LONDON BRIDGE, DURING ITS DEMOLITION, FEB. 1832.

[London : J. B. Nichols & Son], 1832. An interesting and uncommon antique print – London Bridge being taken down – a view from the north-west – the masts of shipping in the Port of London beyond. Originally produced to accompany the “Gentleman’s Magazine” of March 1832.
Lithograph on paper. Printed surface 110 x 170mm (approx. 4-3/8” x 6-3/4”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: SOUTH END OF OLD LONDON BRIDGE, WITH SHOT TOWER AND ST. OLAVE’S CHURCH, IN 1820.

[ENGLISH SCHOOL] : SOUTH END OF OLD LONDON BRIDGE, WITH SHOT TOWER AND ST. OLAVE’S CHURCH, IN 1820.

[London : 1878 (or later)]. An attractive antique print – the Southwark end of London Bridge, with the old Shot Tower and the tower of St. Olave’s church beyond. Engraved from an earlier source and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 143mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: 3. – PORT OF LONDON.

[HARVEY, William, 1796-1866] : 3. – PORT OF LONDON.

[London : C. Knight, 1850]. A charming oval vignette antique print – a view from downstream towards London Bridge – the river alive with shipping and small craft. Engraved by George Dalziel (1815-1902) from an original study by the well-known William Harvey and originally produced for the part-work publication “The Land We Live In” (London : 1847-1851).
Wood engraving on paper. Later hand colour. Engraved surface 138 x 189mm (approx. 5-1/2” x 7-1/2”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: XXX. LONDON.

LIZARS, William Home, 1788-1859 – publisher : XXX. LONDON.

Edinburgh : W. H. Lizars, [ca.1850]. An attractive antique print – a panoramic view of London Bridge and the City of London, flanked by views of Windsor Castle and the Tower of London – the views entwined in an elaborate foliate border.
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 179mm (approx. 3-7/8” x 7”). Some very faint discolouration to blank margins, but otherwise in very good state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: LONDON BRIDGE FROM THE RIVER.

LUKER, William, 1862-1934 : LONDON BRIDGE FROM THE RIVER.

[London : Leadenhall Press, 1891]. A Victorian print showing London Bridge and the Thames as a working river, with lightermen at work aboard their vessels. From an original design by the painter and illustrator William Luker, engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 155 x 216mm (approx. 6-1/8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: LONDON BRIDGE, SOUTH.

LUKER, William, 1862-1934 : LONDON BRIDGE, SOUTH.

[London : Leadenhall Press, 1891]. An antique print – a Victorian view of London bridge looking north towards the Monument and the City – the foreground dominated by the Angel omnibus, top-hatted gentlemen on the top deck. From an original design by the painter and illustrator William Luker, engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 159 x 214mm (approx. 6-1/4” x 8-3/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: OLD SWAN PIER, [SWAN LANE] THAMES STREET.

LUKER, William, 1862-1934 : OLD SWAN PIER, [SWAN LANE] THAMES STREET.

[London : Leadenhall Press, 1891]. A very pleasant late Victorian print of Old Swan Pier (Swan Lane Pier) from up-river- a crowd of passengers boarding a paddle steamer – London Bridge beyond. From an original design by the painter and illustrator William Luker, engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 160 x 220mm (approx. 6-3/8” x 8-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: SHIPPING : FROM LONDON BRIDGE.

LUKER, William, 1862-1934 : SHIPPING : FROM LONDON BRIDGE.

[London : Leadenhall Press, 1891]. A Victorian print showing the scene from London Bridge, with passengers embarking on a steam vessel, etc. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 157 x 218mm (approx. 6-1/4” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: [LONDON BRIDGE] DIE NEUE BRÜCKE IN LONDON.

MEYER, Joseph, 1796-1856 – publisher : [LONDON BRIDGE] DIE NEUE BRÜCKE IN LONDON.

Hildburghausen : J. Meyer, [1840]. A fine antique print from the publisher Joseph Meyer – a view from the west, with the massed sails of the shipping below the bridge and a glimpse of the Tower of London beyond. Originally produced for Meyer’s ambitious series “Universum oder abbildung und beschreibung des sehenswerthesten ... der natur und kunst” (Hildburghausen : 1833-1860).
Steel line engraving on paper. Later hand colour. Engraved surface 122 x 150mm (approx. 4-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: LONDON BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : LONDON BRIDGE.

