ASH RARE BOOKS – ANTIQUE PRINTS OF THE MONUMENT

Antique print of the Monument

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ANTIQUE PRINTS OF THE MONUMENT

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ANTIQUE PRINT: THE MONUMENT.

BOWLES, Thomas, 1701-1758 : THE MONUMENT.

[London : for J. Read, 1735]. A finely worked antique print – the Monument and the adjacent buildings as they looked in the early eighteenth century – three tiny figures survey the view from the gallery. Engraved by Thomas Bowles and originally produced for the partwork publication “A Survey of the Cities of London and Westminster ... by Robert Seymour” (London : 1733-1735) – Seymour being the pseudonym of John Mottley.
Copper line engraving on paper. Engraved surface 334 x 202mm (approx. 13-1/4” x 8”). Some very mild browning and faint creasing, but a very good and sharp impression. A guaranteed genuine antique print. Adams 30/008.

£200

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ANTIQUE PRINT: VIEW OF THE MONUMENT.

DAYES, Edward, 1763-1809 : VIEW OF THE MONUMENT.

London : J. Stockdale, 1796. A handsome antique print of the Monument and Fish Street Hill – a view down the hill towards St. Magnus and old London Bridge. Engraved by Philip Audinet (1766-1837) from an original study by the landscape painter Edward Dayes. Originally produced for Henry Hunter’s part-work "The History of London and its Environs” published serially between 1796 and 1811.
Copper line engraving on paper. Later hand colour. Engraved surface 259 x 169mm (approx. 10-1/8” x 6-5/8”). A few tiny marks to outer blank margins, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 107/007.

£100

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ANTIQUE PRINT: MONUMENT.

DE WINT, Peter, 1784-1849 : MONUMENT.

London : Hurst, Robinson & Co., 1825. A handsome antique print – a delicately worked view down Fish Street Hill with the Monument and St. Magnus beyond. Engraved by Charles Heath (1785-1848) from an original study by De Wint and originally produced for the never-completed and scarce part-work series “Views of London”.
Steel line engraving on india paper. Later hand colour. Engraved surface 143 x 80mm (approx. 5-5/8” x 3-1/8”). A couple of faint spots to outer margin, but overall in very good and clean state. A guaranteed genuine antique print. Adams 147/026.

£40

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ANTIQUE PRINT: THE MONUMENT ON FISH STREET HILL.

[ENGLISH SCHOOL] : THE MONUMENT ON FISH STREET HILL.

[London : R. Baldwin, 1773]. A handsome antique print – the Monument and the adjacent buildings. Originally produced for John Noorthouck’s part-work “A New History of London” (London : 1772-1773).
Copper line engraving on paper. Later hand colour. Engraved surface 156 x 72mm (approx. 6-1/8” x 2-7/8”). Cropped tight to neatlines, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 51/012B.

£40

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ANTIQUE PRINT: MONUMENT.

HULETT, James : MONUMENT.

[London : for J. Coote, ca.1765]. An attractive and uncommon antique print – a view of the Monument and Fish Street Hill in the mid eighteenth century. Engraved by James Hulett (fl.1738-1771) and originally produced to accompany the "Royal Magazine" – a periodical published monthly between 1759 and 1771.
Copper line engraving on paper. Later hand colour. Engraved surface 179 x 99mm (approx. 7” x 3-7/8”). One small mark, but in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: THE MONUMENT.

NICHOLLS, Sutton : THE MONUMENT.

[London : for W. Innys & J. Richardson, J. & P. Knapton & others, 1756]. A fine large eighteenth-century engraving of the Monument and the surrounding buildings by Sutton Nicholls (fl.1689-1729). Originally engraved for the printseller John Bowles in the 1720s and here in a later impression produced for the part-work edition of John Stow, “A Survey of the Cities of London and Westminster” (London : 1754-1757).
Copper line engraving on paper. Engraved surface 440 x 335mm (approx. 17-1/2” x 13"). Two slight horizontal creases, a few very faint marks, but in very good state. A guaranteed genuine antique print. Adams 29/040.

£250

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ANTIQUE PRINT: THE MONUMENT, FISH ST. HILL.

[PAYNE, Albert Henry, 1812-1902] : THE MONUMENT, FISH ST. HILL.

[London : E. T. Brain & Co., 1847]. An atrractive small antique print – a view down Fish Street Hill to the Monument, with St. Magnus the Martyr beyond. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 70 x 86mm (approx. 2-3/4” x 3-3/8”). A couple of specks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/030B.

£25

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ANTIQUE PRINT: THE MONUMENT AND THE CHURCH OF ST. MAGNUS, ABOUT 1800. (FROM AN OLD VIEW).

PRIOR, William Henry, 1812-1882 : THE MONUMENT AND THE CHURCH OF ST. MAGNUS, ABOUT 1800. (FROM AN OLD VIEW).

[London : 1878 (or later)]. A handsome antique print of Fish Street Hill, the old approach to London Bridge, the scene dominated by the Monument and St Magnus the Martyr. Engraved by John Arthur Quartley (1818?-1895) from a study (based on an earlier view) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Engraved surface 216 x 145mm (approx. 8-1/2” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: THE MONUMENT, FISH STREET HILL.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE MONUMENT, FISH STREET HILL.

[London : Jones & Co., 1831]. A charming antique print – a lively street scene with Fish Street Hill, the Monument, St. Magnus the Martyr and the approach to old London Bridge. Engraved by Samuel Lacey (1786-1859) from an original drawing (now in Westminster Public Library) by Thomas Hosmer Shepherd , the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 109 x 72mm (approx. 4-1/4 x 2-7/8 ). In very good and clean state. A guaranteed genuine antique print. Adams 161/095.

£25

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ANTIQUE PRINT: THE MONUMENT.

[TOMS, William Henry] : THE MONUMENT.

[London : for J. Wilkie; T. Lowndes & others, 1772]. A handsome antique print of the Monument, erected on Fish Street Hill as memorial to the Great Fire of London of 1666. Originally engraved by William Henry Toms (fl.1723-1761) for William Maitland’s “The History of London, from its Foundation” (London : 1739), and here in a slightly later impression (with Toms’ name burnished out) dating from 1772.
Copper line engraving on paper. Engraved surface 333 x 207mm (approx. 13-1/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 33/009.

£200

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ANTIQUE PRINT: MONUMENT.

WALE, Samuel, 1721-1786 : MONUMENT.

[London : R. & J. Dodsley, 1761]. A charming eighteenth-century print of Monument – engraved by John Green (fl.1754-1761) from an original study by the painter and illustrator Samuel Wale, first Professor of Perspective at the Royal Academy. Originally produced for Robert Dodsley’s part-work compilation, “London and its Environs Described” (London : 1761).
Copper line engraving on paper. Later hand colour. Engraved surface 147 x 82mm (approx. 5-3/4” x 3-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 41/055.

£40

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ANTIQUE PRINT: MONUMENT.

WALE, Samuel, 1721-1786 : MONUMENT.

[London : for Edward & Charles Dilly, 1766]. An elegant eighteenth-century antique print of the Monument. Engraved by Thomas Simpson (fl.1765-1799) from a design by Samuel Wale, the first Professor of Perspective of the Royal Academy. Originally produced to accompany John Entick’s “A New and Accurate History and Survey of London” (London : 1766).
Copper line engraving on paper. Engraved surface 147 x 81mm (approx. 5-3/4” x 3-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 44/005.

£40

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