ASH RARE BOOKS – ANTIQUE PRINTS OF OXFORDSHIRE

Antique print of Oxfordshire

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ANTIQUE PRINTS OF OXFORDSHIRE

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ANTIQUE PRINT: WOODSTOCK.

CRESWICK, Thomas, 1811-1869 : WOODSTOCK.

[Edinburgh : R. Cadell, 1847]. An attractive antique print – a distant prospect of Woodstock seen through trees. Engraved by William Forrest (1805-1889) from an original study by Thomas Creswick R.A. Originally produced for “The Poetical Works of Sir Walter Scott” (Edinburgh : 1847).
Steel line engraving on paper. Later hand colour. Engraved surface 102 x 130mm (approx. 4-1/4” x 5-1/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: BLENHEIM HOUSE, OXFORDSHIRE. THE SEAT OF HIS GRACE THE DUKE OF MARLBORO.

[ENGLISH SCHOOL] : BLENHEIM HOUSE, OXFORDSHIRE. THE SEAT OF HIS GRACE THE DUKE OF MARLBORO.

London : L. Tallis, [ca.1850]. A pleasant antique print – a view of the great Vanbrugh house from the water – a fishing party in the foregound. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 98 x 131mm (approx. 3-7/8” x 5-3/8”). A few faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: [EWELME] VIEW OF EWELM PALACE IN THE COUNTY OF OXFORD.

[ENGLISH SCHOOL] : [EWELME] VIEW OF EWELM PALACE IN THE COUNTY OF OXFORD.

[London : For the Authors, 1770]. An attractive eighteenth-century print – a view of the ancient building, flanked by trees. Originally produced for the part-work publication “England Displayed” (London : 1769-1770).
Copper line engraving on paper. Engraved surface 162 x 245mm (approx. 6-3/8” x 9-5/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: A VIEW OF DITCHLEY IN OXFORDSHIRE THE SEAT OF THE EARL OF LITCHFIELD.

[ENGLISH SCHOOL] : A VIEW OF DITCHLEY IN OXFORDSHIRE THE SEAT OF THE EARL OF LITCHFIELD.

[London : For the Authors, 1770]. A handsome antique print – Ditchley Park from the grounds. Originally produced for the part-work publication “England Displayed” (London : 1769-1770).
Copper line engraving on paper. Engraved surface 164 x 246mm (approx. 6-3/8” x 9-3/4”). In very good and clean state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: [NUNEHAM COURTENAY] EARL HARCOURTS AT NUNEHAM-COURTNAY, OXON.

IRELAND, Samuel : [NUNEHAM COURTENAY] EARL HARCOURTS AT NUNEHAM-COURTNAY, OXON.

London : S. Ireland, 1799. A fine late eighteenth-century print of Nuneham Park – visitors admire the house and grounds. Etched in aquatint from an original study by the print-dealer and amateur painter Samuel Ireland (fl.1760-1800). Originally produced for Ireland’s “Picturesque Views on the River Thames” (1792) – but here in a later impression dated 1799 in the plate.
Sepia aquatint on paper. Later hand colour. Engraved surface 134 x 165mm (approx. 5-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 71/018.

£30

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ANTIQUE PRINT: [RADCOT] RADCOTE-BRIDGE, FARRINGDON-HILL &C.

IRELAND, Samuel : [RADCOT] RADCOTE-BRIDGE, FARRINGDON-HILL &C.

London : S. Ireland, 1799. A fine late eighteenth-century print – the famous old three-arched bridge high on the Thames – a punt approaches, men fish from a boat, cattle in the meadows beyond. Etched in aquatint from an original study by the print-dealer and amateur painter Samuel Ireland (fl.1760-1800). Originally produced for Ireland’s “Picturesque Views on the River Thames” (1792) – but here in a later impression dated 1799 in the plate.
Sepia aquatint on paper. Later hand colour. Engraved surface 134 x 165mm (approx. 5-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 71/008.

£40

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ANTIQUE PRINT: SHILLINGFORD-BRIDGE, BERKS.

[IRELAND, Samuel] : SHILLINGFORD-BRIDGE, BERKS.

London : for S. Ireland, 1799. A fine antique print of the old bridge at Shillingford – a carriage heads across the bridge towards the inn. From an original study by the print-dealer and amateur painter Samuel Ireland (fl.1760-1800). Originally produced for Ireland’s “Picturesque Views on the River Thames” (1792) – and here in a later impression.
Sepia aquatint on paper. Later hand colour. Engraved surface 133 x 164mm (approx. 5-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 71/022.

£40

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ANTIQUE PRINT: BLENHEIM.

[LYDON, Frank (Alexander Francis), 1836-1917] : BLENHEIM.

[London : W. Mackenzie, 1880]. A handsome antique print – a view across the lake to the great house near Woodstock. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 132 x 190mm (approx. 5-1/8” x 7-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: DITCHLEY HOUSE.

[LYDON, Frank (Alexander Francis), 1836-1917] : DITCHLEY HOUSE.

[London : W. Mackenzie, 1880]. A handsome antique print – Ditchley House near Charlbury – a view from the formal gardens. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 143 x 194mm (approx. 5-5/8” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WYTHAM ABBEY.

[LYDON, Frank (Alexander Francis), 1836-1917] : WYTHAM ABBEY.

[London : 1880]. An attractive antique print – the old manor house at Wytham. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 130 x 192mm (approx. 5-1/8” x 7-5/8”). A few very small and faint spots to outer margin, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BLENHEIM, SOUTH EAST VIEW. OXFORDSHIRE.

NEALE, John Preston, 1780-1847 : BLENHEIM, SOUTH EAST VIEW. OXFORDSHIRE.

