ASH RARE BOOKS – ANTIQUE PRINTS OF THE THAMES IN LONDON

Antique print of the Thames

ANTIQUE PRINTS OF THE THAMES IN LONDON AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

Tel: (+44)-(0)20-8672-2263
e-mail: prints@ashrare.com


VISITORS BY APPOINTMENT ONLY

ANTIQUE PRINTS OF THE THAMES

CLICK ON REFRESH/RELOAD TO ENSURE YOU HAVE THE UPDATED VERSION OF THIS PAGE
ANTIQUE PRINT: [THE CUSTOM HOUSE] LA DOUANE, OU COSTUME HOUSE.

[AA, Pieter van der, 1659-1733] : [THE CUSTOM HOUSE] LA DOUANE, OU COSTUME HOUSE.

[Leiden : Pieter van der Aa, 1727]. A fine early eighteenth-century print of the Custom House from the river – the quay bustling with activity. Originally produced for Pieter van der Aa’s publication “Les Délices de la Grand’Bretagne” (Leiden : 1707). The present edition is dated to 1727.
Etching and line engraving on paper. Engraved surface 124 x 151mm (approx. 4-7/8” x 6”). Old folds, a few minor marks, but a good and sharp impression in very good state. A guaranteed genuine antique print. Adams 20/007.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36759 – or simply click on the button

ANTIQUE PRINT: OFF GRAVESEND.

BALL, Wilfrid Williams, 1853-1917 : OFF GRAVESEND.

[London : ca.1882]. A charming small sepia etching by Wilfrid Williams Ball. Better known for his work in watercolour, it was his series of small etchings of the Thames that first brought him to notice, with praise from Whistler himself.
Etching in sepia ink on paper. Printed surface 54 x 96mm (approx. 2-1/8” x 3-3/4”). Trimmed close to platemark, but otherwise in very good and clean condition. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42061 – or simply click on the button

ANTIQUE PRINT: OFF WOOLWICH.

BALL, Wilfrid Williams, 1853-1917 : OFF WOOLWICH.

[London : ca.1882]. A charming small sepia etching by Wilfrid Williams Ball. Better known for his work in watercolour, it was his series of small etchings of the Thames that first brought him to notice, with praise from Whistler himself.
Etching in sepia ink on paper. Printed surface 56 x 96mm (approx. 2-1/8” x 3-3/4”). In very good and clean condition. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42112 – or simply click on the button

ANTIQUE PRINT: OLD LONDON BRIDGE WITH COFFER DAMS, THE TOWER OF ST. MAGNUS CHURCH &C.

BARTLETT, William Henry, 1809-1854 & HARVEY, William, 1796-1866 : OLD LONDON BRIDGE WITH COFFER DAMS, THE TOWER OF ST. MAGNUS CHURCH &C.

[London] : Longman & Co., [1829]. A handsome antique print – old London Bridge in its last days, work in progress – the Monument, St. Magnus the Martyr, Fishmongers’ Hall and the City beyond. Engraved by John le Keux (1783-1846) from an original study by William Henry Bartlett, with the figures by the well-known William Harvey. Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1829-1830). The plate is dedicated to Henry Carington Bowles F.S.A.
Line engraving on paper. Engraved surface 170 x 204mm (approx. 6-5/8” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 165/001.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33529 – or simply click on the button

ANTIQUE PRINT: CUSTOM HOUSE.

[BOWLES, John, 1701-1779 – publisher] : CUSTOM HOUSE.

[London : 1724 (but later)]. A handsome antique print – a pleasantly engraved view of the early eighteenth-century Custom House – the quay crowded with shipping. Originally published by John Bowles in 1724, but here in a later impression on wove paper datable to the early years of the nineteenth century. Engraved below the image are six lines of text on the history of the building, etc.
Copper line engraving on paper. Engraved surface 170 x 214mm (approx. 6-3/4” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 105/024.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29736 – or simply click on the button

ANTIQUE PRINT: CUSTOM HOUSE.

[BROWNE, Hablot Knight, 1815-1882 & GARLAND, Robert, 1808-1863] : CUSTOM HOUSE.

[London : 1837 (or later)]. A charming antique print of the Custom House from the river – small craft on the water, a bustle of activity on the quay. Engraved by John Woods (fl.1835-1855) from a composite study by Hablot Knight Browne (“Phiz”) and Robert Garland. Originally produced for Woods’ “History of London : Illustrated by Views in London and Westminster”, first published in parts 1837-1838 and subsequently reissued in various guises.
Steel line engraving on paper. Later hand colour. Engraved surface 112 x 151mm (approx. 4-3/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 188/006.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 26905 – or simply click on the button

ANTIQUE PRINT: THE POOL OF THE THAMES.

CALLCOTT, Sir Augustus Wall, 1779-1844 : THE POOL OF THE THAMES.

[London : Art-Union Journal, ca.1845]. A handsome antique print – the broad reaches of the Thames below London Bridge – the river crowded with shipping – St. Paul’s in the far distance – the wooden riverside wharves of Limehouse to the right. Engraved by William Miller (1796-1882) from the original painting by Sir Augustus Wall Callcott R.A.
Steel line engraving on paper. Later hand colour. Engraved surface 182 x 226mm (approx. 7-1/4” x 8-7/8”). In very good and clean state. A guaranteed genuine antique print.

£100

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 27487 – or simply click on the button

ANTIQUE PRINT: [ST. KATHERINE’S DOCK] ST. CATHERINE DOCKS.

CALVERT, Frederick : [ST. KATHERINE’S DOCK] ST. CATHERINE DOCKS.

London : Tombleson & Co., [1833]. A fine antique print – a view of Thomas Telford’s dock, opened in 1828 – the scene set in an intricately engraved decorative border of rigging, buoys, anchors, etc. Engraved by James Tingle (1801-1858) from an original study by Frederick Calvert (fl.1815-1845). Originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 158 x 185mm (approx. 6-1/4” x 7-1/4”). A few faint marks and surface creases, but overall in very good and clean state. A guaranteed genuine antique print. Adams 178/060.

£60

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37534 – or simply click on the button

ANTIQUE PRINT: HAY BOATS.

COOKE, Edward William, 1811-1880 : HAY BOATS.

[London : J. & A. Arch], 1828. A charming etching of hay boats on the Thames – Waterloo Bridge and the two shot towers on the South Bank can be made out in the distance. Originally produced for Cooke’s serially published “Shipping and Craft” series of views, 1828-1831.
Etching and line engraving on paper. Engraved surface 104 x 158mm (approx 4-1/8” x 6-1/4”). A few tiny specks but overall in very good and clean state. A guaranteed genuine antique print.

SOLD

ANTIQUE PRINT: LONDON BRIDGE. FROM BANKSIDE. AS SEEN IN SEPTR. 1826.

COOKE, Edward William, 1811-1880 : LONDON BRIDGE. FROM BANKSIDE. AS SEEN IN SEPTR. 1826.

