ASH RARE BOOKS – ANTIQUE PRINTS OF REGENT’S PARK

Antique print of Regent’s Park, London

ANTIQUE PRINTS OF REGENT’S PARK AT
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ANTIQUE PRINTS OF REGENT’S PARK

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ANTIQUE PRINT: THE VILLA OF J.S. BURTON ESQRE. REGENT’S PARK.

HARDING, James Duffield, 1797-1863 & HARVEY, William, 1796-1866 : THE VILLA OF J.S. BURTON ESQRE. REGENT’S PARK.

London : Longman & Co. ; J. & A. Arch; Carpenter & Son, & G. Cooke, 1827. A handsome antique print – the graceful lodge known as The Holme and designed for his father in 1819 by the young Decimus Burton – children play by the water as the adults look on. Etched and engraved by George Cooke (1781-1834) from an original study by James Duffield Harding, with the figures by William Harvey. Originally produced for Cooke’s part-work “Views in London and its Vicinity” series (1826-1834).
Etching and line engraving on paper. Engraved surface 133 x 178mm (approx. 5-1/4” x 7”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: HANOVER TERRACE, REGENT’S PARK.

HARVEY, William, 1796-1866 : HANOVER TERRACE, REGENT’S PARK.

London : Longman & Co. ; J. & A. Arch; Carpenter & Son, & G. Cooke, 1827. A handsome antique print – the newly built Hanover Terrace brings forth a throng of fashionably-dressed visitors. Etched and engraved by George Cooke (1781-1834) from an original study, with figures by William Harvey. Originally produced for Cooke’s part-work “Views in London and its Vicinity” series (1826-1834).
Etching and line engraving on paper. Engraved surface 121 x 177mm (approx. 4-3/4” x 7”). A couple of tiny marks and specks, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: HANOVER TERRACE, REGENT’S PARK.

LOWENSTAM, Leopold H., 1842-1898 : HANOVER TERRACE, REGENT’S PARK.

[London : Cassell & Co., 1878]. A pleasant attractive antique print of Hanover Terrace in Regent’s Park – once the home of Wilkie Collins – built by John Nash in the 1820s. Engraved by the Dutch-born artist-engraver Leopold H. Lowenstam and originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 143 x 198mm (approx. 5-5/8” x 7-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: HALL OF MIRRORS, COLOSSEUM : REGENT’S PARK.

MARSHALL, Charles, 1806-1890 : HALL OF MIRRORS, COLOSSEUM : REGENT’S PARK.

[London : 1838]. A charming antique print – the ornate interior of the Colosseum built by Decimus Burton in 1823-1827. Engraved by Thomas Turnbull (fl.1827-1843) from an original study by the landscape painter Charles Marshall. Originally produced for the part-work “Select Illustrated Topography of Thirty Miles Round London” (London : 1837-1838).
Steel line engraving on paper. Engraved surface 118 x 144mm (approx. 4-5/8” x 5-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 190/023.

£25

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ANTIQUE PRINT: CORNWALL TERRACE, REGENT’S PARK.

[PAYNE, Albert Henry, 1812-1902] : CORNWALL TERRACE, REGENT’S PARK.

[London : E. T. Brain & Co., 1847]. A charming small antique print of Cornwall Terrace (at the south-west corner of the Park). An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/097B.

£20

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ANTIQUE PRINT: HANOVER TERRACE, REGENT’S PARK.

[PAYNE, Albert Henry, 1812-1902] : HANOVER TERRACE, REGENT’S PARK.

[London : E. T. Brain & Co., 1847]. A pleasant small antique print of Hanover Terrace in Regent’s Park, built by John Nash in the 1820s. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). A few tiny specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/097A.

£20

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ANTIQUE PRINT: MACCLESFIELD BRIDGE, REGENT’S PARK.

[PAYNE, Albert Henry, 1812-1902] : MACCLESFIELD BRIDGE, REGENT’S PARK.

[London : John Tallis & Co., 1852]. A pleasant, small, antique print – a barge on the Grand Union Canal near Macclesfield Bridge (near the North Gate of the Park). An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 69 x 86mm (approx. 2-3/4” x 3-3/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/095B.

£20

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ANTIQUE PRINT: ENTRANCE TO THE ZOOLOGICAL GARDENS IN 1840.

PRIOR, William Henry, 1812-1882 : ENTRANCE TO THE ZOOLOGICAL GARDENS IN 1840.

