ASH RARE BOOKS – ANTIQUE PRINTS OF REGENT STREET

Antique print of Regent Street

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ANTIQUE PRINTS OF REGENT STREET

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ANTIQUE PRINT: QUADRANT REGENT STREET.

[SALMON, John Francis, 1808-1886] : QUADRANT REGENT STREET.

[London : 1838 (or later)]. A charming antique print – a view of the Piccadilly Circus end of Regent Street, with ladies in a fashionable carriage, soldiers with bearskins on horseback, etc. Engraved by John Woods (fl.1835-1855) from an original study by the landscape-painter John Francis Salmon. Originally produced for Woods’ “History of London : Illustrated by Views in London and Westminster”, first published in parts 1837-1838 and subsequently reissued in various guises.
Steel line engraving on paper. Later hand colour. Engraved surface 112 x 148mm (approx. 4-1/2” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: ALL-SOULS CHURCH, LANGHAM PLACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : ALL-SOULS CHURCH, LANGHAM PLACE.

London : Jones & Co., 1827. An elegant antique print – a view of the unusual Nash church built in 1822-1824 – a combination of Greek peristyle and spire. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 159 x 95mm (approx. 6-1/4” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/007.

£25

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ANTIQUE PRINT: BUILDINGS ON THE EAST SIDE OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : BUILDINGS ON THE EAST SIDE OF REGENT STREET.

London : Jones & Co., 1828. An attractive antique print – the stretch of Regent Street between Tenison Court and Beak Street – the premises of Robert Burton, wax and tallow chandler at no. 172 visible on the corner of the Court. Engraved by Robert Acon (1792-1880) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 94 x 151mm (approx. 3-3/4” x 5-7/8”). In very good state. A guaranteed genuine antique print. Adams 154/048.

£30

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ANTIQUE PRINT: HARMONIC INSTITUTION, REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : HARMONIC INSTITUTION, REGENT STREET.

London : Jones & Co., 1828. A most attractive antique print – a view looking south down Regent Street from what is now Oxford Circus – with the old Harmonic Institution (built by John Nash in 1819) prominent on the corner of Little Argyle Street, and the shops of Hodge & Lowman, linen-drapers, just to the north. Engraved by William Wallis (b.1796 fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 99 x 151mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/063.

£30

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ANTIQUE PRINT: HARMONIC INSTITUTION, REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : HARMONIC INSTITUTION, REGENT STREET.

London : Jones & Co., 1828. A most attractive antique print – a view looking south down Regent Street from what is now Oxford Circus – with the old Harmonic Institution (built by John Nash in 1819) prominent on the corner of Little Argyle Street, and the shops of Hodge & Lowman, linen-drapers, just to the north. Engraved by William Wallis (b.1796 fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 151mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/063.

£25

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ANTIQUE PRINT: PART OF EAST SIDE, REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF EAST SIDE, REGENT STREET.

[London : Jones & Co., 1829]. A most attractive antique print – the stretch of Regent Street between Regent Place and Glasshouse Street – the premises of Henry Sibley, haberdasher at no.126 and those of John Newman the instrument-maker (with a giant pair of spectacles in the window) at no.122 are clearly seen. Engraved by Major Samuel Barenger (1776-1837) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 104 x 151mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/138.

£30

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ANTIQUE PRINT: PART OF EAST SIDE, REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF EAST SIDE, REGENT STREET.

[London : Jones & Co., 1829]. A most attractive antique print – the stretch of Regent Street between Regent Place and Glasshouse Street – the premises of Henry Sibley, haberdasher at no.126 and those of John Newman the instrument-maker (with a giant pair of spectacles in the window) at no.122 are clearly seen. Engraved by Major Samuel Barenger (1776-1837) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 151mm (approx. 4” x 6”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/138.

£25

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ANTIQUE PRINT: PART OF THE EAST SIDE OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF THE EAST SIDE OF REGENT STREET.

London : Jones & Co., 1827. A handsome antique print – a lively street scene showing the stretch of Regent Street running north from the corner of Great Marlborough Street – with the premises of George Frederick Urling & Co., Lacemen to the King, and Patentees of the New British Thread Lace, on the corner at no.224 (with the Royal Arms over the door), and a view of fashionable London beyond – leading to the spire of All Souls, Langham Place, in the distance. Engraved by William Wallis (fl.1816-1855) from an original study (now in the Westminster Library) by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 93 x 150mm (approx. 3-3/4” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/029.

