ASH RARE BOOKS – ANTIQUE PRINTS OF KENT – MAIDSTONE

Antique print of Maidstone

ANTIQUE PRINTS OF MAIDSTONE AT
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ANTIQUE PRINTS OF MAIDSTONE

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ANTIQUE PRINT: AYLESFORD CHURCH & BRIDGE. KENT.

BARTLETT, William Henry, 1809-1854 : AYLESFORD CHURCH & BRIDGE. KENT.

London : George Virtue, 1829. A most attractive antique print – a view of the village from the river – the bridge in the foreground. Engraved by Benjamin Winkles (1805-1856) from an original study by the well-known William Henry Bartlett. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 103 x 151mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: COLLEGE GATEWAY, MAIDSTONE.

BARTLETT, William Henry, 1809-1854 : COLLEGE GATEWAY, MAIDSTONE.

London : George Virtue, 1830. An antique print – the mediaeval buildings of the College of Priests at Maidstone. Engraved by Henry Adlard (1799-1893) from an original study by the ever-reliable William Henry Bartlett. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on india paper. Later hand colour. Engraved surface 162 x 98mm (approx. 6-3/8” x 3-7/8”). Just a touch of dustiness, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: MAIDSTONE FROM THE WATER. KENT.

BARTLETT, William Henry, 1809-1854 : MAIDSTONE FROM THE WATER. KENT.

[London : George Virtue, 1829]. A charming antique print – a view of Maidstone from the river – small craft in the foreground. Engraved by Henry Adlard (1799-1893) from an original study by the well-known William Henry Bartlett. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 108 x 150mm (approx. 4-1/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: THE NEW CHURCH MAIDSTONE. KENT.

BARTLETT, William Henry, 1809-1854 : THE NEW CHURCH MAIDSTONE. KENT.

London : George Virtue, 1829. An antique print of the elegant new church (Holy Trinity) – engraved by Benjamin Winkles (1805-1856) from an original study by the well-known William Henry Bartlett. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 102 x 148mm (approx. 4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: ALLINGTON CASTLE. NEAR TUNBRIDGE, KENT.

BURFORD, Robert, 1792-1861 : ALLINGTON CASTLE. NEAR TUNBRIDGE, KENT.

London : George Virtue, 1828. An attractive antique print – milking time for the cows in the lee of the old castle. Engraved by Charles Mottram (1807-1876) from an original study by the landscape artist Robert Burford. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 105 x 148mm (approx. 4-1/8” x 5-7/8”). A very faint marks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: ALLINGTON CASTLE. NEAR TUNBRIDGE, KENT.

BURFORD, Robert, 1792-1861 : ALLINGTON CASTLE. NEAR TUNBRIDGE, KENT.

[London : George Virtue, 1828]. An attractive antique print – milking time for the cows in the lee of the old castle. Engraved by Charles Mottram (1807-1876) from an original study by the landscape artist Robert Burford. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 105 x 148mm (approx. 4-1/8” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: MAIDSTONE BRIDGE.

ELLIS, William, 1756-1810 : MAIDSTONE BRIDGE.

London : J. Stratford, 1806. A very pleasant antique print – the bridge and the adjacent houses – engraved by Samuel Turner Sparrow (fl.1784-1810) from an original study by William Ellis. Originally produced for James Stratford’s part-work series “London; being an Accurate History and Description of the British Metropolis and its Neighbourhood ... by David Hughson” (London : 1805-1810). “Hughson” was in fact the pseudonym of David Pugh.
Copper line engraving on paper. Later hand colour. Engraved surface 111 x 168mm (approx. 4-3/8” x 6-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: MAIDSTONE BRIDGE.

ELLIS, William, 1756-1810 : MAIDSTONE BRIDGE.

London : J. Stratford, 1806. A very pleasant antique print – the bridge and the adjacent houses – engraved by Samuel Turner Sparrow (fl.1784-1810) from an original study by William Ellis. Originally produced for James Stratford’s part-work series “London; being an Accurate History and Description of the British Metropolis and its Neighbourhood ... by David Hughson” (London : 1805-1810). “Hughson” was in fact the pseudonym of David Pugh.
Copper line engraving on paper. Engraved surface 111 x 168mm (approx. 4-3/8” x 6-5/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ALLINGTON CASTLE. KENT.