London : Longman & Co., J. & A. Arch & G. Cooke, 1826. An elegant antique print – old London Bridge in its last days – a panoramic view from the Monument round to the Tower of London. Etched and engraved by George Cooke (1781-1834) from an original drawing by his son, Edward William Cooke, worked up for publication by Augustus Wall Callcott (1779-1844). Originally produced for the part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 122 x 167mm (approx. 4-3/4” x 6-1/2”). A few tiny marks and specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 149/002.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41060 – or simply click on the button

ANTIQUE PRINT: PART OF THE OLD & NEW LONDON BRIDGES.

COOKE, Edward William, 1811-1880 : PART OF THE OLD & NEW LONDON BRIDGES.

London : Longman & Co., J. & A. Arch & G. Cooke, 1833. An elegant and interesting antique print – the Thames at high water, old London Bridge being dismantled, new London Bridge already busy with traffic, Southwark and Blackfriars Bridges beyond, fruit landing at Fresh Wharf to the right, small craft on the water. Etched and engraved by George Cooke (1781-1834) from an original drawing by his son, Edward William Cooke. Originally produced for the part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 150 x 200mm (approx. 6” x 7-7/8”). A few tiny marks and specks, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 149/003.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41031 – or simply click on the button

ANTIQUE PRINT: VIEW OF CHISWICK FROM THE RIVER.

[COOKE, John, 1731-1810 – publisher] : VIEW OF CHISWICK FROM THE RIVER.

[London : John Cooke, 1777]. An elegant eighteenth-century antique print – a view of still rural Chiswick from across the Thames – the parish church of St. Nicholas prominent on the skyline. Originally produced for Cooke’s part-work publication Walter Harrison, “A New and Universal History, Description and Survey of the Cities of London and Westminster” (London : 1775-1777).
Copper line engraving on paper. Engraved surface 170 x 275mm (approx. 6-5/8” x 10-3/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 57/078.

£125

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37491 – or simply click on the button

ANTIQUE PRINT: VIEW OF GREENWICH HOSPITAL.

[COOKE, John, 1731-1810 – publisher] : VIEW OF GREENWICH HOSPITAL.

[London : John Cooke, 1777]. An elegant eighteenth-century antique print – Greenwich Hospital from the river. Originally produced for Cooke’s part-work publication Walter Harrison, “A New and Universal History, Description and Survey of the Cities of London and Westminster” (London : 1775-1777).
Copper line engraving on paper. Engraved surface 114 x 163mm (approx. 4-1/2” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 57/082A.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37613 – or simply click on the button

ANTIQUE PRINT: VIEW OF WESTMINSTER BRIDGE.

DAYES, Edward, 1763-1809 : VIEW OF WESTMINSTER BRIDGE.

[London : 1797]. A handsome antique print of Westminster Bridge, the river and the Abbey beyond. Engraved by Thomas Tagg (fl.1794-1809) from an original study by the landscape painter Edward Dayes. Originally produced for Henry Hunter’s part-work "The History of London and its Environs” published serially between 1796 and 1811.
Copper line engraving on paper. Later hand colour. Engraved surface 168 x 239mm (approx. 6-5/8” x 9-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 107/010.

£125

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16531 – or simply click on the button

ANTIQUE PRINT: BLACKFRIARS BRIDGE FROM THE SURREY SIDE.

[ENGLISH SCHOOL] : BLACKFRIARS BRIDGE FROM THE SURREY SIDE.

[London : Cassell & Co., 1878]. A handsome antique print of Blackfriars Bridge from the south-west – the skyline dominated by St. Paul’s Cathedral in the distance – the foreground busy with river traffic. Originally produced as a supplementary presentation plate plate for the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 131 x 196mm (approx. 5-1/4” x 7-3/4”). A few faint marks, but overall in very good and clean state. A guaranteed genuine antique print.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36829 – or simply click on the button

ANTIQUE PRINT: FROST FAIR ON THE THAMES IN 1683.

[ENGLISH SCHOOL] : FROST FAIR ON THE THAMES IN 1683.

[London : 1878 (or later)]. A pleasant and interesting antique print – revelry and trade on the ice-bound Thames in the harsh winter of 1683. A view from the west, with London Bridge in the distance. Engraved from an earlier source and originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Engraved surface 107 x 144mm (approx. 4-1/4” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42141 – or simply click on the button

ANTIQUE PRINT: GREENWICH HOSPITAL, FROM THE RIVER.

[ENGLISH SCHOOL] : GREENWICH HOSPITAL, FROM THE RIVER.

London : Cassell & Co., [1878]. A neatly-worked antique print – a view of the hospital from the river. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 141 x 204mm (approx. 5-1/2” x 8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41632 – or simply click on the button

ANTIQUE PRINT: LONDON BRIDGE.

[ENGLISH SCHOOL] : LONDON BRIDGE.

[London : Cassell & Co., 1878]. A pleasant antique print of London Bridge from the west – Fishmongers’ Hall, the Monument, St. Magnus, etc., beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 147 x 206mm (approx. 5-3/4” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38119 – or simply click on the button

ANTIQUE PRINT: NEW BILLINGSGATE MARKET.

[ENGLISH SCHOOL] : NEW BILLINGSGATE MARKET.

[London : Cassell & Co., 1878]. A handsome antique print of the imposing Victorian river facade of Billingsgate, built by City Architect Sir Horace Jones between 1874 and 1877. Originally produced as a presentation plate for the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Later hand colour. Engraved surface 144 x 203mm (approx. 5-3/4” x 8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29592 – or simply click on the button

ANTIQUE PRINT: THE NEW BUILDINGS IN THE STRAND, CALLED THE ADELPHI, VIEWED FROM THE RIVER THAMES.

[ENGLISH SCHOOL] : THE NEW BUILDINGS IN THE STRAND, CALLED THE ADELPHI, VIEWED FROM THE RIVER THAMES.

[London : Alexander Hogg, 1784]. A handsome antique print – the recently completed Adelphi Terrace designed by Robert Adam – a view from the Thames – the spire of St. Martin in the Fields in the distance. Originally produced for Hogg’s partwork publication "The New, Complete, and Universal History, Description and Survey of the Cities of London and Westminster" ostensibly written by "A Society of Gentlemen" and revised by William Thornton.
Copper line engraving on paper. Later hand colour. Engraved surface 185 x 272mm (approx. 7-1/4” x 11"). A few very faint spots to outer margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 61/071.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34630 – or simply click on the button

ANTIQUE PRINT: NEW LONDON BRIDGE.

[ENGLISH SCHOOL] : NEW LONDON BRIDGE.

[London : 1860]. A pleasant small antique print – the London Bridge built between 1825 and 1831 – a view from the west, with shipping on the river. Originally produced for the publisher John Tallis’s “London Street Views” (1838 on) and reissued with Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Later hand colour. Engraved surface 58 x 116mm (approx. 2-1/4” x 4-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29533 – or simply click on the button

ANTIQUE PRINT: OLD LONDON BRIDGE, DURING ITS DEMOLITION, FEB. 1832.

[ENGLISH SCHOOL] : OLD LONDON BRIDGE, DURING ITS DEMOLITION, FEB. 1832.