[London : 1878 (or later)]. An interesting antique print – the ornately rustic entrance to London Zoo in the mid-nineteenth century. Engraved from a study by William Henry Prior and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: COLISEUM REGENT’S PARK.

ROBERTS, Edward John, 1797-1865 : COLISEUM REGENT’S PARK.

[London : 1838 (or later)]. A handsome antique print – fashionable traffic passes the stately portico and glazed dome of the Colosseum built by Decimus Burton in 1823-1827 for the display of giant panoramas. The building stood on the site of the present Cambridge Gate. Engraved by John Cox (fl.1834-1839) from an original study by Roberts – presumably Edward John Roberts. Originally produced for John Woods’ “History of London : Illustrated by Views in London and Westminster”, first published in parts 1837-1838 and subsequently reissued in various guises.
Steel line engraving on paper. Engraved surface 118 x 148mm (approx. 4-5/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 188/029.

£30

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ANTIQUE PRINT: CUMBERLAND TERRACE, REGENTS PARK.

[SALMON, John Francis & GARLAND, Robert, 1808-1863] : CUMBERLAND TERRACE, REGENTS PARK.

[London : 1838 (but later)]. A pleasant antique print – the finest of the Nash terraces. Engraved by John Woods (fl.1835-1855) from a sketch by Robert Garland, worked up for publication by the landscape-painter John Francis Salmon (1808-1886). Originally produced for Woods’ “History of London : Illustrated by Views”, first published in parts 1837-1838 and subsequently reissued in various guises between 1838 and 1862.
Steel line engraving on paper. Later hand colour. Engraved surface 112 x 150mm (approx. 4-3/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 188/015.

£30

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ANTIQUE PRINT: CUMBERLAND TERRACE, REGENTS PARK.

[SALMON, John Francis & GARLAND, Robert, 1808-1863] : CUMBERLAND TERRACE, REGENTS PARK.

[London : 1838 (but later)]. A pleasant antique print – the finest of the Nash terraces. Engraved by John Woods (fl.1835-1855) from a sketch by Robert Garland, worked up for publication by the landscape-painter John Francis Salmon (1808-1886). Originally produced for Woods’ “History of London : Illustrated by Views”, first published in parts 1837-1838 and subsequently reissued in various guises between 1838 and 1862.
Steel line engraving on paper. Engraved surface 112 x 150mm (approx. 4-3/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 188/015.

£25

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ANTIQUE PRINT: ST. KATHERINES HOSPITAL : REGENTS PARK.

SALMON, John Francis, 1808-1886 & GARLAND, Robert, 1808-1863 : ST. KATHERINES HOSPITAL : REGENTS PARK.

[London : W. S. Orr, 1838 (but later)]. A pleasant antique print – St. Katherine’s Royal Hospital and the twin-spired chapel. Engraved by John Woods (fl.1835-1855) from a sketch by Robert Garland, worked up for publication by the landscape-painter John Francis Salmon. Originally produced for Woods’ “History of London : Illustrated by Views”, first published in parts 1837-1838 and subsequently reissued in various guises between 1838 and 1862.
Steel line engraving on paper. Engraved surface 109 x 149mm (approx. 4-1/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 188/030.

£25

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ANTIQUE PRINT: ALBANY COTTAGE, REGENT’S PARK. THE RESIDENCE OF THO.S RAIKES, ESQ.

SHEPHERD, Thomas Hosmer, 1793-1864 : ALBANY COTTAGE, REGENT’S PARK. THE RESIDENCE OF THO.S RAIKES, ESQ.

[London : Jones & Co., 1829]. A pleasant antique print of Albany Cottage (later known as North Villa) – the home of the dandy and diarist Thomas Raikes (1777-1848). The house formerly occupied the site of the London Central Mosque. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 108 x 153mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/152.

£25

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ANTIQUE PRINT: CAMBRIDGE TERRACE AND THE COLLISEUM REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CAMBRIDGE TERRACE AND THE COLLISEUM REGENT’S PARK.

London : Jones & Co., 1828. A very attractive antique print – the then new Cambridge Terrace built by John Nash in 1824 and the Colosseum built by Decimus Burton in 1823-1827 for the display of giant panoramas (demolished in 1875). Engraved by Robert Acon (1792-1880) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 96 x 151mm (approx. 3-3/4” x 6”). A couple of tiny specks and spots, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/049.