London : Jones & Co., 1831. A pleasant antique print – a view across the lawn to the great house at Blenheim. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Line engraving on paper. Engraved surface 97 x 127mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BLENHEIM, VIEW TAKEN FROM ROSAMOND’S WELL, OXFORDSHIRE.

[NEALE, John Preston, 1780-1847] : BLENHEIM, VIEW TAKEN FROM ROSAMOND’S WELL, OXFORDSHIRE.

[London : Jones & Co., 1831]. A pleasant antique print – swans on the lake, deer on the slopes leading up to the great house. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Line engraving on paper. Engraved surface 97 x 127mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BUCKLAND HOUSE. BERKSHIRE.

[NEALE, John Preston, 1780-1847] : BUCKLAND HOUSE. BERKSHIRE.

[London : Jones & Co., 1831]. A handsome antique print – the Palladian masterpiece designed by John Wood for Sir Robert Throckmorton. Engraved by W. Faithorn from an original study by John Preston Neale. Originally produced for the part-work series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 96 x 128mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: COKETHORPE PARK. OXFORDSHIRE.

[NEALE, John Preston, 1780-1847] : COKETHORPE PARK. OXFORDSHIRE.

[London : Jones & Co., 1831]. A charming antique print – the Queen Anne mansion near Ducklington – nowadays a school. Engraved by Charles Mottram (1807-1876) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 97 x 126mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: FAWLEY COURT, BUCKINGHAMSHIRE.

[NEALE, John Preston, 1780-1847] : FAWLEY COURT, BUCKINGHAMSHIRE.

[London : Jones & Co., 1831]. A pleasant antique print – Fawley Court near Henley – a view from the Thames. Engraved by John Greig (fl.1800-1843) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 98 x 128mm (approx. 3-7/8” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: [HEYTHROP PARK] HEYTHORPE HOUSE. OXFORDSHIRE.

NEALE, John Preston, 1780-1847 : [HEYTHROP PARK] HEYTHORPE HOUSE. OXFORDSHIRE.

London : Jones & Co., 1831. An elegant antique print – a view from the deer-park of Heythrop Park near Chipping Norton as it stood in the early nineteenth century. Engraved by Charles Mottram (1807-1876) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 98 x 129mm (approx. 3-7/8” x 5-1/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: NUNEHAM COURTENAY, OXFORDSHIRE.

[NEALE, John Preston, 1780-1847] : NUNEHAM COURTENAY, OXFORDSHIRE.

[London : Jones & Co., 1831]. An attractive antique print – a view of Nuneham Park from the river. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 98 x 128mm (approx. 3-7/8” x 5”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: SHERBOURN [SHIRBURN] CASTLE, OXFORDSHIRE.

NEALE, John Preston, 1780-1847 : SHERBOURN [SHIRBURN] CASTLE, OXFORDSHIRE.

London : Jones & Co., [1831]. A handsome antique print of the castle at Shirburn, near Watlington – the home of the Earls of Macclesfield and their celebrated library. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 99 x 126mm (approx. 3-7/8” x 5”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: RADCOT WIER.

OWEN, Samuel, 1768-1857 : RADCOT WIER.

London : Vernor, Hood & Sharpe; & W.Cooke, 1811. A very pleasant antique print – a delicate etching of a thatched cottage and a simple wooden bridge. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 131 x 193mm (approx. 5-1/8” x 7-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 106/005.

£30

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ANTIQUE PRINT: SHIPLAKE LOCK & PAPER MILL.

OWEN, Samuel, 1768-1857 : SHIPLAKE LOCK & PAPER MILL.

London : Vernor, Hood & Sharpe; & W. Cooke, 1810. A charming antique print – a delicate etching of the old lock and the mill at Shiplake. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 125 x 197mm (approx. 5” x 7-3/4”). A few tiny marks, one minor paper flaw, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: FAWLEY COURT, HENLEY. --- FREEMAN, ESQRE.

TOMBLESON, William : FAWLEY COURT, HENLEY. --- FREEMAN, ESQRE.

London : Tombleson & Co., [1834]. A handsome antique print of the Wren house from the river, with an engraved decorative border in classical style. Engraved by Henry Winkles (1800-1860) from an original design by William Tombleson (fl.1824-1841) and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 163 x 196mm (approx. 6-1/2” x 7-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 178/009.

£40

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ANTIQUE PRINT: NUNEHAM COURTENAY, OXON. LORD HARCOURTS.

TOMBLESON, William : NUNEHAM COURTENAY, OXON. LORD HARCOURTS.

London : Tombleson & Co., [1834]. An elegant antique print of the house from the river – horses on the tow-path. The central image is surrounded by an ornate emblematic border. Engraved by John Charles Varrall (1794-1855) from an original study by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 166 x 203mm (approx. 6-5/8” x 8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/004.

£40

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ANTIQUE PRINT: ABINGDON. BERKSHIRE.

TURNER, Joseph Mallord William, 1775-1851 : ABINGDON. BERKSHIRE.

London : George Virtue & Co., [1878]. A handsome antique print – a view of Abingdon from the river – cattle drink at the water’s edge in the foreground. Engraved by Charles Cousen (1813-1889) from an original study by the great J. M. W. Turner. Originally produced in 1859 – but here in a later state printed for “The Turner Gallery, a Series of One Hundred and Twenty Engravings” (London : 1878).
Steel line engraving on paper. Later hand colour. Engraved surface 203 x 245mm (approx. 8” x 9-5/8”). Just a hint of surface dust, but overall in very good and clean state. A guaranteed genuine antique print.

£50

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