[ENGLISH SCHOOL] : ALLINGTON CASTLE. KENT.

[London : 1860]. A charming small antique print – the gateway to Allington Castle. A note below the title refers to Sir Thomas Wyatt, etc. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 84 x 110mm (approx. 3-1/4” x 4-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: KITT’S COTTY HOUSE. KENT.

[ENGLISH SCHOOL] : KITT’S COTTY HOUSE. KENT.

[London : 1860]. A charming small antique print – the standing stone remains of the neolithic burial chamber variously known Kit’s Coity, Cotty or Coty. A note below the title refers to Saxon burials and battles, etc. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 83 x 110mm (approx. 3-3/8” x 4-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: MAIDSTONE, KENT.

[ENGLISH SCHOOL] : MAIDSTONE, KENT.

[London : 1860]. A charming small antique print -Maidstone from the river. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 85 x 110mm (approx. 3-3/8” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: WEST FRONT OF MALLING ABBEY CHURCH KENT.

HAWKSWORTH, J. : WEST FRONT OF MALLING ABBEY CHURCH KENT.

London : W. Clarke and J. Carpenter, 1809. A pleasant small antique print – engraved by James Sargant Storer (1771-1853) from a drawing by J. Hawksworth. Originally produced for the part-work series “The Antiquarian and Topographical Cabinet” (London : 1807-1811).
Copper line engraving on paper. Engraved surface 99 x 60 (approx. 3-7/8” x 2-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: [TESTON] BARHAM COURT, KENT.

HAY, Frederick Rudolph : [TESTON] BARHAM COURT, KENT.

London : John Harris, 1812. A charming antique print – Barham Court on its hall from the river and the bridge below. Engraved by Frederick Rudolph Hay (fl.1807-1831) and originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Engraved surface 108 x 148mm (approx. 4-1/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: S. W. VIEW OF MALLING ABBEY CHURCH, KENT.

JOHNSON, William : S. W. VIEW OF MALLING ABBEY CHURCH, KENT.

London : W. Clarke and J. Carpenter, 1809. A pleasant small antique print – engraved by John Greig (fl.1800-1843) from a drawing by William Johnson. Originally produced for the part-work series “The Antiquarian and Topographical Cabinet” (London : 1807-1811).
Copper line engraving on paper. Engraved surface 98 x 61 (approx. 3-7/8” x 2-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: LEEDS CASTLE.

[LYDON, Frank (Alexander Francis), 1836-1917] : LEEDS CASTLE.

[London : W. Mackenzie, 1880]. A handsome antique print – a view across grassland to the moated Leeds Castle. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 131 x 187mm (approx. 5-1/8” x 3/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: LEEDS CASTLE, KENT.

NEALE, John Preston, 1780-1847 : LEEDS CASTLE, KENT.

[London : Jones & Co., 1831]. A pleasant antique print – a view across the moat to Leeds Castle. Engraved by Thomas Hosmer Shepherd (1793-1864) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 95 x 135mm (approx. 3-3/4” x 5-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: LEEDS-CASTLE, KENT.

NIXON, John Colley, -1818 : LEEDS-CASTLE, KENT.

London : J. Walker, 1800. A handsome antique print – a prospect of the great Kentish castle and its moat – a picnic taking place in the foreground. Engraved by James Sargant Storer (1771-1853) from an original drawing by the City merchant, amateur artist and secretary of the Beefsteak Club, John Colley Nixon. Originally produced for John Walker’s “The Copper-Plate Magazine, or Monthly Cabinet of Picturesque Prints” (London : 1792-1802).
Copper line engraving on paper. Engraved surface 126 x 164mm (approx. 5” x 6-1/2”). A few faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: JENNINGS NEAR MAIDSTONE IN KENT, THE SEAT OF HER GRACE THE DUTCHESS OF ST. ALBANS.

ROOKER, Michael Angelo, 1743-1801 : JENNINGS NEAR MAIDSTONE IN KENT, THE SEAT OF HER GRACE THE DUTCHESS OF ST. ALBANS.