£30

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ANTIQUE PRINT: CAMBRIDGE TERRACE AND THE COLLISEUM REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CAMBRIDGE TERRACE AND THE COLLISEUM REGENT’S PARK.

London : Jones & Co., 1828. A very attractive antique print – the then new Cambridge Terrace built by John Nash in 1824 and the Colosseum built by Decimus Burton in 1823-1827 for the display of giant panoramas (demolished in 1875). Engraved by Robert Acon (1792-1880) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Engraved surface 96 x 151mm (approx. 3-3/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/049.

£25

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ANTIQUE PRINT: THE CENTRE OF CUMBERLAND TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE CENTRE OF CUMBERLAND TERRACE, REGENT’S PARK.

[London : Jones & Co., 1829]. An elegant antique print of the central section of the most splendid of all the Nash terraces – Cumberland Terrace on the Outer Circle – built by John Nash in 1826-1828. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 101 x 145mm (approx. 4” x 5-3/4”). Trimmed within imprint at foot, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/141.

£30

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ANTIQUE PRINT: THE CENTRE OF CUMBERLAND TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE CENTRE OF CUMBERLAND TERRACE, REGENT’S PARK.

London : Jones & Co., 1829. An elegant antique print of the central section of the most splendid of all the Nash terraces – Cumberland Terrace on the Outer Circle – built by John Nash in 1826-1828. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 101 x 145mm (approx. 4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/141.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37839 – or simply click on the button

ANTIQUE PRINT: CHESTER TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CHESTER TERRACE, REGENT’S PARK.

London : Jones & Co., 1828. An elegant antique print of Chester Terrace on the Outer Circle of Regent’s Park, with its distinctive linking archways – designed by John Nash and built by James Burton in 1825. Engraved by Henry Melville (1792-1870) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 94 x 152mm (approx. 3-3/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/087.

£25

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ANTIQUE PRINT: CLARENCE TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CLARENCE TERRACE, REGENT’S PARK.

London : Jones & Co., 1827. An elegant antique print of Clarence Terrace (at the top of Baker Street) built by Decimus Burton in about 1822. Engraved by Thomas Barber (fl.1818-1840) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 102 x 155mm (approx. 4” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/006.

£25

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ANTIQUE PRINT: THE COLISEUM AND PART OF THE LAKE REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE COLISEUM AND PART OF THE LAKE REGENT’S PARK.

London : Jones & Co., 1828. A pleasing antique print – a distant view of the Colosseum built by Decimus Burton in 1823-1827 for the display of giant panoramas (demolished in 1875). Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 108 x 160mm (approx. 4-1/4” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/069.

£25

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ANTIQUE PRINT: THE COLISEUM, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE COLISEUM, REGENT’S PARK.

London : Jones & Co., 1827. A very attractive antique print – a liveried coach passes the Colosseum built by Decimus Burton in 1823-1827 for the display of giant panoramas. The building was demolished in 1875, but stood on the site of the present Cambridge Gate. Engraved by Henry Wallis (1805-1890) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 149mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/069.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 26849 – or simply click on the button

ANTIQUE PRINT: CORNWALL TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CORNWALL TERRACE, REGENT’S PARK.

London : Jones & Co., 1827. An elegant antique print of Cornwall Terrace (at the south-west corner of the Park) built by Decimus Burton in about 1821. Engraved by William Deeble (1791-1861) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 96 x 151mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/018.

£30

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ANTIQUE PRINT: CORNWALL TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : CORNWALL TERRACE, REGENT’S PARK.

London : Jones & Co., 1827. An elegant antique print of Cornwall Terrace (at the south-west corner of the Park) built by Decimus Burton in about 1821. Engraved by William Deeble (1791-1861) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 96 x 151mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/018.

£25

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ANTIQUE PRINT: CUMBERLAND TERRACE, REGENT’S PARK. TO JOHN NASH, ESQ : ARCHITECT TO THE KING &C. THIS PLATE IS RESPECTFULLY DEDICATED.

SHEPHERD, Thomas Hosmer, 1793-1864 : CUMBERLAND TERRACE, REGENT’S PARK. TO JOHN NASH, ESQ : ARCHITECT TO THE KING &C. THIS PLATE IS RESPECTFULLY DEDICATED.

London : Jones & Co., 1827. An elegant antique print of the most splendid of all the Nash terraces – Cumberland Terrace on the Outer Circle of Regent’s Park – built by John Nash in 1826-1828. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 95 x 148mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/045.