[London : J. B. Nichols & Son], 1832. An interesting and uncommon antique print – London Bridge being taken down – a view from the north-west – the masts of shipping in the Port of London beyond. Originally produced to accompany the “Gentleman’s Magazine” of March 1832.
Lithograph on paper. Printed surface 110 x 170mm (approx. 4-3/8” x 6-3/4”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33371 – or simply click on the button

ANTIQUE PRINT: THE OXFORD AND CAMBRIDGE BOAT-RACE.

[ENGLISH SCHOOL] : THE OXFORD AND CAMBRIDGE BOAT-RACE.

[London : Illustrated London News, 1858]. A pleasant antique print – the crews head towards Hammersmith Bridge in 1858 – crowds cheer from the banks and the bridge. Originally produced for “The Illustrated London News” of 3rd April 1858, a week after the race itself.
Wood engraving on paper. Later hand colour. Engraved surface 170 x 231mm (approx. 6-3/4” x 9-1/8”). Text on verso. A few slight marks and creases, but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39892 – or simply click on the button

ANTIQUE PRINT: THE RIVER THAMES, FROZEN. – SKETCHED NEAR SHAD THAMES.

[ENGLISH SCHOOL] : THE RIVER THAMES, FROZEN. – SKETCHED NEAR SHAD THAMES.

[London : Illustrated London News, 1855]. An interesting antique print – the bitter winter of 1854-1855 – the Thames frozen over below the bridges for the first time in many years. Originally produced for “The Illustrated London News” of 24th February 1855.
Wood engraving on paper. Later hand colour. Engraved surface 176 x 157mm (approx. 6-7/8” x 6-1/8”). Text on verso. A few slight marks and creases, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39896 – or simply click on the button

ANTIQUE PRINT: [ROTHERHITHE] DIVING-BELL USED IN THE CONSTRUCTION OF THAMES TUNNEL.

[ENGLISH SCHOOL] : [ROTHERHITHE] DIVING-BELL USED IN THE CONSTRUCTION OF THAMES TUNNEL.

[London : 1878 (or later)]. An attractive and interesting antique print of the Thames at Rotherhithe – the Brunel diving bell being lowered into the water. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 142mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24537 – or simply click on the button

ANTIQUE PRINT: VAUXHALL BRIDGE FROM THAMES WALK.

[ENGLISH SCHOOL] : VAUXHALL BRIDGE FROM THAMES WALK.

[?London : ca.1825]. An attractive and uncommon antique print – a lithographic vignette view of Vauxhall Bridge, apparently from the north-west – some kind of boat-house in the foreground. Neither artist nor series have proved capable of identification.
Lithograph on paper. Printed surface 95 x 133mm (approx. 3-3/4” x 5-1/4”). Cropped close to image; a few very faint marks, but a very good copy. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 28047 – or simply click on the button

ANTIQUE PRINT: VIEW OF THE CUSTOM HOUSE.

[ENGLISH SCHOOL] : VIEW OF THE CUSTOM HOUSE.

[London : John Cooke, 1777]. A plain and elegant eighteenth-century print of the Custom House from the quay. Originally engraved for Henry Chamberlain’s “A New and Compleat History and Survey of the Cities of London and Westminster” (London : 1770) – and here in the slightly later and slightly altered impression utilised for Walter Harrison, “A New and Universal History, Description and Survey of the Cities of London and Westminster” (London : 1775-1777).
Copper line engraving on paper. Engraved surface 127 x 162mm (approx. 5” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 57/009B.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36395 – or simply click on the button

ANTIQUE PRINT: A VIEW OF PART OF LONDON AS IT APPEARED IN THE GREAT FIRE OF 1666. FROM AN ORIGINAL PAINTING IN PAINTER STAINERS HALL.

ESDALL, William : A VIEW OF PART OF LONDON AS IT APPEARED IN THE GREAT FIRE OF 1666. FROM AN ORIGINAL PAINTING IN PAINTER STAINERS HALL.

[Dublin : for John Archer, 1791]. An elegant antique print of seventeenth-century London – the city in flames, Londoners scrambling to save their possessions. Engraved by William Esdall (fl.1775-1795) and originally produced for the Dublin edition of Thomas Pennant’s “Some Account of London” (1791) – a close copy of the engraving by Peter Mazell in the London edition.
Copper line engraving on paper. Engraved surface 120 x 211mm (approx. 4-3/4” x 8-1/4”). Tiny hole in upper blank margin, not affecting image; a few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42133 – or simply click on the button

ANTIQUE PRINT: WOOLWICH. KENT.

GASTINEAU, Henry, 1791-1876 : WOOLWICH. KENT.

London : George Virtue, 1828. An attractive antique print – a view from an eminence, looking out across the town to the Thames. Engraved by John James Hinchliff (1805-1862) from an original study by the landscape and topographical painter Henry Gastineau. Originally produced for the “England’s Topographer” series of Kent views (London : 1828-1831).
Steel line engraving on paper. Later hand colour. Engraved surface 103 x 148mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24532 – or simply click on the button

ANTIQUE PRINT: THE TEMPORARY BRIDGE AT BLACKFRIARS. ENGRAVED FROM AN ORIGINAL DRAWING.

GODFREY, Richard Bernard : THE TEMPORARY BRIDGE AT BLACKFRIARS. ENGRAVED FROM AN ORIGINAL DRAWING.

[London : R. Godfrey], 1775. A handsome antique print of the original Blackfriars Bridge (by Robert Mylne) in the course of building – the stone arches rising on the south side of the Thames and a temporary wooden structure joining them from the north. Dated 1775 in the plate (although probably a slightly later printing). Drawn, engraved and published by Richard Bernard Godfrey (b.1728).
Copper line engraving on paper. Engraved surface 168 x 210mm (approx. 6-5/8” x 8-1/4”). Trimmed a little close, but otherwise in very good and clean state. A guaranteed genuine antique print.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35683 – or simply click on the button

ANTIQUE PRINT: CHELSEA COLLEGE, & RANELAGH HOUSE.

[IRELAND, Samuel] : CHELSEA COLLEGE, & RANELAGH HOUSE.

[London : 1799]. A fine antique print of Wren’s Chelsea Hospital from the Thames – with the rotunda of the Ranelagh Pleasure Gardens to the east – and small craft on the river. From an original study by the print-dealer and amateur painter Samuel Ireland (fl.1760-1800). Originally produced for Ireland’s “Picturesque Views on the River Thames” (1792) – and here in a later impression.
Sepia aquatint on paper. Engraved surface 129 x 166mm (approx. 5” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 71/047.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24587 – or simply click on the button

ANTIQUE PRINT: XXX. LONDON.

LIZARS, William Home, 1788-1859 – publisher : XXX. LONDON.

Edinburgh : W. H. Lizars, [ca.1850]. An attractive antique print – a panoramic view of London Bridge and the City of London, flanked by views of Windsor Castle and the Tower of London – the views entwined in an elaborate foliate border.
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 179mm (approx. 3-7/8” x 7”). Some very faint discolouration to blank margins, but otherwise in very good state. A guaranteed genuine antique print.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29532 – or simply click on the button

ANTIQUE PRINT: THE CUSTOM HOUSE.

LUKER, William, 1862-1934 : THE CUSTOM HOUSE.

