ASH RARE BOOKS – ANTIQUE PRINTS OF ST. GILES CRIPPLEGATE

Antique print of St. Giles Cripplegate

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ANTIQUE PRINTS OF ST. GILES CRIPPLEGATE

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ANTIQUE PRINT: ST. GILES’S CHURCH, CRIPPLEGATE.

LUKER, William, 1862-1934 : ST. GILES’S CHURCH, CRIPPLEGATE.

[London : Leadenhall Press, 1891]. A pleasant antique print – a vignette view of the Victorian City – the tower of St. Giles without Cripplegate dominating the adjacent streets. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 150 x 96mm (approx. 5-7/8” x 3-3/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: ST. GILES’ CHURCH, CRIPPLEGATE.

LUKER, William, 1862-1934 : ST. GILES’ CHURCH, CRIPPLEGATE.

[London : Drapers’ Record, 1895]. An attractive antique print – St. Giles without Cripplegate in the late ninetenth century. Engraved from an original design by the painter and illustrator William Luker. Originally produced for John Wells Thatcher’s “Textile London” (1895).
Hand touched and finished half-tone process block. Image area 214 x 141mm (approx. 8-3/8” x 5-1/2”). A couple of tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: CRIPPLEGATE CHURCH.

[PAYNE, Albert Henry, 1812-1902] : CRIPPLEGATE CHURCH.

[London : John Tallis & Co., 1852]. A charming small antique print – a view Fore Street and St. Giles without Cripplegate – the City Wine Vaults to the left. An engraving from the workshop of A. H. Payne, originally produced for his “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847), and here in a slightly later impression.
Steel line engraving on paper. Later hand colour. Engraved surface 65 x 85mm (approx. 2-5/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/085A.

£25

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ANTIQUE PRINT: FORE STREET, AND CRIPPLEGATE CHURCH.

SHEPHERD, Thomas Hosmer, 1793-1864 : FORE STREET, AND CRIPPLEGATE CHURCH.

[London : Jones & Co., 1831]. A charming small antique print – a view down Fore Street to the church – a flock of sheep heading towards the viewer. Engraved by James Tingle (1801-1858) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 101 x 67mm (approx 4” x 2-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/105.

£20

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ANTIQUE PRINT: ST. GILES’S CRIPPLEGATE, FORE STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. GILES’S CRIPPLEGATE, FORE STREET.

London : Jones & Co., 1830. A charming antique print of the church now rebuilt in the centre of the Barbican development, the burial place of John Foxe, Martin Frobisher, John Milton and John Speed. A busy street scene, with a local shopkeeper advertising "Great Reduction in Gin". Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd. From Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 114 x 147mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/074.

£30

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ANTIQUE PRINT: ST. GILES’S CRIPPLEGATE, FORE STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. GILES’S CRIPPLEGATE, FORE STREET.

[London : Jones & Co., 1830]. A charming antique print of the church now rebuilt in the centre of the Barbican development, the burial place of John Foxe, Martin Frobisher, John Milton and John Speed. A busy street scene, with a local shopkeeper advertising "Great Reduction in Gin". Engraved by Josiah Henshall (1801?-1869) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Engraved surface 114 x 147mm (approx. 4-1/2” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 161/074.

£25

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ANTIQUE PRINT: PART OF LONDON WALL. IN THE CHURCH YARD OF ST. GILES, CRIPPLEGATE.

[SMITH, John Thomas, 1766-1833] : PART OF LONDON WALL. IN THE CHURCH YARD OF ST. GILES, CRIPPLEGATE.

London : N. Smith, 1792. An unusual antique print of the best-preserved part of London Wall as it stood in the late eighteenth century. Below the print are several lines of explanatory text. Engraved by John Thomas “Antiquity” Smith, draughtsman, etcher, author, scholar and later Keeper of Prints at the British Museum, and published by his father, Nathaniel Smith the “antient printseller”, as part of their “Antiquities of London and Environs” series (1791-1800).
Etching and engraving on paper. Engraved surface 218 x 172mm (approx. 8-5/8” x 6-3/4”). Some marks and scratches to plate; very faint crease to lower corner, but overall in good and clean state. A guaranteed genuine antique print. Adams 70/003.

£40

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