ASH RARE BOOKS – ANTIQUE PRINTS OF WALBROOK WARD

Antique print of the Mansion House

ANTIQUE PRINTS OF WALBROOK WARD AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

Tel: (+44)-(0)20-8672-2263
e-mail: prints@ashrare.com


VISITORS BY APPOINTMENT ONLY

ANTIQUE PRINTS OF WALBROOK WARD

CLICK ON REFRESH/RELOAD TO ENSURE YOU HAVE THE UPDATED VERSION OF THIS PAGE
ANTIQUE PRINT: MANSION HOUSE.

[BROWNE, Hablot Knight, 1815-1882 & GARLAND, Robert, 1808-1863] : MANSION HOUSE.

[London : W. S. Orr, 1837 (but later)]. A delightful antique print of the Mansion House – with the mayoral coach attempting to negotiate the chaotic trafiic at the junction of the Poultry and Princes Street, while a woman with a parasol scuttles in front of an omnibus. Engraved by John Woods (fl.1835-1855) from a composite study by Hablot Knight Browne (“Phiz”) and Robert Garland. Originally produced for Wood’s “History of London : Illustrated by Views”, first published in parts 1837-1838 and subsequently reissued in various guises between1838 and 1862.
Steel line engraving on paper. Engraved surface 114 x 150mm (approx. 4-1/2” x 6-1/8”). Just a touch dusty, but overall in very good state. A guaranteed genuine antique print. Adams 188/017.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29885 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN WALBROOK. UNITED WITH ST. BENNET SHEREHOG.

CONEY, John, 1786-1833 : ST. STEPHEN WALBROOK. UNITED WITH ST. BENNET SHEREHOG.

London : J. Booth, 1813. A handsome antique print – the exterior of the Wren church of St. Stephen Walbrook. Engraved by Joseph Skelton (1783-1871) from an original study (dated 1811 and now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 261 x 164mm (approx. 10-1/4” x 6-1/2”). In very good and clean state. A guaranteed genuine antique print. Adams 129/114.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36342 – or simply click on the button

ANTIQUE PRINT: ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

CONEY, John, 1786-1833 : ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

London : J. Booth, 1812. A handsome antique print – the exterior of the now lost Wren church of St. Swithin on Cannon Street – the London Stone prominent in the foreground. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Engraved surface 282 x 176mm (approx. 11-1/8” x 7”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/116.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36335 – or simply click on the button

ANTIQUE PRINT: ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

CONEY, John, 1786-1833 : ST. SWITHIN, UNITED WITH ST. MARY BOTHAW.

London : J. Booth, 1812. A handsome antique print – the exterior of the now lost Wren church of St. Swithin on Cannon Street – the London Stone prominent in the foreground. Engraved by Joseph Skelton (1783-1871) from an original drawing (now in the British Museum) by John Coney. Originally produced for the part-work series “Architectura Ecclesiastica Londini; being a Series of Views” (London : 1810-1823) – “the first artistically competent and exhaustive illustration of the golden age of London church building” (Adams). Below the image are several lines of explanatory text.
Copper line engraving on paper. Later hand colour. Engraved surface 282 x 176mm (approx. 11-1/8” x 7”). A few tiny marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 129/116.

£100

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39868 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE : MATCHES.

[CRAIG, William Marshall] : THE MANSION HOUSE : MATCHES.

London : Richard Phillips, 1804. An interesting antique print – an ill-shod itinerant match-boy sells bundles of matches for a penny across the street from the Mansion House. The match-sellers were thought to be among the poorest of the poor, subsisting more on charity than profit – they "generally sing a kind of song, and sell and beg alternately". Engraved from an original study by William Marshall Craig (fl.1788-1828), water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (London : 1804).
Aquatint, line and stipple engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 130 x 98mm (approx. 5-1/8” x 3-7/8”). A few trifling marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print. Adams 89/042.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33794 – or simply click on the button

ANTIQUE PRINT: CANNON STREET RAILWAY STATION.

[ENGLISH SCHOOL] : CANNON STREET RAILWAY STATION.

[London : Cassell & Co., 1878]. A handsome antique print of the massy facade of the nineteenth-century Cannon Street Station, the forecourt and surrounding streets busy with pedestrians and horse-drawn traffic. Originally produced as a supplementary presentation plate for the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 158 x 201mm (approx. 6-1/4” x 7-7/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36833 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE.

[ENGLISH SCHOOL] : THE MANSION HOUSE.

