ASH RARE BOOKS – ANTIQUE PRINTS OF MILLBANK

Antique print of Millbank

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ANTIQUE PRINTS OF MILLBANK

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ANTIQUE PRINT: VAUXHALL BRIDGE FROM THAMES WALK.

[ENGLISH SCHOOL] : VAUXHALL BRIDGE FROM THAMES WALK.

[?London : ca.1825]. An attractive and uncommon antique print – a lithographic vignette view of Vauxhall Bridge, apparently from the north-west – some kind of boat-house in the foreground. Neither artist nor series have proved capable of identification.
Lithograph on paper. Printed surface 95 x 133mm (approx. 3-3/4” x 5-1/4”). Cropped close to image; a few very faint marks, but a very good copy. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: LONDON.

GREIG, John : LONDON.

London : Vernor & Hood; J. Storer & J. Greig, 1805. A charming antique print – a vignette view – a distant prospect of London from a vantage point on the river at Millbank, the city huddled beneath St. Paul’s Cathedral. Engraved by John Greig (fl.1800-1843) from his own original design. Originally produced for the part-work “Select Views of London and its Environs: containing a Collection of Highly Finished Engravings" (London : 1804-1805).
Copper line engraving on paper. Later hand colour. Engraved surface 82 x 145mm (approx. 3-1/4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 90/041.

£40

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ANTIQUE PRINT: GROSVENOR ROAD FROM LAMBETH BRIDGE.

LUKER, William, 1862-1934 : GROSVENOR ROAD FROM LAMBETH BRIDGE.

[London : Leadenhall Press, 1893]. An attractive antique – the riverside at Pimlico in the late nineteenth century. Engraved in Paris by Ch. Guillaume & Cie. from an original design by the painter and illustrator William Luker. Originally produced for the Leadenhall Press publication “London City Suburbs” (1893).
Hand touched and finished half-tone process block. Image area 155 x 222mm (approx. 6-1/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: PENITENTIARY, MILLBANK.

[PAYNE, Albert Henry, 1812-1902] : PENITENTIARY, MILLBANK.

[London : E. T. Brain & Co., 1847]. A small antique print – the forbidding prison completed in 1821. The Tate Gallery and the Royal Army Medical College now occupy the site. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 70 x 86mm (approx. 2-3/4” x 3-3/8”). A couple of tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/034A.

£20

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ANTIQUE PRINT: MILLBANK, ABOUT 1800.

PRIOR, William Henry, 1812-1882 : MILLBANK, ABOUT 1800.

[London : 1878 (or later)]. A pleasant antique print – the still rural Millbank of about 200 years ago. Engraved by Richard Samuel Marriott (fl.1863-1875) from a study (based on an earlier source) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 105 x 142mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE OLD HORSEFERRY ABOUT 1800.

PRIOR, William Henry, 1812-1882 : THE OLD HORSEFERRY ABOUT 1800.

[London : 1878 (or later)]. A handsome antique print – a view of Millbank and the old Horse Ferry before the building of Lambeth Bridge – Lambeth Palace in the distance. Horseferry Road commemorates the site. Engraved by John Arthur Quartley (1818?-1895) from a study (based on an earlier view) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Engraved surface 144 x 208mm (approx. 5-5/8” x 8-1/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: PENITENTIARY, MILLBANK, WESTMINSTER.

SHEPHERD, Thomas Hosmer, 1793-1864 : PENITENTIARY, MILLBANK, WESTMINSTER.

London : Jones & Co., 1829. An interesting antique print – the forbidding prison completed to the designs of Robert Smirke in 1821 – the Gloucester and Cirencester pack-wagon passes by – men lever at slabs of stone in the foreground. The Tate Gallery and the Royal Army Medical College now occupy the site. Engraved by James Tingle (1801-1858) from an original pencil sketch (now in Westminster Public Library) by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 155mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/151.

£25

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ANTIQUE PRINT: VAUXHALL BRIDGE, FROM MILL BANK.

SHEPHERD, Thomas Hosmer, 1793-1864 : VAUXHALL BRIDGE, FROM MILL BANK.

[London : Jones & Co., 1829]. A most attractive antique print – Vauxhall Bridge from the east, men at work in a boatyard in the foreground, two men and a dog fishing from the bank, etc. Engraved by James Baylis Allen (1803-1876) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s partwork series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 150mm (approx. 3-7/8” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/149.

£40

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ANTIQUE PRINT: VAUXHALL BRIDGE.

TOMBLESON, William : VAUXHALL BRIDGE.

London : Tombleson & Co., [1834]. A handsome antique print – Vauxhall Bridge from the west, men at work on an upturned boat in the foreground, a glimpse of Vauxhall to the south. The view is set with an elbaorate engraved border of trellis and roses. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 168 x 210 (approx. 6-5/8” x 8-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 178/044.

£75

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