[London : Leadenhall Press, 1891]. A pleasant antique print – a view of the Custom House from across the Thames – barges in the foreground. From an original design by the painter and illustrator William Luker. Engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 160 x 217mm (approx. 6-1/4” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31688 – or simply click on the button

ANTIQUE PRINT: LAMBETH REACH.

LUKER, William, 1862-1934 : LAMBETH REACH.

[London : Leadenhall Press, 1893]. A late nineteenth-century antique print giving a view of Lambeth from the river. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City Suburbs” (1893).
Hand touched and finished half-tone process block. Image area 155 x 222mm (approx. 6-1/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 30208 – or simply click on the button

ANTIQUE PRINT: LONDON BRIDGE FROM THE RIVER.

LUKER, William, 1862-1934 : LONDON BRIDGE FROM THE RIVER.

[London : Leadenhall Press, 1891]. A Victorian print showing London Bridge and the Thames as a working river, with lightermen at work aboard their vessels. From an original design by the painter and illustrator William Luker, engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 155 x 216mm (approx. 6-1/8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29527 – or simply click on the button

ANTIQUE PRINT: OLD SWAN PIER, [SWAN LANE] THAMES STREET.

LUKER, William, 1862-1934 : OLD SWAN PIER, [SWAN LANE] THAMES STREET.

[London : Leadenhall Press, 1891]. A very pleasant late Victorian print of Old Swan Pier (Swan Lane Pier) from up-river- a crowd of passengers boarding a paddle steamer – London Bridge beyond. From an original design by the painter and illustrator William Luker, engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 160 x 220mm (approx. 6-3/8” x 8-5/8”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29525 – or simply click on the button

ANTIQUE PRINT: SHIPPING : FROM LONDON BRIDGE.

LUKER, William, 1862-1934 : SHIPPING : FROM LONDON BRIDGE.

[London : Leadenhall Press, 1891]. A Victorian print showing the scene from London Bridge, with passengers embarking on a steam vessel, etc. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 157 x 218mm (approx. 6-1/4” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16560 – or simply click on the button

ANTIQUE PRINT: ST. PAUL’S CATHEDRAL FROM THE SOUTH BANK OF THE RIVER.

LUKER, William, 1862-1934 : ST. PAUL’S CATHEDRAL FROM THE SOUTH BANK OF THE RIVER.

[London : Leadenhall Press, 1891]. An attractive antique print – the cathedral from across the river, Thames lighters in the foreground. From an original design by the painter and illustrator William Luker. Engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 163 x 218mm (approx. 6-3/8” x 8-1/2”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36719 – or simply click on the button

ANTIQUE PRINT: SOMERSET HOUSE, FROM THE THAMES, WESTMINSTER.

MACKENZIE, Frederick, 1787-1854 : SOMERSET HOUSE, FROM THE THAMES, WESTMINSTER.

London : Vernor, Hood & Sharpe, 1810. A pleasant antique print – Somerset House from the Thames – St. Paul’s in the distance beyond. Engraved by John le Keux (1783-1846) from an original study by Frederick Mackenzie. Originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Later hand colour. Engraved surface 110 x 151mm (approx. 4-3/8” x 6”). Tiny mark to left-hand blank margin, but otherwise in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37710 – or simply click on the button

ANTIQUE PRINT: GATEWAY OF LAMBETH PALACE AND LAMBETH CHURCH. WESTMINSTER BRIDGE IN THE DISTANCE. 1850.

McKEWAN, David Hall, 1816-1873 : GATEWAY OF LAMBETH PALACE AND LAMBETH CHURCH. WESTMINSTER BRIDGE IN THE DISTANCE. 1850.

[London : Virtue & Co., 1881]. A handsome antique print – a view of Lambeth Palace from the Thames. Engraved by John Shury & Son from an original study by David Hall McKewan. Originally produced in 1840 for the part-work “History of Surrey” (London : 1840-1848) – and here in the later reissue published between 1878 and 1881.
Steel line engraving on paper. Engraved surface 152 x 180mm (approx. 6” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36051 – or simply click on the button

ANTIQUE PRINT: NEW BILLINGSGATE MARKET.

MACLURE, Andrew & MACDONALD, Archibald Gray : NEW BILLINGSGATE MARKET.

[London : Cassell & Co., 1878]. A handsome antique print of the imposing Victorian river facade of Billingsgate, built by City Architect Sir Horace Jones between 1874 and 1877. Originally produced as a presentation plate for the part-work “Old and New London” (London : 1873-1878).
Lithograph on paper. Later hand colour. Printed surface 144 x 204mm (approx. 5-5/8” x 8”). Small mark in lower margin, but otherwise in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38118 – or simply click on the button

ANTIQUE PRINT: [THE CUSTOM HOUSE].

MILLER, James : [THE CUSTOM HOUSE].

London : Colnaghi, Sala & Co., 1800. A most attractive antique print – the Custom House from the quay – bales, barrels and hoists. Engraved by William Watts (1753-1851) from an original study by James Miller (fl.1773-1814), and originally produced for Colnaghi’s “Select Views in London and Westminster" series. A proof state, before the addition of the title-caption.
Copper line engraving on paper. Engraved surface 163 x 185mm (approx. 6-1/2” x 7-1/4”). Slight diagonal crease across lower margin, just touching image, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 76/013.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 28121 – or simply click on the button

ANTIQUE PRINT: BLACKWALL.

MOSES, Henry, 1782-1870 : BLACKWALL.

London : Ackermann & Co., 1837. A charming antique print – a delicate etching of the quay at Blackwall – a man fishing in the dock – from the highly skilled marine painter-engraver Henry Moses. Originally produced for Moses’ “Marine Sketch Book” series (London : 1825-1826).
Etching on paper. Engraved surface 102 x 184mm (approx. 4” x 7-1/4”). A couple of faint marks, but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31615 – or simply click on the button

ANTIQUE PRINT: ST. PAULS. THE VIEW TAKEN FROM BANK SIDE.

NEALE, John Preston, 1780-1847 : ST. PAULS. THE VIEW TAKEN FROM BANK SIDE.

London : John Harris, 1815. A pleasant antique print – St. Paul’s Cathedral lofty above the Thames – small craft on the river. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale and originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Engraved surface 114 x 151mm (approx. 4-1/2” x 6”). Trimmed a little close, one tiny mark, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 104/006.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31300 – or simply click on the button

ANTIQUE PRINT: THE THAMES EMBANKMENT – LOOKING WEST.

NELSON & SONS, Thomas – publishers : THE THAMES EMBANKMENT – LOOKING WEST.

[London : T. Nelson & Sons, ca.1890]. An attractive antique print – a view along the Embankment towards the Houses of Parliament – Cleopatra’s Needle and the Charing Cross railway bridge prominent in the middle distance. Originally produced for the Nelson "Chromo Views of London" series of views and view-books.
Chromolithograph on paper. Printed surface 80 x 123mm (approx. 3-1/8” x 4-7/8”). Two tiny marks, but otherwise in very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35900 – or simply click on the button

ANTIQUE PRINT: MAST HOUSE, BLACKWALL.

OWEN, Samuel, 1768-1857 : MAST HOUSE, BLACKWALL.