[London : R. Baldwin, 1773]. An elegant eighteenth-century print of the exterior of the Mansion House, the mayoral coach approaching. Originally produced for John Noorthouck’s “A New History of London” (London : 1773).
Copper line engraving on paper. Engraved surface 90 x 149mm (approx 3-3/8” x 5-7/8”). Faint crease to outer blank margin, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 51/018B.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 36760 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE IN 1750. (FROM A PRINT PUBLISHED FOR STOW’S

[ENGLISH SCHOOL] : THE MANSION HOUSE IN 1750. (FROM A PRINT PUBLISHED FOR STOW’S "SURVEY").

[London : 1878 (or later)]. An attractive antique print – the Mansion House, the mayoral coach, etc. Engraved (from an earlier source) by the Typographic Etching Co. and originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Later hand colour. Engraved surface 202 x 144mm (approx. 8” x 5-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 31951 – or simply click on the button

ANTIQUE PRINT: QUEEN VICTORIA STREET.

[ENGLISH SCHOOL] : QUEEN VICTORIA STREET.

London : Cassell & Co., [1878]. A pleasant antique print – the bustling nineteenth-century City of London – the junction of Queen Victoria Street and Cannon Street – the Mansion House station to the left, St. Paul’s looming beyond. Originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 147 x 205mm (approx. 5-3/4” x 8-1/8”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34173 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN’S WALBROOK, LONDON.

GYFFORD, Edward, 1772-1834 : ST. STEPHEN’S WALBROOK, LONDON.

London : Vernor, Hood & Sharpe, 1808. A pleasant early nineteenth-century antique print – visitors admire the domed interior. Engraved by John Byrne (1786-1847) from an original study by Edward Gyfford, and originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Later hand colour. Engraved surface 173 x 106mm (approx. 6-7/8” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 104/038.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29556 – or simply click on the button

ANTIQUE PRINT: CANNON STREET.

LUKER, William, 1862-1934 : CANNON STREET.

[London : Leadenhall Press, 1891]. An Victorian print looking westwards along Cannon Street from outside the railway station towards St. Paul’s. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 210 x 162mm (approx. 8-1/4” x 6-3/8”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 14719 – or simply click on the button

ANTIQUE PRINT: CANNON STREET STATION – NIGHT.

LUKER, William, 1862-1934 : CANNON STREET STATION – NIGHT.

[London : Leadenhall Press, 1891]. An atmospheric antique print of the busy Victorian platforms and waiting steam trains. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 158 x 219mm (approx. 6-1/4” x 8-5/8”). Faint and small mark to blank margin, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39358 – or simply click on the button

ANTIQUE PRINT: JUVENILE BALL AT THE MANSION HOUSE – BETWEEN THE DANCES.

LUKER, William, 1862-1934 : JUVENILE BALL AT THE MANSION HOUSE – BETWEEN THE DANCES.

[London : Leadenhall Press 1891]. A charming antique print – Victorian children at a fancy-dress ball at the Mansion House. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 162 x 221mm (approx. 6-3/8” x 8-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 19615 – or simply click on the button

ANTIQUE PRINT: MANSION HOUSE POLICE COURT.

LUKER, William, 1862-1934 : MANSION HOUSE POLICE COURT.

[London : Leadenhall Press, 1891]. A vignette view of the interior of the court – a hearing in progress. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 110 x 138mm (approx. 4-3/8” x 5-3/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 19613 – or simply click on the button

ANTIQUE PRINT: ROTHSCHILDS’ BANK, ST. SWITHIN’S LANE.

LUKER, William, 1862-1934 : ROTHSCHILDS’ BANK, ST. SWITHIN’S LANE.

[London : Leadenhall Press, 1891]. A vignette view of the bank and the lane busy with top-hatted workers. From an original design by the painter and illustrator William Luker and engraved in Paris by Ch. Guillaume & Cie. for the Leadenhall Press publication “London City” (1891).
Hand touched and finished half-tone process block. Later hand colour. Image area 115 x 64mm (approx. 4-1/2” x 2-5/8”). Text on verso. In very good and clean state. A guaranteed genuine antique print.

£20

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 18325 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN’S WALBROOK.

MACKENZIE, Frederick, 1787-1854 : ST. STEPHEN’S WALBROOK.

London : C. Tilt, 1839. A handsome antique print of the interior of the exquisite Wren interior of St. Stephen Walbrook. Engraved by Ebenezer Challis (1806-1881) from an original study by the architectural painter and draughtsman Frederick Mackenzie. Originally produced for George Godwin’s serially published “The Churches of London” (London : 1837-1839).
Steel line engraving on paper. Later hand colour. Engraved surface 163 x 102mm (approx. 6-3/8” x 4”). In very good and clean state. A guaranteed genuine antique print. Adams 189/108.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 20713 – or simply click on the button

ANTIQUE PRINT: CANNON STREET RAILWAY STATION.

MACLURE, Andrew & MACDONALD, Archibald Gray : CANNON STREET RAILWAY STATION.

