ASH RARE BOOKS – ANTIQUE PRINTS OF MARYLEBONE

Antique print of Marylebone, London

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ANTIQUE PRINTS OF MARYLEBONE

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ANTIQUE PRINT: FITZROY SQUARE : OLD CLOTHES!

[CRAIG, William Marshall] : FITZROY SQUARE : OLD CLOTHES!

London : Richard Phillips, 1804. An interesting and uncommon antique print – an itinerant Jewish dealer in second-hand clothes does his morning round of the still not completed Fitzroy Square. The clothes (bought mainly from servants who were allowed cast-offs as perquisites) were taken to the daily Rag Fair in Rosemary Lane which commenced at noon. Engraved from an original study by William Marshall Craig (fl.1788-1828), water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (London : 1804).
Etching and line engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 132 x 100mm (approx. 5-1/4” x 4”). Some light spotting to outer margins, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/045.

£50

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ANTIQUE PRINT: MIDDLESEX HOSPITAL : NEW POTATOES.

CRAIG, William Marshall, 1764?-1829 : MIDDLESEX HOSPITAL : NEW POTATOES.

London : Richard Phillips, 1804. An attractive and unusual antique print – late June or early July in London and a street-crier with her barrow offers new potatoes at three-halfpence or a penny a pound. Behind her is the the Middlesex Hospital – the county hospital at the top of Berners Street, built in 1755. Engraved from an original study by William Marshall Craig, water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (1804).
Etching and line engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 131 x 102mm (approx. 5-1/8” x 4”). Some faint marking to outer blank margins, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/044.

£50

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ANTIQUE PRINT: PORTLAND PLACE : RABBITS.

CRAIG, William Marshall, 1764?-1829 : PORTLAND PLACE : RABBITS.

London : Richard Phillips, 1804. An attractive and unusual antique print – a street-crier offers rabbits for eating in Portland Place – then a fashionable street on the northern perimeter of town, with views across open country to the hills of Harrow, Hampstead and Highgate. Engraved from an original study by William Marshall Craig, water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (1804).
Etching, line and stipple engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 119 x 82mm (approx. 4-3/4” x 3-1/4”). A few faint marks and spots to outer blank margins, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/047.

£50

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ANTIQUE PRINT: MANCHESTER HOUSE.

[ENGLISH SCHOOL] : MANCHESTER HOUSE.

[London : 1878 (or later)]. An interesting and attractive antique print – the eighteenth-century Manchester House, later the Spanish Embassy, then Hertford House, then the French Embassy, then Hertford House once more and now the home of the Wallace Collection on Manchester Square. Originally produced for the partwork “Old and New London” (1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 107 x 145mm (approx. 4-1/4” x 5-3/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: CAVENDISH SQUARE : WALK 15TH.

GREIG, John : CAVENDISH SQUARE : WALK 15TH.

London : W. Clarke, 1817. A charming small antique map – Baker Street, Marylebone High Street, Wimpole Street, Harley Street and the streets either side – the area bounded by Oxford Street to the south, Tottenham Court Road to the East, the Edgware Road to the west, and “The New Road” (Marylebone Road) to the north. A tiny vignette view of Cavendish Square, engraved by John Greig (fl.1800-1843) from an original design by William Kendall Morland (1799-1875) completes the design. Originally produced for the part-work publication “Walks through London, including Westminster and the Borough of Southwark” (1816-1817).
Copper line engraving on paper. Engraved surface 135 x 67mm (approx. 5-3/8” x 2-3/4”). In very good and clean state. A guaranteed genuine antique map.

£30

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ANTIQUE PRINT: MARYLEBONE GARDENS. (FROM A PRINT OF 1780.)

GREENAWAY, John, 1816-1890 : MARYLEBONE GARDENS. (FROM A PRINT OF 1780.)

[London : 1878 (or later)]. A handsome antique print of the grand walk of the old Marylebone pleasure gardens. Engraved from an original study (based on an earlier source) by John Greenaway. Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Engraved surface 144 x 211mm (approx. 5-5/8” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: LANGHAM HOTEL.

LOWENSTAM, Leopold H., 1842-1898 : LANGHAM HOTEL.

[London : Cassell & Co., 1878]. A clear and elegant antique print of this early example of the grand hotel – built on Portland Place in the style of a Florentine Palace in 1864. Engraved by the Dutch-born artist-engraver Leopold H. Lowenstam and originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 149 x 197mm (approx. 5-7/8” x 7-3/4”). A few tiny specks to outer blank margins,but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: MADAME TUSSAUD’S EXHIBITION. BAZAAR, BAKER STREET.

MELVILLE, Henry, 1792-1870 : MADAME TUSSAUD’S EXHIBITION. BAZAAR, BAKER STREET.