London : Vernor, Hood & Sharpe; and W. Cooke, 1809. A most attractive antique print – a delicate etching of early nineteenth-century Blackwall, small craft on the river. Etched by William Bernard Cooke (1778-1855) from an original study by Samuel Owen and originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 125 x 187mm (approx. 4-7/8” x 7-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 106/070.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31313 – or simply click on the button

ANTIQUE PRINT: RANDALL’S MILL, NINE ELMS.

OWEN, Samuel, 1768-1857 : RANDALL’S MILL, NINE ELMS.

London : Vernor, Hood & Sharpe; & W.Cooke, 1809. A charming antique print – a delicate etching of the old windmill on the banks of the Thames at Nine Elms – a barge ties up to the wharf. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 194 x 114mm (approx. 7-5/8” x 4-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 106/058.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24578 – or simply click on the button

ANTIQUE PRINT: RANDALL’S MILL, NINE ELMS.

OWEN, Samuel, 1768-1857 : RANDALL’S MILL, NINE ELMS.

London : Vernor, Hood & Sharpe; & W.Cooke, 1809. A charming antique print – a delicate etching of the old windmill and the adjacent cottages on the banks of the Thames at Nine Elms – small craft fill their sails on the river. Etched and engraved by William Bernard Cooke (1778-1855) from an original study by Samuel Owen. Originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 128 x 172mm (approx. 5” x 6-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 106/059.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24579 – or simply click on the button

ANTIQUE PRINT: WEST INDIA DOCKS.

OWEN, Samuel, 1768-1857 : WEST INDIA DOCKS.

London : Vernor, Hood & Sharpe; and W. Cooke, 1811. A most attractive antique print – a delicate etching of the shipping and warehouses at what is now Canary Wharf – with a highly geared landing gantry in the foreground. Etched by William Bernard Cooke (1778-1855) from an original study by Samuel Owen and originally produced for Owen’s first series of Thames views – “The Thames” (London : 1809-1811).
Etching and line engraving on paper. Later hand colour. Engraved surface 130 x 193mm (approx. 5-1/8” x 7-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 106/067.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 22350 – or simply click on the button

ANTIQUE PRINT: GREENWICH HOSPITAL.

[PAYNE, Albert Henry, 1812-1902] : GREENWICH HOSPITAL.

[London : E. T. Brain & Co., 1847]. A very attractive print of the hospital from the river, with an eclectic mix of shipping on the water. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 96 x 140mm (approx. 3-3/4” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 207/037.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38912 – or simply click on the button

ANTIQUE PRINT: HAMMERSMITH SUSPENSION BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : HAMMERSMITH SUSPENSION BRIDGE.

[London : E. T. Brain & Co., 1847]. A charming small antique print – a pleasure steamer embarking, fishermen on the bank. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 66 x 86mm (approx. 2-5/8” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 207/054B.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38916 – or simply click on the button

ANTIQUE PRINT: LONDON BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : LONDON BRIDGE.

[London : E. T. Brain & Co., 1847]. A fine antique print giving a sweeping view of the City of London, with London Bridge and the Monument in the foreground and St. Paul’s dominating the skyline. An engraving from the workshop of A. H. Payne, originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (1846-1847).
Steel line engraving on paper. Engraved surface 91 x 138mm (approx. 3-5/8” x 5-1/2”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/065.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41194 – or simply click on the button

ANTIQUE PRINT: VAUXHALL BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : VAUXHALL BRIDGE.

[London : E. T. Brain & Co., 1847]. A pleasant small antique print – Vauxhall Bridge from the riverbank. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 68 x 88mm (approx. 2-5/8” x 3-1/2”). A couple of tiny specks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/034B.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38374 – or simply click on the button

ANTIQUE PRINT: WATERLOO BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : WATERLOO BRIDGE.

[London : E. T. Brain & Co., 1847]. An attractive antique print – Waterloo Bridge from the river – Somerset House and St. Paul’s beyond. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 67 x 90mm (approx. 2-5/8” x 3-1/2”). A couple of faint and tiny marks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 207/018.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38378 – or simply click on the button

ANTIQUE PRINT: WESTMINSTER BRIDGE.

[PAYNE, Albert Henry, 1812-1902] : WESTMINSTER BRIDGE.

[London : John Tallis & Co., 1852]. A charming small antique print – Westminster Bridge with the Houses of Parliament beyond. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847) – and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 65 x 87mm (approx. 2-5/8” x 3-3/8”). A touch of dustiness to outer blank margins, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 207/020A.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36563 – or simply click on the button

ANTIQUE PRINT: VIEW OF PART OF LONDON, AS IT APPEARED IN THE GREAT FIRE, 1666. FROM AN ORIGINAL PICTURE IN PAINTER-STAINERS HALL.

PRATTENT, Thomas : VIEW OF PART OF LONDON, AS IT APPEARED IN THE GREAT FIRE, 1666. FROM AN ORIGINAL PICTURE IN PAINTER-STAINERS HALL.

London : T. Hughes, 1805. A striking antique print – the City of London in flames – a view from the Thames. Engraved by S. Owen (fl.1796-1838) from a study (based on an earlier source) by the London draughtsman, engraver, printer and printseller, Thomas Prattent (fl.1790-1819), who had premises in Cloth Fair. Originally produced for B. Lambert, “The History and Survey of London and its Environs from the Earliest Period” (London : 1805-1806).
Etching and line engraving on paper. Later hand colour. Engraved surface 101 x 157mm (approx. 4” x 6-1/4”). A touch of dustiness to outer margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 96/006.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33214 – or simply click on the button

ANTIQUE PRINT: THE NEW PALACE OF WESTMINSTER.

PRIOR, Thomas Abiel, 1809-1866 : THE NEW PALACE OF WESTMINSTER.

[London : William S. Orr & Co., 1856]. A handsome antique print – a view of the freshly-built Houses of Parliament from the Thames. Engraved by the highly skilled Thomas Abiel Prior from his own original study. Originally produced in 1850 for the part-work publication “The Land We Live In” (London : 1847-1851) – and here in a slightly later impression.
Steel line engraving on paper. Engraved surface 148 x 199mm (approx. 5-7/8” x 7-7/8”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35580 – or simply click on the button

ANTIQUE PRINT: THE OLD CUSTOM HOUSE. (FROM A VIEW BY MAURER, PUBLISHED IN 1753.)

PRIOR, William Henry, 1812-1882 : THE OLD CUSTOM HOUSE. (FROM A VIEW BY MAURER, PUBLISHED IN 1753.)

[London : 1878 (or later)]. A handsome antique print – a view of the eighteenth-century Custom House, with shipping on the river and the Tower of London beyond. Engraved by Joseph Swain (1820-1909) from a study by William Henry Prior, based on an older print by the Swiss painter John Maurer (fl.1713-1761). Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 144 x 216mm (approx. 5-5/8” x 8-1/2”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35832 – or simply click on the button

ANTIQUE PRINT: OLD WINDMILLS AT LAMBETH, ABOUT 1750.

PRIOR, William Henry, 1812-1882 : OLD WINDMILLS AT LAMBETH, ABOUT 1750.