£25

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ANTIQUE PRINT: DORIC VILLA, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : DORIC VILLA, REGENT’S PARK.

London : Jones & Co., 1828. A handsome antique print of Doric Villa at the eastern end of York Terrace. Engraved by William Watkins (fl.1828-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 108 x 149mm (approx. 4-1/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/091.

£25

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ANTIQUE PRINT: EAST SIDE OF PARK SQUARE, AND DIORAMA, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : EAST SIDE OF PARK SQUARE, AND DIORAMA, REGENT’S PARK.

London : Jones & Co., 1829. A handsome antique print – soldiers parading the square and the Diorama built by Jacob Smith in 1823. Engraved by William Watkins (fl.1828-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 104 x 148mm (approx. 4-1/8” x 5-3/4”). Faint mark to blank margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/145.

£30

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ANTIQUE PRINT: [GLOUCESTER GATE] EAST GATE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : [GLOUCESTER GATE] EAST GATE, REGENT’S PARK. TO THE RT. HON. C. ARBUTHNOT, M.P. &C. &C. THIS PLATE IS MOST RESPECTFULLY INSCRIBED, BY THE EDITOR.

London : Jones & Co., 1827. A pleasant antique print of what is now the Gloucester Gate into the Park, built by John Nash in 1822. Engraved by Thomas Barber (fl.1818-1840) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 103 x 153mm (approx. 4-1/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/005.

£25

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ANTIQUE PRINT: [HANOVER GATE] WEST GATE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : [HANOVER GATE] WEST GATE, REGENT’S PARK.

London : Jones & Co., [1829]. A pleasant antique print – the western or Hanover Gate into Regent’s Park (near the London Central Mosque) as it was built by John Nash in 1822. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 99 x 145mm (approx. 3-7/8” x 5-3/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/140.

£30

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ANTIQUE PRINT: [HANOVER GATE] WEST GATE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : [HANOVER GATE] WEST GATE, REGENT’S PARK.

London : Jones & Co., [1829]. A pleasant antique print – the western or Hanover Gate into Regent’s Park (near the London Central Mosque) as it was built by John Nash in 1822. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 145mm (approx. 3-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/140.

£25

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ANTIQUE PRINT: HANOVER LODGE, REGENT’S PARK. THE RESIDENCE OF LADY ARBUTHNOT : TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : HANOVER LODGE, REGENT’S PARK. THE RESIDENCE OF LADY ARBUTHNOT : TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A pleasant antique print – the lodge built by Decimus Burton for Sir Robert Arbuthnot – later the home in turn of Admirals Thomas Cochrane and David, Earl Beatty, as well as the collector, Matthew Uzielli. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 108 x 150mm (approx. 4-1/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/017.

£25

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ANTIQUE PRINT: HANOVER TERRACE, REGENT’S PARK. INSCRIBED TO JOHN NASH, ESQ.R THE ARCHITECT OF THIS & OTHER SPLENDID WORKS IN ITS NEIGHBOURHOOD.

SHEPHERD, Thomas Hosmer, 1793-1864 : HANOVER TERRACE, REGENT’S PARK. INSCRIBED TO JOHN NASH, ESQ.R THE ARCHITECT OF THIS & OTHER SPLENDID WORKS IN ITS NEIGHBOURHOOD.

London : Jones & Co., 1827. A pleasant attractive antique print of Hanover Terrace – once the home of Wilkie Collins – as it was built by John Nash in the 1820s. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 154mm (approx.4" x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/009.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31329 – or simply click on the button

ANTIQUE PRINT: THE HOLME, REGENT’S PARK. THE RESIDENCE OF JAMES BURTON ESQR. ARCHITECT, TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE HOLME, REGENT’S PARK. THE RESIDENCE OF JAMES BURTON ESQR. ARCHITECT, TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A pleasant antique print – the lodge designed for his father in 1819 by the young Decimus Burton – swans on the water. Engraved by Josiah Henshall (1801?-1869) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 103 x 154mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/025.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32959 – or simply click on the button

ANTIQUE PRINT: THE HOLME, REGENT’S PARK. THE RESIDENCE OF JAMES BURTON ESQR. ARCHITECT, TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE HOLME, REGENT’S PARK. THE RESIDENCE OF JAMES BURTON ESQR. ARCHITECT, TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A pleasant antique print – the lodge designed for his father in 1819 by the young Decimus Burton – swans on the water. Engraved by Josiah Henshall (1801?-1869) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 103 x 154mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: AN ISLAND ON THE LAKE & PART OF CORNWALL & CLARENCE TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : AN ISLAND ON THE LAKE & PART OF CORNWALL & CLARENCE TERRACE, REGENT’S PARK.