[London : Cassell & Co., 1878]. A handsome antique print of the imposing Victorian facade of Cannon Street Station, the courtyard alive with pedestrian and horse-drawn traffic. Drawn and lithographed by “Maclure & Macdonald” as a supplementary presentation plate for the part-work “Old and New London” (London : 1873-1878).
Lithograph on paper. Engraved surface 145 x 197mm (approx. 5-3/4” x 7-3/4”). In very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29566 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE.

MAURER, John : THE MANSION HOUSE.

London : T. Major, 1750. A scarce and handsome antique print – a perspective view of the freshly-built Mansion House, with Cornhill and Lombard Street beyond – a lively array of the citizenry about their business in the foreground. Published and probably engraved by Thomas Major (1719-1799) from an original study by the Swiss painter John Maurer (fl.1713-1761).
Copper line engraving on paper. Original hand colour. Engraved surface 238 x 378mm (approx. 9-3/8” x 14-7/8”). Cropped to neatlines, laid down on contemporary card, with edges painted black to facilitate viewing in an optical machine. The caption and imprint (with the loss of just a few letters) are preserved on the rear of the card. Card tanned, brittle, worn and chipped; some creasing and minor splitting; small and barely noticeable puncture; minor discolouration to face of image, but still a rare and attractive survival of a separately published print designed and prepared for use with the optical diagonal machine (zograscope). A guaranteed genuine antique print.

£250

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33414 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE.

NELSON & SONS, Thomas – publishers : THE MANSION HOUSE.

[London] : T. Nelson & Sons, [1889]. An attractive antique print – a lively view of the Mansion House, with Queen Victoria Street and the Poultry beyond. Originally produced for the Nelson “English Scenery” series of views and view-books.
Chromolithograph on paper. Printed surface 78 x 121mm (approx. 3-1/8” x 4-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 34111 – or simply click on the button

ANTIQUE PRINT: MANSION HOUSE.

[PAYNE, Albert Henry, 1812-1902] : MANSION HOUSE.

[London : E. T. Brain & Co., 1847]. A handsome antique print – the Mansion House dominating a lively city scene – the offices of the Britannia Life Assurance Co. on the corner of Princes Street to the right. Originally produced for Payne’s “Illustrated London, or a Series of Views in the British Metropolis and its Vicinity” (London : 1846-1847).
Steel line engraving on paper. Engraved surface 93 x 134mm (approx. 3-5/8” x 351/2”). A couple of faint and tiny marks to blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38379 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN’S, WALBROOK.

PUGIN, Augustus Charles, 1762-1832 & ROWLANDSON, Thomas, 1756-1827 : ST. STEPHEN’S, WALBROOK.

London : R. Ackermann, 1809. A fine antique print – offering an interior view of Wren’s domed masterpiece, with the congregation at worship. Engraved by John Bluck (fl.1791-1822) from a design by Pugin and Rowlandson – Rowlandson contributing the figures and Pugin the architectural detail. Originally produced for Ackermann’s part-work "The Microcosm of London" (London : 1808-1810).
Etching and aquatint on paper. Full original hand colour. Engraved surface 216 x 257mm (approx. 8-1/2” x 10-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 99/090.

£125

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16447 – or simply click on the button

ANTIQUE PRINT: LONDON STONE, CANNON STREET.

[SHEPHERD, Thomas Hosmer, 1793-1864] : LONDON STONE, CANNON STREET.

[London : Jones & Co., 1829]. A small antique print – the stone of legend – the heart of London and traditionally the first milestone of the kingdom. Engraved by James Baylis Allen (1803-1876) from an original drawing (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 72mm (approx. 4” x 2-7/8”). Trimmed tight, but in very good and clean state. A guaranteed genuine antique print. Adams 161/039.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29551 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE, FROM THE BANK.

SHEPHERD, Thomas Hosmer, 1793-1864 : THE MANSION HOUSE, FROM THE BANK.

[London : Jones & Co., 1830]. A delightful antique print – a lively street scene with pedestrians, a carriage and the cart of the Islington and Holloway carrier. The view depicts the imposing facade of the Mansion House and the buildings immediately to its left, then occupied by the lottery office of Pidding & Co. (above a lace manufactory) at No.1 Cornhill, the stockbrokers (Edward) Eyton & Co., and the goldsmith and jeweller William Thomas Dulin. The northern end of Walbrook can also be made out. Engraved by the gifted William Wallis (fl.1816-1855) from an original pencil drawing (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s part-work series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Engraved surface 109 x 152mm (approx. 4-3/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 161/027.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 39821 – or simply click on the button

ANTIQUE PRINT: SALTERS-HALL. TO ALDERMAN VENABLES, DURING WHOSE MAYORALTY THE EDIFICE WAS COMPLETED, THIS PLATE IS RESPECTFULLY INSCRIBED BY THE PUBLISHERS.

