ANTIQUE PRINTS OF UPPER THAMES STREET AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

London : C. Tilt, 1838. An attractive antique print - the fine interior of the Wren church of All Hallows the Great, which formerly occupied part of the present site of Mondial House. The view shows the chancel screen and pulpit sounding-board now removed to St. Margaret Lothbury. Engraved by Thomas Turnbull (fl.1827-1843) from an original study by the painter and architect Robert William Billings. Originally produced for George Godwin's serially published "The Churches of London" (London 1837-1839).
Steel line engraving on paper. Engraved surface 117 x 152mm (approx. 4-5/8" x 6"). In very good and clean state. A guaranteed genuine antique print. Adams 189/062.

£20

To confirm availability and to purchase this print please note the stock number 29543 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

[London : 1772]. A handsome antique print - an austere elevation of the Wren church of All Hallows the Great. Originally engraved by Benjamin Cole (fl.1723-1767) for the part-work edition of William Maitland's "History of London" (London: 1753-1756), but here in a slightly later printing from 1772.
Copper line engraving on paper. Engraved surface 209 x 242mm (approx. 8-1/4" x 9-1/2"). Trimmed tight to neatlines, but in very good and clean state. A guaranteed genuine antique print. Adams 38/047A.

£40

To confirm availability and to purchase this print please note the stock number 29544 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

[London : Leadenhall Press, 1891]. A pleasant vignetted late Victorian print of Upper Thames Street and the Wren church of St. Mary Somerset. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication "London City" (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 147 x 96mm (approx. 5-3/4" x 3-7/8"). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£20

To confirm availability and to purchase this print please note the stock number 19118 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

[London : 1852]. A small antique print of the elegant Wren exterior. An engraving from the workshop of A.H.Payne, originally produced for Payne's "Illustrated London, or a Series of Views in the British Metropolis and its Vicinity" (London: 1846-1847), and here in a slightly later impression dating from 1852.
Steel line engraving on paper. Engraved surface 64 x 85mm (approx. 2-1/2" x 3-3/8"). In very good and clean state. A guaranteed genuine antique print. Adams 207/090B.

£20

To confirm availability and to purchase this print please note the stock number 29545 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

[London : 1878 (or later)]. A Victorian representation of the mid-sixteenth century Steelyard - the cluster of buildings and the quay from the river - the London headquarters of the powerful Hanseatic League that formerly stood on the site of Cannon Street Station. From a study (based on Anthony van den Wyngaerde's sixteenth century drawing) by William Henry Prior. Originally produced for the part-work "Old and New London" (London 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 146 x 221mm (approx. 5-3/4" x 8-3/4"). Text on verso. In very good and clean state. A guaranteed genuine antique print.

SOLD

To confirm availability and to purchase this print please note the stock number 27366 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

[London : Jones & Co., 1832]. An attractive antique print - a delightful view of the Wren church of All Hallows the Great, which formerly occupied part of the present site of Mondial House. Engraved by John James Hinchliff (1805-1875) from a pencil drawing (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of 19th century London. From Shepherd's part-work series "London and its Environs in the Nineteenth Century" (London 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 110 x 152mm (approx. 4-3/8" x 6"). In very good and clean state. A guaranteed genuine antique print. Adams 161/179.

£25

To confirm availability and to purchase this print please note the stock number 23570 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

London: Jones & Co., [1831]. A most attractive antique print from Shepherd's series "London and its Environs in the Nineteenth Century" (London 1829-1832). A pleasant view of the Wren church on Upper Thames Street, only the tower of which survives. Engraved by Edward John Roberts (1797-1865) from an original drawing by Thomas Hosmer Shepherd, the master recorder of 19th century London.
Steel line engraving on paper. Later hand colour. Engraved surface 112 x 71mm (approx 4-1/2" x 2-3/4"). In very good and clean state. A guaranteed genuine antique print. Adams 161/178.

£20

To confirm availability and to purchase this print please note the stock number 19117 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

London : Jones & Co., [1831]. An antique print - an attractive view of the church from the south-east, showing parts of Upper Thames Street and Little Trinity Lane. In the foreground a cart is being unloaded near a doorway marked "Adlard", the premises of the stationer William Curtis Adlard at No.1 Queenhithe. This handsome church, rebuilt by Wren after the Great Fire, was demolished by the City Corporation in 1876. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of 19th century London. From Shepherd's part-work series "London and its Environs in the Nineteenth Century" (London 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 127 x 150mm (approx. 5" x 5-7/8"). In very good and clean state. A guaranteed genuine antique print. Adams 161/137.

£25

To confirm availability and to purchase this print please note the stock number 24645 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.

London : Jones & Co., [1832]. A pleasant antique print of the exterior of Vintners' Hall on Upper Thames Street - two men trundle a hand-cart past the wrought-iron gates. Engraved by Robert Acon (1792-1880) from an original study (now in the Museum of London) by Thomas Hosmer Shepherd (1793-1864), the master recorder of 19th century London. From Shepherd's part-work series "London and its Environs in the Nineteenth Century" (London 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 106 x 148mm (approx. 4-1/4" x 5-7/8"). In very good and clean state. A guaranteed genuine antique print. Adams 161/174.

£25

To confirm availability and to purchase this print please note the stock number 23866 and go to the database. Enter the number in the stock/order number box - press the search button - and a shopping basket should appear. Or simply call us or e-mail prints@ashrare.com.