[London : J. Mead, 1843]. An attractive antique print of the interior of the celebrated waxwork exhibition opened by Marie Tussaud (1760-1850) in 1802, settling in Baker Street in 1835. The display features George IV in his coronation robes. Drawn and engraved by Henry Melville and originally produced for the part-work “London Interiors : A Grand National Exhibition” (London : 1841-1844).
Steel line engraving on paper. Later hand colour. Engraved surface 154 x 181mm (approx. 6-1/8” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 195/036.

£40

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ANTIQUE PRINT: MADAME TUSSAUD’S EXHIBITION. BAZAAR, BAKER STREET.

MELVILLE, Henry, 1792-1870 : MADAME TUSSAUD’S EXHIBITION. BAZAAR, BAKER STREET.

[London : J. Mead, 1843]. An attractive antique print of the interior of the celebrated waxwork exhibition opened by Marie Tussaud (1760-1850) in 1802, settling in Baker Street in 1835. The display features George IV in his coronation robes. Drawn and engraved by Henry Melville and originally produced for the part-work “London Interiors : A Grand National Exhibition” (London : 1841-1844).
Steel line engraving on paper. Engraved surface 154 x 181mm (approx. 6-1/8” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 195/036.

£30

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ANTIQUE PRINT: CAVENDISH SQUARE, 1820.

PRIOR, William Henry, 1812-1882 : CAVENDISH SQUARE, 1820.

[London : 1878 (or later)]. An attractive antique print of the north-east segment of the square – the gardens, carriages, etc. From an original study (based on earlier sources) by William Henry Prior. Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 142 x 143mm (approx. 5-5/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: THE ENTRANCE TO PORTLAND PLACE, 1815.

PRIOR, William Henry, 1812-1882 : THE ENTRANCE TO PORTLAND PLACE, 1815.

[London : 1878 (or later)]. A pleasant antique print – Portland Place in the early nineteenth century – still abutting on to farmland – haymaking in the fields. Engraved from a study (based on an earlier source) by William Henry Prior and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 143mm (approx. 4-1/4” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: MARYLEBONE, FROM THE SITE OF THE PRESENT WIGMORE STREET. (FROM A PRINT OF 1750.)

PRIOR, William Henry, 1812-1882 : MARYLEBONE, FROM THE SITE OF THE PRESENT WIGMORE STREET. (FROM A PRINT OF 1750.)

[London : 1878 (or later)]. An attractive print of a rural Marylebone – a path leads to a stile – a simple wooden bridge over a stream – a small cluster of houses. Engraved from a study (based on an earlier print) by William Henry Prior. Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Engraved surface 144 x 210mm (approx. 5-5/8” x 8-1/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE MARYLEBONE SCHOOL HOUSE IN 1780.

PRIOR, William Henry, 1812-1882 : THE MARYLEBONE SCHOOL HOUSE IN 1780.

[London : 1878 (or later)]. An attractive antique print of the old Marylebone Manor House – once a hunting lodge for Henry VIII and later a boarding-school. Engraved from a study (based on an earlier source) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Engraved surface 141 x 208mm (approx. 5-1/2” x 8-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WIGMORE STREET IN 1820. (FROM A DRAWING BY SHEPHERD IN MR. CRACE’S COLLECTION.)

PRIOR, William Henry, 1812-1882 : WIGMORE STREET IN 1820. (FROM A DRAWING BY SHEPHERD IN MR. CRACE’S COLLECTION.)

[London : 1878 (or later)]. An antique print of Wigmore Street – showing the premises of David Davies & Son, coachmakers, at No.15, of Frederick Crace, house decorator, at No.14, and of Richard Hetley, glass shade maker, at No.13. Frederick Crace (1779-1859) was of course rather more than a house decorator – the royal arms are shown above his window – he was extensively employed in the decoration of the royal palaces. He was also the leading collector of London maps and prints of his day – his fine collection being purchased by the British Museum in 1880. Engraved from a study by William Henry Prior, based on an earlier drawing by Thomas Hosmer Shepherd (1793-1864) – who was employed by Crace to make water-colour drawings of London buildings – and originally produced for the part-work “Old and New London” (London : 1873-1878) – a work which itself relied heavily on the Crace Collection.
Wood engraving on paper. Later hand colour. Engraved surface 105 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. A couple of tiny spots, but otherwise in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: ALL-SOULS CHURCH, LANGHAM PLACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : ALL-SOULS CHURCH, LANGHAM PLACE.

London : Jones & Co., 1827. An elegant antique print – a view of the unusual Nash church built in 1822-1824 – a combination of Greek peristyle and spire. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 159 x 95mm (approx. 6-1/4” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/007.

£25

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ANTIQUE PRINT: [CHRIST CHURCH, COSWAY STREET] CHAPEL OF EASE, TO MARYLEBONE, STAFFORD ST. NEW ROAD.