SHEPHERD, Thomas Hosmer, 1793-1864 : SALTERS-HALL. TO ALDERMAN VENABLES, DURING WHOSE MAYORALTY THE EDIFICE WAS COMPLETED, THIS PLATE IS RESPECTFULLY INSCRIBED BY THE PUBLISHERS.

London : Jones & Co., 1828. A pleasant antique print – the graceful old hall in St. Swithin’s Lane built by Henry Carr between 1824 and 1827 but destroyed by fire in 1941. Engraved by William Wallis (fl.1816-1855) from original studies (now in the Museum of London and the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 108 x 151mm (approx. 5-7/8” x 4-1/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/084.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 19616 – or simply click on the button

ANTIQUE PRINT: ST. STEPHEN WALBROOK.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. STEPHEN WALBROOK.

[London : Jones & Co., 1830]. A most attractive antique print – a charming view of the Wren church tucked behind the Mansion House, Walbrook busy with passers-by. Engraved by Robert Acon (1792-1880) from an original drawing by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832).
Steel line engraving on paper. Later hand colour. Engraved surface 109 x 67mm (approx 4-1/4” x 2-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/025.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16444 – or simply click on the button

ANTIQUE PRINT: ST. SWITHIN, LONDON STONE, CANNON STREET.

SHEPHERD, Thomas Hosmer, 1793-1864 : ST. SWITHIN, LONDON STONE, CANNON STREET.

[London : Jones & Co., 1831]. A lively antique print – an animated view of Cannon Street busy with traffic and the old Wren church (destroyed in 1941) at the corner of St. Swithin’s Lane. The celebrated "London Stone" is clearly seen set in the wall of the church. Engraved by James Tingle (1801-1858) from an original pencil drawing (now in the Guildhall Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “London and its Environs in the Nineteenth Century” (London : 1829-1832)
Steel line engraving on paper. Later hand colour. Engraved surface 96 x 148mm (approx. 3-7/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 161/136.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 16440 – or simply click on the button

ANTIQUE PRINT: THE EGYPTIAN HALL. MANSION HOUSE.

[TALLIS, John, 1818-1876 – publisher] : THE EGYPTIAN HALL. MANSION HOUSE.

[London : J. Tallis & Co., 1852]. A pleasing antique print of the beflagged and columned interior of the Egyptian Hall at the Mansion House in the City of London. Originally produced for the part-work “Tallis’s Illustrated London” (1850-1852).
Steel line engraving on paper. Later hand colour. Engraved surface 98 x 132mm (approx. 3-7/8” x 5-1/4”). In very good state. A guaranteed genuine antique print. Adams 215/058.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 18335 – or simply click on the button

ANTIQUE PRINT: THE MANSION HOUSE, LONDON.

THOMPSON, James Robert : THE MANSION HOUSE, LONDON.

London : Vernor, Hood & Sharpe, 1810. A handsome antique print – the Mansion House from the west – Lombard Street beyond. Engraved by the Scottish engraver John Burnet (1784-1868) from an original study by the painter and architect James Robert Thompson (fl.1806-1848). Originally produced for the part-work “Beauties of England and Wales” (1801-1816).
Copper line engraving on paper. Later hand colour. Engraved surface 165 x 107mm (approx. 6-1/2” x 4-1/4”). One tiny hole, but otherwise in very good and clean state. A guaranteed genuine antique print. Adams 104/018.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 29565 – or simply click on the button

ANTIQUE PRINT: A VIEW OF THE INSIDE OF THE CHURCH OF ST. STEPHEN’S WALBROOK. BUILT AFTER THE DESIGN OF SIR CHRISTOPHER WREN.

WHITE, T. : A VIEW OF THE INSIDE OF THE CHURCH OF ST. STEPHEN’S WALBROOK. BUILT AFTER THE DESIGN OF SIR CHRISTOPHER WREN.

[London : R. Baldwin], 1772. An elegant eighteenth-century print – a stylish view of the pillared and domed Wren interior, with a miniature cross-section and ground-plan incorporated in the lower margin. Engraved by T. White (ca.1730-1775) and originally produced for John Noorthouck’s part-work “A New History of London” (London : 1772-1773).
Copper line engraving on paper. Engraved surface 203 x 244mm (approx. 8” x 9-5/8”). Light old vertical folds, a few faint marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 51/029.

£50

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 33774 – or simply click on the button

Credit Card Logos

Return to Ash Rare Books home page.
Return to London Prints index page.
Return to City of London Prints index page.

Designed and © 2016 Ash Rare Books
e-mail: prints@ashrare.com