[London : 1878 (or later)]. A pleasant antique print – a view of eighteenth-century Lambeth from the Thames. Engraved from a study (based on an earlier source) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 106 x 144mm (approx. 4-1/8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37124 – or simply click on the button

ANTIQUE PRINT: ST. KATHERINE’S DOCKS.

PRIOR, William Henry, 1812-1882 : ST. KATHERINE’S DOCKS.

[London : 1878 (or later)]. A charming antique print – a bird’s eye view of the docks, with the Tower of London beyond, shipping on the river, etc. Engraved by Joseph Swain (1820-1909) from an original study by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 144 x 215mm (approx. 5-5/8” x 8-1/2”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

SOLD

ANTIQUE PRINT: THE STEEL YARD AND NEIGHBOURHOOD IN 1540. (FROM VAN WYNGARD’S PLAN, TAKEN FOR PHILIP II. OF SPAIN).

PRIOR, William Henry, 1812-1882 : THE STEEL YARD AND NEIGHBOURHOOD IN 1540. (FROM VAN WYNGARD’S PLAN, TAKEN FOR PHILIP II. OF SPAIN).

[London : 1878 (or later)]. A Victorian representation of the mid sixteenth-century Steelyard – the cluster of buildings and the quay from the river – the London headquarters of the powerful Hanseatic League that formerly stood on the site of Cannon Street Station. From a study (based on Anthony van den Wyngaerde’s sixteenth-century drawing) by William Henry Prior. Originally produced for the part-work “Old and New London” (1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 146 x 222mm (approx. 5-3/4” x 8-3/4”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37205 – or simply click on the button

ANTIQUE PRINT: BLACKFRIAR’S BRIDGE.

PROUT, Samuel, 1783-1852 : BLACKFRIAR’S BRIDGE.

[London : Longman & Co., J. & A. Arch & G. Cooke], 1827, A charming antique print of London – Blackfriars Bridge and St. Paul’s from the south bank of the Thames. In the foreground is an iron boat. Etched and engraved by George Cooke (1781-1834) from an original drawing by Samuel Prout. Originally produced for Cooke’s part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 103 x 150mm (approx. 4-1/8” x 5-7/8”). A couple of tiny specks and faint marks to lower blank margin, but overall in very good and clean state. A guaranteed genuine antique print. Adams 149/039.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 40940 – or simply click on the button

ANTIQUE PRINT: CHELSEA HOSPITAL.

PROUT, Samuel, 1783-1852 : CHELSEA HOSPITAL.

London : J. & J. Cundee, 1814. An early nineteenth-century print of Chelsea from the river, engraved by James Sargant Storer (1771-1853) from an original study by Samuel Prout. Originally produced for the series “Select Views of London and its Environs” (London 1804-1805).
Copper line engraving on paper. Later hand colour. Engraved surface 159 x 204mm (approx. 6-1/4” x 8”). In very good and clean state. A guaranteed genuine antique print. Adams 90/049.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16303 – or simply click on the button

ANTIQUE PRINT: THE SOUTHWARK IRON BRIDGE.

PROUT, Samuel, 1783-1852 : THE SOUTHWARK IRON BRIDGE.

London : Longman & Co., J. & A. Arch & G. Cooke, 1828. A lovely antique print – Southwark Bridge seen from the south, with the old Wren churches of St. Michael Queenhithe and St. Michael Paternoster Royal prominent on the skyline. Men at work in the foreground where the initials of the artists and the engraver are cleverly carved in blocks of stone. Etched and engraved by George Cooke (1781-1834) from an original drawing by Samuel Prout, also worked on by Edward William Cooke (1811-1880), whose initials also appear. Originally produced for George Cooke’s part-work series “Views in London and its Vicinity” (1826-1834).
Etching and engraving on paper. Engraved surface 122 x 173mm (approx. 4-7/8” x 6-7/8”). A couple of tiny specks and very faint marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 149/038.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41029 – or simply click on the button

ANTIQUE PRINT: BILLINGSGATE.

SALMON, John Francis, 1808-1886 : BILLINGSGATE.

[London : W. S. Orr, 1837 (or later)]. A charming antique print of Billingsgate from the river – small boats crowding the old timbered quay. Engraved by John Woods (fl.1835-1855) from an original study by the landscape-painter John Francis Salmon. Originally produced for Woods’ “History of London : Illustrated by Views in London and Westminster”, first published in parts 1837-1838 and subsequently reissued in various guises.
Steel line engraving on paper. Later hand colour. Engraved surface 114 x 159mm (approx. 4-1/2” x 6-1/4”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 18381 – or simply click on the button

ANTIQUE PRINT: WATERLOO BRIDGE.

SANDS, Robert, 1782-1855 : WATERLOO BRIDGE.

London : J. Harris, 1831. A charming and uncommon small antique print- a view of Waterloo Bridge from the west – St. Paul’s on the skyline beyond. Originally engraved by Robert Sands for the Harris publication “The Public Buildings of Westminster Described. With Twelve Engravings” (1831).
Line engraving on paper. Later hand colour. Engraved surface 82 x 93mm (approx. 3-1/4” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 169/010.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37819 – or simply click on the button

ANTIQUE PRINT: LONDON FROM THE TOWER OF SAINT SAVIOUR’S.

SCOTT, William Bell, 1811-1890 : LONDON FROM THE TOWER OF SAINT SAVIOUR’S.

[London : A. Fullarton & Co., 1859]. An attractive panoramic view of the City of London, looking north across London Bridge to St. Paul’s, the shipping on the river, the spires of the City churches, the Monument and the Tower of London. Drawn and engraved by William Bell Scott, the Scottish art historian, poet, engraver and painter of the Pre-Raphaelite school.
Steel line engraving on paper. Engraved surface 112 x 180mm (approx. 4-1/2” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38635 – or simply click on the button

ANTIQUE PRINT: THE NEW CUSTOM HOUSE, FROM BILLINGSGATE.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE NEW CUSTOM HOUSE, FROM BILLINGSGATE.

London : Jones & Co., 1828. A handsome antique print of the Custom House, with the new Robert Smirke river facade from an adjacent wooden jetty, small boats tying up. Engraved by William Tombleson (fl.1824-1841) from an original study (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 102 x 152mm (approx. 4” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/100.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 35827 – or simply click on the button

ANTIQUE PRINT: NEW LONDON BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : NEW LONDON BRIDGE.

[London : Jones & Co., 1832]. A pleasant antique print – the newly completed bridge from the west, looking towards the Tower, the river busy with water traffic. Engraved by Robert Acon (1792-1880) from an original drawing by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 105 x 165mm (approx. 4-1/8” x 6-1/2”). Small mark in upper margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 161/173.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37573 – or simply click on the button

ANTIQUE PRINT: NEW LONDON BRIDGE, WITH THE LORD MAYOR’S PROCESSION PASSING UNDER THE UNFINISH'D ARCHES, NOVR. 9, 1827.

SHEPHERD, Thomas Hosmer, 1793-1864 : NEW LONDON BRIDGE, WITH THE LORD MAYOR’S PROCESSION PASSING UNDER THE UNFINISH'D ARCHES, NOVR. 9, 1827.