£25

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ANTIQUE PRINT: PART OF THE EAST SIDE OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF THE EAST SIDE OF REGENT STREET.

London : Jones & Co., 1828. A most attractive antique print – an animated street scene showing the stretch of Regent Street between Regent Place and Beak Street – with the premises of William Gedge, wine merchant at no.132 (misnumbered 123 in the engraving) on the corner of Regent Place, given some prominence – fashionable shoppers passing by, and a roast chestnut-seller. Engraved by William Wallis (b.1796 fl.1816-1855) from an original study (now in Westminster Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 99 x 151mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/127.

£30

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ANTIQUE PRINT: PART OF WEST SIDE OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF WEST SIDE OF REGENT STREET.

London : Jones & Co., 1829. A charming antique print – the stretch of Regent Street just south of Heddon Street – the premises of Samuel Wollaston, wine merchant at no.129, and Bryan Courthope, decorator (no.131) given some prominence amid the flow of pedestrian traffic. Engraved by Major Samuel Barenger (1776-1837) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 149mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/139.

£25

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ANTIQUE PRINT: PART OF WEST SIDE OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF WEST SIDE OF REGENT STREET.

London : Jones & Co., 1828. A very pleasant antique print – the stretch of Regent Street between New Burlington Street and Conduit Street – with the White Horse Tavern on the corner. Engraved by William Watkins (fl.1828-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 151mm (approx. 3-7/8” x 6”). Faint and tiny mark at head, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/122.

£30

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ANTIQUE PRINT: PART OF WEST SIDE OF REGENT STREET. CONTINUED.

SHEPHERD, Thomas Hosmer, 1793-1864 : PART OF WEST SIDE OF REGENT STREET. CONTINUED.

London : Jones & Co., 1828. A very pleasant antique print – the block of buildings on Regent Street between the northern corner of Conduit Street and the head of Maddox Street – with fashionable carriages and shoppers. Engraved by William Watkins (fl.1828-1881) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 101 x 152mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/123.

£30

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ANTIQUE PRINT: REGENT’S QUADRANT.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT’S QUADRANT.

London : Jones & Co., 1827. A charming antique print – a view of the Piccadilly Circus end of Regent Street, with fashionable carriages and the imposing premises of the Provident Life Office, with its arcaded frontage, to the right. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 94 x 149mm (approx. 3-3/4” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: REGENT’S QUADRANT.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT’S QUADRANT.

London : Jones & Co., 1827. A charming antique print – a view of the Piccadilly Circus end of Regent Street, with fashionable carriages and the imposing premises of the Provident Life Office, with its arcaded frontage, to the right. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Engraved surface 94 x 149mm (approx. 3-3/4” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: THE QUADRANT, AND PART OF REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE QUADRANT, AND PART OF REGENT STREET.

London : Jones & Co., 1828. A charming antique print – the Piccadilly Circus end of Regent Street, looking north towards the corner of Vigo Street, with the graceful arcades of the Quadrant. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 148mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/062.

£40

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ANTIQUE PRINT: [PICCADILLY CIRCUS] THE QUADRANT, REGENT’S STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : [PICCADILLY CIRCUS] THE QUADRANT, REGENT’S STREET.

London : Read & Co., [1851]. A splendid, scarce and sought-after antique print – Piccadilly Circus under its original name and the lower end of Regent Street, with the original premises of Swan & Edgar clearly shown to the left and the imposing premises of the Provident Life Office, with its arcaded frontage, to the right. Engraved by Edward Chavanne (1812-1881) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for the part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (London : 1851-1855).
Steel line engraving on paper. Later hand colour. Engraved surface 167 x 224mm (approx. 6-5/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 213/015.

£125

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ANTIQUE PRINT: REGENT STREET FROM THE CIRCUS PICCADILLY. PREVIOUS TO TAKING DOWN CARLTON PALACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT STREET FROM THE CIRCUS PICCADILLY. PREVIOUS TO TAKING DOWN CARLTON PALACE.

London : Jones & Co., 1828. A pleasant antique print – a view from Piccadilly Circus down Lower Regent Street to Pall Mall. Engraved by Robert Wallis (1794-1878) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s partwork series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 151mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/053.

