ASH RARE BOOKS – ANTIQUE PRINTS OF CORNWALL – PENZANCE
ANTIQUE PRINTS OF PENZANCE AT
ANTIQUE PRINTS OF PENZANCE
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BRITTON, John, 1771-1857 : [THE MERRY MAIDENS] DANCE-MAINE, (A DRUIDICAL CIRCLE) CORNWALL.
London : Vernor & Hood, 1804. A most attractive antique print – a view of the Merry Maidens stone circle at St. Buryan – here given its Cornish name of Dance-Maine (Dans Maen – the Stone Dance). Engraved by William Bernard Cooke (1778-1855) and George Cooke (1781-1834) from an original drawing by John Britton. Originally produced for the part-work “Beauties of England and Wales” (1801-1816).
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[ENGLISH SCHOOL] : PENZANCE.
[London : Cassell & Co., 1883]. A pleasant antique print – a prospect of Penzance from the shoreline. Originally produced for the partwork publication “Our Own Country” (London : 1879-1883).
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GASTINEAU, Henry, 1791-1876 : PENZANCE. CORNWALL.
[London : T. J. Allman, 1860]. An attractive antique print – a view of Penzance from the shore. Engraved by James C. Allen (fl.1821-1833) from an original study by Henry Gastineau. Originally produced to accompany “The Watering Places of Great Britain” (1833), with the present impression dated to 1860.
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STANFIELD, Clarkson, 1793-1867 : ST. MICHAEL’S MOUNT CORNWALL.
[London : Smith, Elder & Co., 1836]. A handsome antique print – St. Michael’s Mount from a choppy sea. Engraved by James Stephenson (1808-1886) from an original study by the fine marine painter Clarkson Stanfield R.A., a former sailor and, according to his friend Charles Dickens, “the most loving and lovable of men”. Originally produced for “Stanfield’s Coast Scenery. A Series of Views in the British Channel” (London : 1836).
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