London : Jones & Co., 1828. A delightful antique print – a lively river scene, the new bridge bedecked with flags. Engraved by the highly skilled Thomas Higham (1796-1844) from an original drawing (now in the Museum of London) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 103 x 151mm (approx. 4” x 5-7/8”). A few specks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/093.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36571 – or simply click on the button

ANTIQUE PRINT: THE NEW SHOT MILL, NEAR WATERLOO BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE NEW SHOT MILL, NEAR WATERLOO BRIDGE.

[London : Jones & Co., 1829]. A very pleasant antique print – a view of the nineteenth-century (1826) Shot Mill south-west of Waterloo Bridge – a site now the home of the Hayward Gallery, the Royal Festival Hall, etc. Engraved by John James Hinchliff (1805-1875) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 103 x 150mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/148.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 22042 – or simply click on the button

ANTIQUE PRINT: OLD LONDON BRIDGE, FROM SOUTHWARK.

SHEPHERD, Thomas Hosmer, 1793-1864 : OLD LONDON BRIDGE, FROM SOUTHWARK.

[London : Jones & Co., 1830]. A delightful antique print – a busy river scene with barges and water traffic and, in the foreground, a lighter laden with blocks of stone for the new London Bridge then being built upstream of the old one. The skyline is dominated by the Monument and the spire of St Magnus the Martyr. Engraved by the well-known William Radclyffe (1783-1855) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 100 x 155mm (approx. 4” x 6-1/8”). Short tear to right-hand margin, just touching the engraved surface; tiny mark to left margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 161/171.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39794 – or simply click on the button

ANTIQUE PRINT: SOUTHWARK BRIDGE, FROM BANK SIDE.

SHEPHERD, Thomas Hosmer, 1793-1864 : SOUTHWARK BRIDGE, FROM BANK SIDE.

London : Jones & Co., 1827. A very pleasant antique print – a view of the bridge from the south-east, with lighters and barrels on the shore and the dome of St. Paul’s beyond. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 96 x 146mm (approx. 3-3/4” x 5-3/4”). Slight mark to lower margin, very faint scratch, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 154/013.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 30149 – or simply click on the button

ANTIQUE PRINT: SUSPENSION BRIDGE, OVER THE THAMES AT HAMMERSMITH.

SHEPHERD, Thomas Hosmer, 1793-1864 : SUSPENSION BRIDGE, OVER THE THAMES AT HAMMERSMITH.

London : Jones & Co., 1828. A most attractive antique print – a lively river scene, with water traffic and the newly built bridge. Engraved by the highly skilled Thomas Higham (1796-1844) from an original drawing by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 98 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/092.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42026 – or simply click on the button

ANTIQUE PRINT: TOWER OF LONDON,  FROM THE THAMES.

SHEPHERD, Thomas Hosmer, 1793-1864 : TOWER OF LONDON, FROM THE THAMES.

London : Jones & Co. 1830. A delightful antique print – a busy river scene with water traffic and a smart new paddle-steamer, its decks crowded with sightseers, with the Tower behind. Engraved by the well-known William Radclyffe (1783-1855) from an original pencil sketch (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Engraved surface 102 x 150mm (approx. 4” x 5-7/8”). A few faiunt marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 161/172.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39793 – or simply click on the button

ANTIQUE PRINT: VAUXHALL BRIDGE, FROM MILL BANK.

SHEPHERD, Thomas Hosmer, 1793-1864 : VAUXHALL BRIDGE, FROM MILL BANK.

[London : Jones & Co., 1829]. A most attractive antique print – Vauxhall Bridge from the east, men at work in a boatyard in the foreground, two men and a dog fishing from the bank, etc. Engraved by James Baylis Allen (1803-1876) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s partwork series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 99 x 150mm (approx. 3-7/8” x 5-7/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 154/149.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42867 – or simply click on the button

ANTIQUE PRINT: WATERLOO BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WATERLOO BRIDGE.

London : Tombleson & Co., [1834]. A pleasant antique print of the John Rennie bridge built between 1811 and 1817 – described by Canova as “the noblest bridge in the world” but nonetheless demolished in 1936. An intricately engraved ornamental border surrounds the image. Engraved by Franz Abresch (fl.1832-1841) from an original study by Thomas Hosmer Shepherd and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 165 x 201mm (approx. 6-1/2” x 7-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/049.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16544 – or simply click on the button

ANTIQUE PRINT: WATERLOO BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WATERLOO BRIDGE.

London : Jones & Co., 1827. A handsome antique print of the original Waterloo Bridge – the John Rennie design built between 1811 and 1817 and described by Canova as “the noblest bridge in the world”. A view from the east, the Thames busy with lighters. Engraved by William Wallis (fl.1816-1855) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 95 x 149mm (approx. 3-3/4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/014.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37783 – or simply click on the button

ANTIQUE PRINT: WESTMINSTER BRIDGE.

SHEPHERD, Thomas Hosmer, 1793-1864 : WESTMINSTER BRIDGE.

[London : Jones & Co., 1831]. A delightful antique print – the bridge from the south-east, the Abbey, etc., beyond, small craft on the river. Engraved by M. J. Starling (fl.1829-1848) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 111 x 160mm (approx. 4-3/8” x 6-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 161/122.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39822 – or simply click on the button

ANTIQUE PRINT: THE THAMES, FROM THE TOWER TO WESTMINSTER.

SULMAN, Thomas, 1832-1900 : THE THAMES, FROM THE TOWER TO WESTMINSTER.

[London : W. H. Allen, 1891]. A handsome and unusual bird’s-eye view of the central London portion of the Thames – from the Tower of London to the Houses of Parliament, with the eight bridges between. Designed by the architectural draughtsman Thomas Sulman, engraved by George William Ruffle (1838-1901), and originally produced for Herbert Fry’s "London: Illustrated by Twenty Bird’s Eye Views of the Principal Streets" (1891).
Wood engraving on paper, with letter-press shoulder notes. Later hand colour. Engraved surface 208 x 120mm (approx. 8-1/4” x 4-3/4”). A few small stab-marks to the original horizontal fold, but otherwise in very good and clean state. A guaranteed genuine antique map.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39856 – or simply click on the button

ANTIQUE PRINT: CUSTOM HOUSE.

[TAYLOR, Isaac, 1730-1807] : CUSTOM HOUSE.

[London : R. Baldwin, 1773]. A good and sharply engraved antique print – the eighteenth-century Custom House – a view from the river, the quay alive with activity. Engraved by Isaac Taylor and originally produced for John Noorthouck’s “A New History of London” (London : 1773).
Copper line engraving on paper. Engraved surface 120 x 194mm (approx. 4-3/4” x 7-5/8”). Very faint horizontal fold, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 51/028A.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 23547 – or simply click on the button

ANTIQUE PRINT: THE NEW BUILDINGS CALLED THE ADELPHI, VIEWED FROM THE RIVER.

TAYLOR, Isaac, 1730-1807 : THE NEW BUILDINGS CALLED THE ADELPHI, VIEWED FROM THE RIVER.