London : Jones & Co., 1828. An elegant antique print – a view from the lake of Cornwall Terrace and Clarence Terrace (at the south-west corner of the Park). Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 109 x 160mm (approx. 4-1/4” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/068.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35704 – or simply click on the button

ANTIQUE PRINT: MACCLESFIELD BRIDGE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : MACCLESFIELD BRIDGE, REGENT’S PARK.

London : Jones & Co., 1827. A very attractive antique print – a Pickford’s barge on the Grand Union Canal approaches the bridge (near the North Gate of the Park). Engraved by Robert Acon (1792-1880) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 102 x 149mm (approx. 4” x 5-7/8”). Faint mark to lower margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/012.

£40

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ANTIQUE PRINT: [NUFFIELD LODGE] VILLA IN THE REGENT’S PARK. THE RESIDENCE OF G. B. GREENHOUGH ESQ : TO WHOM THIS PLATE IS MOST RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : [NUFFIELD LODGE] VILLA IN THE REGENT’S PARK. THE RESIDENCE OF G. B. GREENHOUGH ESQ : TO WHOM THIS PLATE IS MOST RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. An antique print of the imposing villa (originally called Grove House) at the western edge of the park – built by Decimus Burton in 1822-1824 for George Bellas Greenhough. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 102 x 152mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/010.

£25

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ANTIQUE PRINT: PARK VILLAGE EAST, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : PARK VILLAGE EAST, REGENT’S PARK.

[London : Jones & Co., 1829]. A pleasant antique print – the backs of the Nash houses, and a horse on the towpath drawing a barge along the old southern spur of the canal. Engraved by William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/130.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 32685 – or simply click on the button

ANTIQUE PRINT: PARK VILLAGE EAST, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : PARK VILLAGE EAST, REGENT’S PARK.

London : Jones & Co., 1829. A charming antique print – the neatly laid out Nash houses built between 1824 and 1828. Engraved by William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 109 x 157mm (approx. 4-1/4” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/131.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40592 – or simply click on the button

ANTIQUE PRINT: PLAN OF THE REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : PLAN OF THE REGENT’S PARK.

London : Jones & Co., 1827. An attractive antique plan of the then newly laid-out Regent’s Park, with a keyed index to the principal terraces and buildings. Engraved by John Cleghorn (1784-1873) from a design by Thomas Hosmer Shepherd and originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 203 x 230mm (approx. 8” x 9-1/8”). Cropped just within neatline at head and trimmed tight at foot (as usual), slight nick to blank margin, but in very good and clean state. A guaranteed genuine antique map. Adams 154/043.

SOLD

ANTIQUE PRINT: RESIDENCE OF GEN.L SIR HERBERT TAYLOR, BART. REGENT’S PARK. MASTER OF THE ROYAL HOSPITAL OF ST. KATHERINE, &C. TO WHOM THIS PLATE IS MOST RESPECTFULLY DEDICATED.

SHEPHERD, Thomas Hosmer, 1793-1864 : RESIDENCE OF GEN.L SIR HERBERT TAYLOR, BART. REGENT’S PARK. MASTER OF THE ROYAL HOSPITAL OF ST. KATHERINE, &C. TO WHOM THIS PLATE IS MOST RESPECTFULLY DEDICATED.

London : Jones & Co., 1827. A pleasant antique print – the handsome villa designed to house the master of St. Katherine’s Hospital. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Engraved surface 101 x 152mm (approx. 4” x 6”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: THE ROYAL HOSPITAL OF ST. KATHERINE, REGENT’S PARK. TO THE REV.D G.F.NICOLAY SEN.R BROTHER OF THE HOSPITAL, &C. THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE ROYAL HOSPITAL OF ST. KATHERINE, REGENT’S PARK. TO THE REV.D G. F. NICOLAY SEN.R BROTHER OF THE HOSPITAL, &C. THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. A pleasant antique print – St. Katherine’s Royal Hospital and the twin-spired chapel. Engraved by William Tombleson (fl.1824-1841) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 105 x 156mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/041.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36720 – or simply click on the button

ANTIQUE PRINT: ROYAL YORK BATHS, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ROYAL YORK BATHS, REGENT’S PARK.