[London : E. T. Brain & Co., 1847]. A fine antique print giving a sweeping view of the City of London, with London Bridge and the Monument in the foreground and St. Paul’s dominating the skyline. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 91 x 138mm (approx. 3-5/8” x 5-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/065.

£50

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ANTIQUE PRINT: LONDON BRIDGE BEFORE AND SINCE THE HOUSES WERE PULLED DOWN.

PRATTENT, Thomas : LONDON BRIDGE BEFORE AND SINCE THE HOUSES WERE PULLED DOWN.

London : T. Hughes, 1805. An attractive antique print – a double before-and-after view of London Bridge. Engraved by Andrew Birrell (fl.1782-1809) from an original design by the London draughtsman, engraver, printer and printseller, Thomas Prattent (fl.1790-1819), who had premises in Cloth Fair. Originally produced for B. Lambert, “The History and Survey of London and its Environs from the Earliest Period” (London : 1805-1806).
Etching and line engraving on paper. Engraved surface 103 x 159mm (approx. 4” x 6-1/4”). A couple of faint marks, overall in very good and clean state. A guaranteed genuine antique print. Adams 96/037.

£40

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ANTIQUE PRINT: LONDON BRIDGE, 1756. FROM AN OLD VIEW, TAKEN SHORTLY BEFORE THE DEMOLITION OF THE HOUSES.

PRIOR, William Henry, 1812-1882 : LONDON BRIDGE, 1756. FROM AN OLD VIEW, TAKEN SHORTLY BEFORE THE DEMOLITION OF THE HOUSES.

[London : 1878 (or later)]. A charming antique print of the eighteenth-century bridge, still with its houses. Engraved by Joseph Swain (1820-1909) from a study (based on earlier sources) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 144 x 217mm (approx. 5-5/8” x 8-1/2”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: THE UPPER POOL [PORT OF LONDON].

SALMON, John Francis, 1808-1886 : THE UPPER POOL [PORT OF LONDON].

[London : W. S. Orr, 1838]. A charming antique print of the Port of London, with shipping on the river and London Bridge and St. Paul’s in the background. Engraved by John Woods (fl.1835-1855) from a drawing by the landscape-painter John Francis Salmon. Originally produced for Woods’ “History of London : Illustrated by Views”, first published in parts 1837-1838.
Steel line engraving on paper. Engraved surface 116 x 153mm (approx. 4-5/8” x 6”). A few faint and tiny marks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 188/004.

£40

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ANTIQUE PRINT: LONDON FROM THE TOWER OF SAINT SAVIOUR’S.

SCOTT, William Bell, 1811-1890 : LONDON FROM THE TOWER OF SAINT SAVIOUR’S.

[London : A. Fullarton & Co., 1859]. An attractive panoramic view of the City of London, looking north across London Bridge to St. Paul’s, the shipping on the river, the spires of the City churches, the Monument and the Tower of London. Drawn and engraved by William Bell Scott, the Scottish art historian, poet, engraver and painter of the Pre-Raphaelite school.
Steel line engraving on paper. Engraved surface 112 x 180mm (approx. 4-1/2” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print.

£75

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ANTIQUE PRINT: NEW LONDON BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : NEW LONDON BRIDGE.

[London : Jones & Co., 1832]. A pleasant antique print – the newly completed bridge from the west, looking towards the Tower, the river busy with water traffic. Engraved by Robert Acon (1792-1880) from an original drawing by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 105 x 165mm (approx. 4-1/8” x 6-1/2”). Small mark in upper margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 161/173.

£50

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ANTIQUE PRINT: NEW LONDON BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : NEW LONDON BRIDGE.

[London : Jones & Co., 1832]. A pleasant antique print – the newly completed bridge from the west, looking towards the Tower, the river busy with water traffic. Engraved by Robert Acon (1792-1880) from an original drawing by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 105 x 165mm (approx. 4-1/8” x 6-1/2”). Small mark in lower margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 161/173.

£40

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ANTIQUE PRINT: NEW LONDON BRIDGE, WITH THE LORD MAYOR’S PROCESSION PASSING UNDER THE UNFINISH'D ARCHES, NOVR. 9, 1827.