SHEPHERD, Thomas Hosmer, 1793-1864 : [CHRIST CHURCH, COSWAY STREET] CHAPEL OF EASE, TO MARYLEBONE, STAFFORD ST. NEW ROAD.

London : Jones & Co., 1827. A charming antique print – the elegant Christ Church in Cosway Street with its domed tower, built by Philip Hardwick 1822-1825. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 154 x 92mm (approx. 6-1/8” x 3-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: [CHRIST CHURCH, COSWAY STREET] CHAPEL OF EASE, TO MARYLEBONE, STAFFORD ST. NEW ROAD.

SHEPHERD, Thomas Hosmer, 1793-1864 : [CHRIST CHURCH, COSWAY STREET] CHAPEL OF EASE, TO MARYLEBONE, STAFFORD ST. NEW ROAD.

London : Jones & Co., 1827. A charming antique print – the elegant Christ Church in Cosway Street with its domed tower, built by Philip Hardwick 1822-1825. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 154 x 92mm (approx. 6-1/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: EAST SIDE OF PARK CRESCENT.

SHEPHERD, Thomas Hosmer, 1793-1864 : EAST SIDE OF PARK CRESCENT.

[London : Jones & Co., 1829]. A very pleasant antique print – a view of the eastern half of Park Crescent and the Gardens from the Marylebone Road. Engraved by James Redaway (1797-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 150mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/144.

£30

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ANTIQUE PRINT: MIDDLESEX HOSPITAL.

SHEPHERD, Thomas Hosmer, 1793-1864 : MIDDLESEX HOSPITAL.

[London : Jones & Co., 1830]. An antique print – an elegant view of the old Middlesex Hospital on Mortimer Street (largely rebuilt in the 1930s). Engraved by John Rogers (1800?-1882) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Engraved surface 105 x 151mm (approx. 4-1/8” x 6”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 161/054.

£40

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ANTIQUE PRINT: PORTLAND PLACE.

[SHEPHERD, Thomas Hosmer, 1793-1864] : PORTLAND PLACE.

[London : R. Ackermann, 1816]. A handsome antique print – a view of Portland Place looking north to the hills of North London. Engraved by Thomas Hosmer Shepherd from his own water-colour study (now in Westminster L:ibrary). Originally produced for the April 1815 issue of Ackermann’s fashionable magazine, “The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics” – and here in the slightly later state utilised for John B. Papworth’s “Select Views of London" (1816).
Aquatint on paper. Original hand colour. Engraved surface 132 x 198mm (approx. 5-1/8” x 7-3/4”). A couple of faint marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 117/045.

£75

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ANTIQUE PRINT: ST. MARY’S CHURCH, WYNDHAM PLACE, & DISTRICT RECTORY TO ST. MARY-LE-BONE.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. MARY’S CHURCH, WYNDHAM PLACE, & DISTRICT RECTORY TO ST. MARY-LE-BONE.

London : Jones & Co., 1828. A charming antique print – an exterior view of the graceful church built by Sir Robert Smirke between 1821 and 1824. Engraved by John Wykeham Archer (1806-1864) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 155 x 92mm (approx. 6-1/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/083.

£25

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ANTIQUE PRINT: TRINITY CHURCH, NEW ROAD [EUSTON ROAD].

SHEPHERD, Thomas Hosmer, 1793-1864 : TRINITY CHURCH, NEW ROAD [EUSTON ROAD].

London : Jones & Co., 1828. A pleasant antique print of the elegant church at the head of Great Portland Street – built by John Soane between 1824 and 1828. Engraved by Henry Winsor Bond (1804-1881) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 155 x 95mm (approx. 6-1/8” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: TRINITY CHURCH, NEW ROAD [EUSTON ROAD].

SHEPHERD, Thomas Hosmer, 1793-1864 : TRINITY CHURCH, NEW ROAD [EUSTON ROAD].

London : Jones & Co., 1828. A pleasant antique print of the elegant church at the head of Great Portland Street – built by John Soane between 1824 and 1828. Engraved by Henry Winsor Bond (1804-1881) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 155 x 95mm (approx. 6-1/8” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42115 – or simply click on the button

ANTIQUE PRINT: WEST SIDE OF LANGHAM PLACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WEST SIDE OF LANGHAM PLACE.

London : Jones & Co., 1828. An elegant antique print – a view of the recently built Langham Place, looking towards the John Nash church of All Souls. Engraved by S. Owen (fl.1796-1838) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 98 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/126.

£25

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ANTIQUE PRINT: YORK GATE, REGENT’S PARK, & MARY-LE-BONE CHURCH.

SHEPHERD, Thomas Hosmer, 1793-1864 : YORK GATE, REGENT’S PARK, & MARY-LE-BONE CHURCH.

London : Jones & Co., 1827. A very attractive antique print – a view from the Outer Circle of Regent’s Park looking south across the Marylebone Road towards Marylebone Church. Engraved from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 148mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/004.

£30

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