£30

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ANTIQUE PRINT: REGENT STREET FROM THE CIRCUS PICCADILLY. PREVIOUS TO TAKING DOWN CARLTON PALACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT STREET FROM THE CIRCUS PICCADILLY. PREVIOUS TO TAKING DOWN CARLTON PALACE.

London : Jones & Co., 1828. A pleasant antique print – a view from Piccadilly Circus down Lower Regent Street to Pall Mall. Engraved by Robert Wallis (1794-1878) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s partwork series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 151mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/053.

£25

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ANTIQUE PRINT: REGENT ST. FROM THE QUADRANT. LOOKING NORTH.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT ST. FROM THE QUADRANT. LOOKING NORTH.

London : Read & Co., [1855]. A delightful antique print – a busy Regent Street looking north from what is now Piccadilly Circus. Engraved by Joshua Hopkins (fl.1837-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for the scarce part-work series generally known as “The World’s Metropolis, or Mighty London, Illustrated by a Series of Views Beautifully Engraved on Steel” (London : 1851-1855).
Steel line engraving on paper. Later hand colour. Engraved surface 176 x 224mm (approx. 6-7/8” x 8-7/8”). In fine and clean state. A guaranteed genuine antique print. Adams 213/090.

£125

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ANTIQUE PRINT: REGENT STREET FROM THE QUADRANT.

SHEPHERD, Thomas Hosmer, 1793-1864 : REGENT STREET FROM THE QUADRANT.

London : Jones & Co., 1828. A handsome antique print – an elegant Regent Street looking north from what is now Piccadilly Circus. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 97 x 153mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/061.

£30

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ANTIQUE PRINT: ST. GEORGE’S CHAPEL, REGENT STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. GEORGE’S CHAPEL, REGENT STREET.

London : Jones & Co., 1827. A most attractive antique print – a view looking south down Regent Street, from just above Princes Street to beyond Hanover Street, with the old chapel (built by Charles Robert Cockerell in 1823) and the shops of Miles Dison & Son (Foreign and British Lacemen) at no. 237, and William Pritchard, hatmaker, at no. 239, on the corners of Princes Street, fashionable carriages, shoppers, etc. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 93 x 145mm (approx. 3-5/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/022.

£30

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ANTIQUE PRINT: ST. PHILIP’S CHAPEL, REGENT STREET. TO FIELD MARSHALL, HIS ROYAL HIGHNESS PRINCE LEOPOLD OF SAXE COBURG, THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. PHILIP’S CHAPEL, REGENT STREET. TO FIELD MARSHALL, HIS ROYAL HIGHNESS PRINCE LEOPOLD OF SAXE COBURG, THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A handsome antique print – a view of the west side of the lower end of Regent Street, south of Piccadilly Circus, between Charles II Street and Jermyn Street. The old chapel (built by George Stanley Repton in 1819-1820 and demolished in 1904), the adjacent buildings either side, fashionable carriages, shoppers, etc. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 145mm (approx. 3-3/4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/021.

£30

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ANTIQUE PRINT: WATERLOO PLACE, & PART OF REGENT STREET. TO HIS GRACE THE DUKE OF WELLINGTON THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : WATERLOO PLACE, & PART OF REGENT STREET. TO HIS GRACE THE DUKE OF WELLINGTON THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1828. A most attractive antique print of Regency London – a lively view looking north from Nash’s Waterloo Place along Lower Regent Street towards Piccadilly. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 153mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/060.

£30

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ANTIQUE PRINT: WATERLOO PLACE, & PART OF REGENT STREET. TO HIS GRACE THE DUKE OF WELLINGTON THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : WATERLOO PLACE, & PART OF REGENT STREET. TO HIS GRACE THE DUKE OF WELLINGTON THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1828. A most attractive antique print of Regency London – a lively view looking north from Nash’s Waterloo Place along Lower Regent Street towards Piccadilly. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 100 x 153mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/060.

£25

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ANTIQUE PRINT: WEST SIDE OF LANGHAM PLACE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WEST SIDE OF LANGHAM PLACE.

London : Jones & Co., 1828. An elegant antique print – a view of the recently built Langham Place, looking towards the John Nash church of All Souls. Engraved by S. Owen (fl.1796-1838) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 98 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/126.

£25

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