SHEPHERD, Thomas Hosmer, 1793-1864 : NEW LONDON BRIDGE, WITH THE LORD MAYOR’S PROCESSION PASSING UNDER THE UNFINISH'D ARCHES, NOVR. 9, 1827.

London : Jones & Co., 1828. A delightful antique print – a lively river scene, the new bridge bedecked with flags. Engraved by the highly skilled Thomas Higham (1796-1844) from an original drawing (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 103 x 151mm (approx. 4” x 5-7/8”). A few specks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/093.

£40

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ANTIQUE PRINT: OLD LONDON BRIDGE, FROM SOUTHWARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : OLD LONDON BRIDGE, FROM SOUTHWARK.

[London : Jones & Co., 1830]. A delightful antique print – a busy river scene with barges and water traffic and, in the foreground, a lighter laden with blocks of stone for the new London Bridge then being built upstream of the old one. The skyline is dominated by the Monument and the spire of St Magnus the Martyr. Engraved by the well-known William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 100 x 155mm (approx. 4” x 6-1/8”). Short tear to right-hand margin, just touching the engraved surface; tiny mark to left margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 161/171.

£40

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ANTIQUE PRINT: THE THAMES, FROM THE TOWER TO WESTMINSTER.

SULMAN, Thomas, 1832-1900 : THE THAMES, FROM THE TOWER TO WESTMINSTER.

[London : W. H. Allen, 1891]. A handsome and unusual bird’s-eye view of the central London portion of the Thames – from the Tower of London to the Houses of Parliament, with the eight bridges between. Designed by the architectural draughtsman Thomas Sulman, engraved by George William Ruffle (1838-1901), and originally produced for Herbert Fry’s "London: Illustrated by Twenty Bird’s Eye Views of the Principal Streets" (1891).
Wood engraving on paper, with letter-press shoulder notes. Later hand colour. Engraved surface 208 x 120mm (approx. 8-1/4” x 4-3/4”). A few small stab-marks to the original horizontal fold, but otherwise in very good and clean state. A guaranteed genuine antique map.

£75

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ANTIQUE PRINT: LONDON BRIDGE.

TOMBLESON, William : LONDON BRIDGE.

London : Tombleson & Co., [1833]. A handsome antique print of the bridge from the south, with the City of London along the far shore and St Paul’s Cathedral framed by one of the arches. With an engraved decorative border of hands clasping in amity between the arms of the City and those of Southwark. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 160 x 200mm (approx. 6-1/4” x 8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/055.

£100

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ANTIQUE PRINT: LONDON BRIDGE.

WHITTOCK, Nathaniel, 1791-1860 : LONDON BRIDGE.

[London : ca.1830]. A handsome lithograph by Nathaniel Whittock – old London Bridge from the south, with the river racing through the piers, and the Monument and St. Magnus the Martyr beyond.
Lithograph on paper. Later hand colour. Engraved surface 155 x 206mm (approx. 6-1/8” x 8-1/8”). Faint crease to sky area, but otherwise in very good and clean state. A guaranteed genuine antique print.

£125

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ANTIQUE PRINT: SOUTHWARK AND LONDON BRIDGE AS THEY APPEARED ABOUT 1546. FROM A DRAWING BY ANTY. VAN DEN WYNGRERDE, SUTHERLAND COLLECTION, BODLEIAN LIBRARY, OXFORD.

WHITTOCK, Nathaniel, 1791-1860 : SOUTHWARK AND LONDON BRIDGE AS THEY APPEARED ABOUT 1546. FROM A DRAWING BY ANTY. VAN DEN WYNGRERDE, SUTHERLAND COLLECTION, BODLEIAN LIBRARY, OXFORD.

London : Virtue & Co., [1881]. A very handsome prospect of Southwark and London Bridge as they stood in the mid sixteenth century. Below the image is a keyed reference to twenty of the principal buildings and features – Baynard Castle, the Steelyard, St. Thomas’s Hospital, etc. Drawn and etched by Nathaniel Whittock from a contemporary drawing by the peripatetic Flemish artist Anton van den Wyngaerde. Originally produced for the part-work “History of Surrey” (London : 1840-1848) – and here in the later reissue published 1878 and 1881.
Etching and engraving on paper. Engraved surface 194 x 331mm (approx. 7-5/8” x 13”). Original vertical fold, a few tiny marks and specks, but overall in very good and clean state. A guaranteed genuine antique print.

£200

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