London : Jones & Co., 1828. An antique print of the exterior of the old Royal York Baths built in 1820 that used to stand near York Gate. Engraved by William Raymond Smith (fl.1818-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 119 x 146mm (approx. 4-3/4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/134.

£20

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ANTIQUE PRINT: SOUTH VILLA, REGENT’S PARK. THE RESIDENCE OF WM. H. COOPER, ESQ.R.

SHEPHERD, Thomas Hosmer, 1793-1864 : SOUTH VILLA, REGENT’S PARK. THE RESIDENCE OF WM. H. COOPER, ESQ.R.

London : Jones & Co., 1828. An attractive antique print – the villa built by Decimus Burton for William Henry Cooper in 1827. The villa later housed the private astronomical observatory of George Bishop and was subsequently the home of Bedford College. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 102 x 151mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/086.

£30

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ANTIQUE PRINT: SOUTH VILLA, REGENT’S PARK. THE RESIDENCE OF WM. H. COOPER, ESQ.R.

SHEPHERD, Thomas Hosmer, 1793-1864 : SOUTH VILLA, REGENT’S PARK. THE RESIDENCE OF WM. H. COOPER, ESQ.R.

London : Jones & Co., 1828. An attractive antique print – the villa built by Decimus Burton for William Henry Cooper in 1827. The villa later housed the private astronomical observatory of George Bishop and was subsequently the home of Bedford College. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 102 x 151mm (approx. 4-1/4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/086.

£20

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ANTIQUE PRINT: ST. ANDREWS PLACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. ANDREWS PLACE, REGENT’S PARK.

London : Jones & Co., 1828. A pleasant antique print – St. Andrew’s Place at the south-east corner of the Park – built by John Nash between 1823 and 1826. Engraved by William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd (1793-1864), the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 149mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/095.

£25

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ANTIQUE PRINT: SUSSEX PLACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : SUSSEX PLACE, REGENT’S PARK.

London : Jones & Co., 1828. An attractive antique print of Sussex Place (now home to the London Business School) as it was built by John Nash in the 1820s. Engraved by William Raymond Smith (fl.1818-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 99 x 149mm (approx. 3-7/8” x 5-7/8”). A couple of tiny marks to margins, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/135.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39329 – or simply click on the button

ANTIQUE PRINT: SUSSEX PLACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : SUSSEX PLACE, REGENT’S PARK.

London : Jones & Co., 1828. An attractive antique print of Sussex Place (now home to the London Business School) as it was built by John Nash in the 1820s. Engraved by William Raymond Smith (fl.1818-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (1827-1830).
Steel line engraving on paper. Engraved surface 99 x 149mm (approx. 3-7/8” x 5-7/8”). A couple of tiny specks to margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/135.

£25

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ANTIQUE PRINT: SUSSEX PLACE REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : SUSSEX PLACE REGENT’S PARK.

London : Jones & Co., 1827. A charming antique print in vignette form – Sussex Place (now home to the London Business School) as it was built by John Nash in the 1820s and as seen from across the lake. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 77 x 113mm (approx. 3-1/8” x 4-1/2”). Trimmed tight at head, but in very good and clean state. A guaranteed genuine antique print. Adams 154/000A.

£25

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ANTIQUE PRINT: ULSTER TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ULSTER TERRACE, REGENT’S PARK.

London : Jones & Co., 1827. A charming antique print of Ulster Terrace (at the north-west corner of Park Square) built by John Nash in 1823-1826. Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 147mm (approx. 3-3/4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/026.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31325 – or simply click on the button

ANTIQUE PRINT: ULSTER TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ULSTER TERRACE, REGENT’S PARK.

London : Jones & Co., 1827. A charming antique print of Ulster Terrace (at the north-west corner of Park Square) built by John Nash in 1823-1826. Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 95 x 147mm (approx. 3-3/4” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/026.

£25

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ANTIQUE PRINT: VIEW IN THE REGENT’S PARK; EAST GATE, A VILLA AND ST. KATHERINE’S HOSPITAL.

SHEPHERD, Thomas Hosmer, 1793-1864 : VIEW IN THE REGENT’S PARK; EAST GATE, A VILLA AND ST. KATHERINE’S HOSPITAL.

London : Jones & Co., 1828. A charming antique print – the Outer Circle filled with elegantly attired visitors – the view looking from the south towards Gloucester Gate and beyond. Engraved by Samuel Lacey (1786-1859) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 151mm (approx. 4-1/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/079.