London : G. Kearsly, 1776. A fine antique print – an eighteenth-century view of the house from the grounds – engraved from his own original study by the much-admired Michael Angelo Rooker. Originally produced for “The Copper Plate Magazine; or, Monthly Treasure, for the Admirers of the Imitative Arts” (London : 1774-1778).
Copper line engraving on paper. Later hand colour. Engraved surface 152 x 185mm (approx. 6” x 7-1/4”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: [AYLESFORD PRIORY] THE FRYARS AT AYLESFORD. KENT. THE SEAT OF LORD AYLESFORD.

SHEPHERD, George Sidney, 1784-1862 : [AYLESFORD PRIORY] THE FRYARS AT AYLESFORD. KENT. THE SEAT OF LORD AYLESFORD.

London : George Virtue, 1829. An attractive antique print – The Friars from the lawn. Engraved by Benjamin Winkles (1805-1856) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 105 x 152mm (approx. 4-1/8” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31030 – or simply click on the button

ANTIQUE PRINT: THE BISHOP’S PALACE AT MAIDSTONE. KENT.

SHEPHERD, George Sidney, 1784-1862 : THE BISHOP’S PALACE AT MAIDSTONE. KENT.

London : George Virtue, 1829. An attractive antique print – the fourteenth-century private residence of the Archbishop of Canterbury. Engraved by Benjamin Winkles (1805-1856) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 111 x 151mm (approx. 4-3/8” x 6”). The faintest of marking to margin, but in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE GAOL, MAIDSTONE. KENT.

SHEPHERD, George Sidney, 1784-1862 : THE GAOL, MAIDSTONE. KENT.

London : George Virtue, 1829. A striking antique print – the imposing county gaol at Maidstone. Engraved by James Baylis Allen (1803-1876) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 111 x 141mm (approx. 4-3/8” x 5-5/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: HIGH STREET, MAIDSTONE. KENT. A MARKET DAY.

SHEPHERD, George Sidney, 1784-1862 : HIGH STREET, MAIDSTONE. KENT. A MARKET DAY.

London : George Virtue, 1830. A handsome antique print – the town centre bustling with activity on market-day. Engraved by Samuel Lacey (1786-1859) from an original study by the landscape painter George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 105 x 157mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: KITTS COTTY HOUSE. NEAR AYLESFORD, KENT.

SHEPHERD, George Sidney, 1784-1862 : KITTS COTTY HOUSE. NEAR AYLESFORD, KENT.

[London : George Virtue, 1828]. An attractive antique print – the standing stone remains of the neolithic burial chamber variously known Kit’s Coity, Cotty or Coty. Engraved by Samuel Lacey (1786-1859) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 102 x 145mm (approx. 4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40862 – or simply click on the button

ANTIQUE PRINT: LEEDS CASTLE. KENT. THE SEAT OF W. MARTIN, ESQ.R.

SHEPHERD, George Sidney, 1784-1862 : LEEDS CASTLE. KENT. THE SEAT OF W. MARTIN, ESQ.R.

London : George Virtue, 1829. An attractive antique print – the famous moated castle – deer in the foreground. Engraved by Thomas Garner (1789-1868) from a drawing by the landscape painter George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 108 x 155mm (approx. 4-1/4” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32134 – or simply click on the button

ANTIQUE PRINT: MAIDSTONE. FROM A FIELD ADJOINING THE LONDON ROAD. KENT.

SHEPHERD, George Sidney, 1784-1862 : MAIDSTONE. FROM A FIELD ADJOINING THE LONDON ROAD. KENT.

London : George Virtue, 1830. A charming antique print – a prospect of the town from across the river, with a harvest scene in the foreground. Engraved by Thomas Garner (1789-1868) from a drawing by the landscape painter George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 106 x 158mm (approx. 4-1/8” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: MAIDSTONE. FROM A FIELD ADJOINING THE LONDON ROAD. KENT.

SHEPHERD, George Sidney, 1784-1862 : MAIDSTONE. FROM A FIELD ADJOINING THE LONDON ROAD. KENT.