[London : R. Baldwin], 1772. A good and sharply engraved antique print – the just completed Adelphi Terrace designed by Robert Adam. Engraved by Isaac Taylor and originally produced for John Noorthouck’s “A New History of London” (London : 1773).
Copper line engraving on paper. Engraved surface 182 x 278mm (approx. 7-1/4” x 10-3/4”). Slight old vertical folds, but overall in very good and clean state. A guaranteed genuine antique print. Adams 51/036.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33563 – or simply click on the button

ANTIQUE PRINT: ADELPHI TERRACE.

TOMBLESON, William : ADELPHI TERRACE.

London : Tombleson & Co., [1834]. A handsome antique print of the famous Adelphi Terrace as it stood before the construction of the Embankment pushed it back from the river front. The view has an engraved decorative border in vaguely Adam style. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 166 x 214mm (approx. 6-3/8” x 8-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/048.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15947 – or simply click on the button

ANTIQUE PRINT: CHELSEA HOSPITAL, MIDDLESEX.

TOMBLESON, William : CHELSEA HOSPITAL, MIDDLESEX.

London : Tombleson & Co., [1834]. A charming antique print showing the hospital from across the Thames, with sailing craft on the river and a boating mishap about to occur. An intricately engraved decorative border features military symbols – drums, trumpets, banners, etc. Engraved by Samuel Lacey (1786-1859) from an original design by William Tombleson (fl.1824-1841) and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 158 x 211mm (approx. 6-1/4” x 8-3/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/042.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31878 – or simply click on the button

ANTIQUE PRINT: HAMMERSMITH BRIDGE.

TOMBLESON, William : HAMMERSMITH BRIDGE.

London : Tombleson & Co., [1833]. A handsome antique print of London’s first suspension bridge, built by William Tierney Clarke between 1824 and 1827. With an engraved decorative floral border. Engraved by James Tingle (1801-1858) from an original design by William Tombleson (fl.1824-1841) and originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 140 x 192mm (approx. 5-1/2” x 7-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 178/041.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16541 – or simply click on the button

ANTIQUE PRINT: LAMBETH PALACE, SURRY [sic].

TOMBLESON, William : LAMBETH PALACE, SURRY [sic].

London : Tombleson & Co., [1833]. An attractive antique print showing the palace from the river, with small craft in the foreground. With an engraved decorative border featuring episcopal symbols, etc. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 169 x 193mm (approx. 6-5/8” x 7-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/045.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38778 – or simply click on the button

ANTIQUE PRINT: LONDON BRIDGE.

TOMBLESON, William : LONDON BRIDGE.

London : Tombleson & Co., [1833]. A handsome antique print of the bridge from the south, with the City of London along the far shore and St Paul’s Cathedral framed by one of the arches. With an engraved decorative border of hands clasping in amity between the arms of the City and those of Southwark. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 160 x 200mm (approx. 6-1/4” x 8”). In very good and clean state. A guaranteed genuine antique print. Adams 178/055.

£100

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 15944 – or simply click on the button

ANTIQUE PRINT: SOUTHWARK BRIDGE.

TOMBLESON, William : SOUTHWARK BRIDGE.

London : Tombleson & Co., [1834]. A most attractive antique print showing the bridge from the south-west – the City skyline and the Monument beyond, a pleasure-steamer on the river and a rowing boat in the foreground. An intricately engraved decorative border surrounds the image. Engraved by J. How (fl.1832-1834) from an original study by William Tombleson (fl.1824-1841) and originally published with the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 168 x 206mm (approx. 6-5/8” x 8-1/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 178/053.

£60

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 41016 – or simply click on the button

ANTIQUE PRINT: VAUXHALL BRIDGE.

TOMBLESON, William : VAUXHALL BRIDGE.

London : Tombleson & Co., [1834]. A handsome antique print – Vauxhall Bridge from the west, men at work on an upturned boat in the foreground, a glimpse of Vauxhall to the south. The view is set with an elbaorate engraved border of trellis and roses. Engraved by Henry Winkles (1800-1860) from an original study by William Tombleson (fl.1824-1841). Originally published in the part-work series “Tombleson’s Views of the Thames and Medway” (London : 1833-1834).
Steel line engraving on paper. Later hand colour. Engraved surface 168 x 210 (approx. 6-5/8” x 8-1/4”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 178/044.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42601 – or simply click on the button

ANTIQUE PRINT: CUSTOM HOUSE.

WALE, Samuel, 1721-1786 : CUSTOM HOUSE.

[London : R. & J. Dodsley, 1761]. An elegant eighteenth-century print of the Custom House from the river – bales and barrels on the quay. Engraved by Benjamin Green (1736?-1800?) from an original study by the painter and illustrator Samuel Wale, first Professor of Perspective at the Royal Academy. Originally produced for Robert Dodsley’s part-work compilation, “London and its Environs Described” (1761).
Copper line engraving on paper. Engraved surface 88 x 140mm (approx. 3-1/2” x 5-1/2”). One small mark in lower margin, otherwise in very good and clean state. A guaranteed genuine antique print. Adams 41/027.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 28118 – or simply click on the button

ANTIQUE PRINT: SOMERSET HOUSE.

WALE, Samuel, 1721-1786 : SOMERSET HOUSE.

[London : R. & J. Dodsley, 1761]. A charming eighteenth-century print of old Somerset House from the river. Engraved by Edward Rooker (fl.1749-1777) from an original study by the painter and illustrator Samuel Wale, first Professor of Perspective at the Royal Academy. Originally produced for Robert Dodsley’s part-work compilation, “London and its Environs Described” (London : 1761).
Copper line engraving on paper. Engraved surface 87 x 139mm (approx. 3-1/2” x 5-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 41/066.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 24069 – or simply click on the button

ANTIQUE PRINT: LONDON BRIDGE.

WHITTOCK, Nathaniel, 1791-1860 : LONDON BRIDGE.

[London : ca.1830]. A handsome lithograph by Nathaniel Whittock – old London Bridge from the south, with the river racing through the piers, and the Monument and St. Magnus the Martyr beyond.
Lithograph on paper. Later hand colour. Engraved surface 155 x 206mm (approx. 6-1/8” x 8-1/8”). Faint crease to sky area, but otherwise in very good and clean state. A guaranteed genuine antique print.

£125

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29531 – or simply click on the button

ANTIQUE PRINT: VIEW OF BAYNARD’S CASTLE.

WOODING, John G. : VIEW OF BAYNARD’S CASTLE.

[London : Alexander Hogg, 1786]. An attractive antique print – a stylised late eighteenth-century view of the mediaeval Castle Baynard, destroyed in the Great Fire of London. Engraved by John G. Wooding and originally produced for the part-work "The New, Complete, and Universal History, Description, and Survey of the Cities of London and Westminster" (1784) – and here in a slightly later impression dated to 1786.
Copper line engraving on paper. Engraved surface 150 x 214mm (approx. 5-7/8” x 8-3/8”). Trimmed a little tight at head, but overall in very good and clean state. A guaranteed genuine antique print. Adams 63/10B.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37518 – or simply click on the button

Credit Card Logos

Return to Ash Rare Books home page.
Return to London Prints index page.

Designed and © 2016 Ash Rare Books
e-mail: prints@ashrare.com