£25

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ANTIQUE PRINT: VILLA IN THE REGENT’S PARK, THE RESIDENCE OF JOHN MABERLY ESQ : M.P. TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : VILLA IN THE REGENT’S PARK, THE RESIDENCE OF JOHN MABERLY ESQ : M.P. TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. The fine private house on the Inner Circle of the Park, built by John Raffield in 1817-1818. The house later became the home of Sir Isaac Lyon Goldsmid, financier, philanthropist and one of the founders of London University. Engraved by Thomas Barber (fl.1818-1840) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 103 x 154mm (approx. 4-1/8” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/031.

£25

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ANTIQUE PRINT: VILLA IN THE REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : VILLA IN THE REGENT’S PARK.

London : Jones & Co., 1828. A charming antique print – the Ionic villa known as St. John’s Lodge, built by John Raffield for Charles Augustus Tulk, the Swedenborgian writer, politician and patron of William Blake. Engraved by William Radclyffe (1783-1855) from an original study (now in the Guildhall Library) by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 101 x 148mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/094.

£25

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ANTIQUE PRINT: VILLA IN THE REGENT’S PARK. THE RESIDENCE OF THE MARQUIS OF HERTFORD TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : VILLA IN THE REGENT’S PARK. THE RESIDENCE OF THE MARQUIS OF HERTFORD TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. An attractive antique print of Hertford (later St. Dunstan’s) Villa, built by Decimus Burton for Francis Charles Seymour-Conway, Third Marquess of Hertford (1777-1842) – said to be the model for Thackeray’s Marquess of Steyne. The house was rebuilt as Winfield House in the 1930s and is now the residence of the American Ambassador. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 150mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/044.

£30

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ANTIQUE PRINT: VILLA IN THE REGENT’S PARK. THE RESIDENCE OF THE MARQUIS OF HERTFORD TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

SHEPHERD, Thomas Hosmer, 1793-1864 : VILLA IN THE REGENT’S PARK. THE RESIDENCE OF THE MARQUIS OF HERTFORD TO WHOM THIS PLATE IS RESPECTFULLY INSCRIBED.

London : Jones & Co., 1827. An attractive antique print of Hertford (later St. Dunstan’s) Villa, built by Decimus Burton for Francis Charles Seymour-Conway, Third Marquess of Hertford (1777-1842) – said to be the model for Thackeray’s Marquess of Steyne. The house was rebuilt as Winfield House in the 1930s and is now the residence of the American Ambassador. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 150mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/044.

£25

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ANTIQUE PRINT: YORK GATE, REGENT’S PARK, & MARY-LE-BONE CHURCH.

SHEPHERD, Thomas Hosmer, 1793-1864 : YORK GATE, REGENT’S PARK, & MARY-LE-BONE CHURCH.

London : Jones & Co., 1827. A very attractive antique print – a view from the Outer Circle of Regent’s Park looking south across the Marylebone Road towards Marylebone Church. Engraved from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 148mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/004.

£30

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ANTIQUE PRINT: YORK TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : YORK TERRACE, REGENT’S PARK.

[London : Jones & Co., 1827]. A pleasant antique print – the elegant facades of York Terrace south of the Park – built by John Nash in 1822. Engraved by Thomas Barber (fl.1818-1840) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 155mm (approx. 3-3/4” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: YORK TERRACE, REGENT’S PARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : YORK TERRACE, REGENT’S PARK.

[London : Jones & Co., 1827]. A pleasant antique print – the elegant facades of York Terrace south of the Park – built by John Nash in 1822. Engraved by Thomas Barber (fl.1818-1840) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 95 x 155mm (approx. 3-3/4” x 6-1/8”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: REGENTS PARK ZOOLOGICAL GARDENS.

[TALLIS, John, 1818-1876 – publisher] : REGENTS PARK ZOOLOGICAL GARDENS.

[London : J. Tallis, 1852]. A charming antique print of the London Zoo – the grounds busy with visitors. Originally produced for the John Tallis part-work “Tallis’s Illustrated London; in Commemoration of the Great Exhibition of All Nations in 1851. Forming a Complete Guide to The British Metropolis and its Environs” (London : 1851-1852).
Steel line engraving on paper. Engraved surface 90 x 138mm (approx. 3-5/8” x 5-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 216/139.

£25

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