London : George Virtue, 1830. A charming antique print – a prospect of the town from across the river, with a harvest scene in the foreground. Engraved by Thomas Garner (1789-1868) from a drawing by the landscape painter George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 106 x 158mm (approx. 4-1/8” x 6-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32166 – or simply click on the button

ANTIQUE PRINT: MALLING ABBEY.

SHEPHERD, George Sidney, 1784-1862 : MALLING ABBEY.

[London : George Virtue, 1829]. A pleasant antique print – the ruined abbey – houses and the church beyond – a mother, her children and a dog in the foreground. Engraved by Henry Adlard (1799-1893) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 113 x 149mm (approx. 4-3/8” x 5-7/8”). A few small and very faint marks to margin, but in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: MALLING ABBEY.

SHEPHERD, George Sidney, 1784-1862 : MALLING ABBEY.

[London : George Virtue, 1829]. A pleasant antique print – the ruined abbey – houses and the church beyond – a mother, her children and a dog in the foreground. Engraved by Henry Adlard (1799-1893) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 113 x 149mm (approx. 4-3/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: THE MOTE NEAR MAIDSTONE. THE SEAT OF LORD ROMNEY, LORD LIEUTENANT OF THE COUNTY OF KENT.

SHEPHERD, George Sidney, 1784-1862 : THE MOTE NEAR MAIDSTONE. THE SEAT OF LORD ROMNEY, LORD LIEUTENANT OF THE COUNTY OF KENT.

[London : George Virtue, 1829]. An attractive antique print – a prospect of the eighteenth-century house from the water. Engraved by Thomas Garner (1789-1868) from a drawing by the landscape painter George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 108 x 151mm (approx. 4-3/8” x 6”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE NEW SESSIONS HOUSE, MAIDSTONE. KENT.

SHEPHERD, George Sidney, 1784-1862 : THE NEW SESSIONS HOUSE, MAIDSTONE. KENT.

London : George Virtue, 1829. A pleasant antique print, engraved by Henry Adlard (1799-1893) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 101 x 149mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE REMAINS OF THE COLLEGE AT MAIDSTONE. KENT. FOUNDED BY ARCHBISHOP COURTNEY.

SHEPHERD, George Sidney, 1784-1862 : THE REMAINS OF THE COLLEGE AT MAIDSTONE. KENT. FOUNDED BY ARCHBISHOP COURTNEY.

London : George Virtue, 1829. An attractive antique print – the fourteenth-century College of Priests (All Saints), founded by William Courtenay. The artist has smuggled his own name on to a tombstone in the foreground. Engraved by John Rogers (1800?-1882) from an original study by the landscape artist George Sidney Shepherd. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Engraved surface 114 x 145mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ALLINGTON CASTLE, KENT.

TOMBLESON, William : ALLINGTON CASTLE, KENT.

London : Tombleson & Co., [1833]. A picturesque antique print – Allington Castle on a curve of the Medway – an oast-house in the distance – the view set within an engraved decorative border of hops, etc. Engraved by Henry Winkles (1800-1860) from an original design by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Engraved surface 151 x 190mm (approx. 6” x 7-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/074.

£40

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ANTIQUE PRINT: ALLINGTON LOCKS. KENT.

TOMBLESON, William : ALLINGTON LOCKS. KENT.

London : Tombleson & Co., [1833]. A charming antique print – the Medway racing through the lock in wooded country – the view inset in an intricately engraved decorative border of leaves, etc. Engraved by James Tingle (1801-1858) from an original study by William Tombleson (fl.1824-1841) – the border engraved by John Cleghorn (1784-1873) from a design by J. Clark. Originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 155 x 191mm (approx. 6-1/8” x 7-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 178/075.

£50

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ANTIQUE PRINT: EAST FARLEIGH, KENT.

TOMBLESON, William : EAST FARLEIGH, KENT.

London : Tombleson & Co., [1833]. A charming antique print – the bridge, the weir and the village on the hill beyond – set within an elaborate engraved decorative border of hops and dolphins, etc. Engraved by T. Bishop from an original design by William Tombleson (fl.1824-1841) and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 161 x 190mm (approx. 6-1/4” x 7-1/2”). Slight mark in blank right-hand margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 178/072.

£40

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