ASH RARE BOOKS – ANTIQUE PRINTS OF WORCESTERSHIRE

Antique print of Worcestershire

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ANTIQUE PRINTS OF WORCESTERSHIRE

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ANTIQUE PRINT: GATE-WAY, EDGAR’S TOWER, AT WORCESTER, VIEW OF THE EXTERIOR, LOOKING TO THE WEST.

BARTLETT, William Henry, 1809-1854 : GATE-WAY, EDGAR’S TOWER, AT WORCESTER, VIEW OF THE EXTERIOR, LOOKING TO THE WEST.

London : Longman & Co., 1829. A finely-worked antique print – the Edgar Tower at Worcester. Engraved by John le Keux (1783-1846) from an original study by William Henry Bartlett. Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1828-1830). The plate is dedicated to the architect Charles Fowler (1792-1867).
Copper line engraving on paper. Engraved surface 172 x 210mm (approx. 6-3/4” x 8-1/4”). A couple of tiny specks to margins, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: VIEW IN FRIARS STREET: – WORCESTER.

BARTLETT, William Henry, 1809-1854 : VIEW IN FRIARS STREET: – WORCESTER.

London : Longman & Co., 1829. A handsome antique print – the ancient houses of early nineteenth-century Worcester. Engraved by John le Keux (1783-1846) from an original study by William Henry Bartlett, with the figures added by the portrait painter William Henry Brooke (1772-1860). Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1828-1830). The plate is dedicated to John Matthew Gutch (1776-1861), the journalist, bookseller and banker, who was then living in Worcester.
Copper line engraving on paper. Engraved surface 170 x 212mm (approx. 6-5/8” x 8-5/8”). A couple of tiny specks to margins, but overall in very good and clean state. A guaranteed genuine antique print.

£75

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ANTIQUE PRINT: VIEW OF THE CITY OF WORCESTER, FROM THE N.E.

BARTLETT, William Henry, 1809-1854 : VIEW OF THE CITY OF WORCESTER, FROM THE N.E.

London : Longman & Co., 1829. A handsome antique print – a prospect of Worcester from the fields to the north east of the city. Engraved by William Taylor (fl.1825-1852) from an original study by William Henry Bartlett. Originally produced for John Britton’s “Picturesque Antiquities of the English Cities” (London : 1828-1830). The plate is dedicated to Dr. Dixon of Worcester, "an admirer & patron of Antiquarian Literature".
Copper line engraving on paper. Engraved surface 154 x 220mm (approx. 6” x 8-5/8”). A couple of tiny specks to margins, but overall in very good and clean state. A guaranteed genuine antique print.

£75

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ANTIQUE PRINT: WORCESTER CATHEDRAL. NORTH TRANSEPT OF CHOIR.

BAUD, Benjamin, 1806-1875 : WORCESTER CATHEDRAL. NORTH TRANSEPT OF CHOIR.

[London : 1842]. An attractive antique print – a elegant view of the interior of the cathedral. Engraved by Benjamin Winkles (1805-1856) from a drawing by Benjamin Baud. Originally produced for the part-work publication “Winkles’s Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales” (London : 1835-1842).
Steel line engraving on paper. Engraved surface 159 x 100mm (approx. 6-1/4” x 4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WORCESTER CATHEDRAL. THE CHOIR.

BAUD, Benjamin, 1806-1875 : WORCESTER CATHEDRAL. THE CHOIR.

[London : 1842]. A pleasant antique print – a view of the interior of the cathedral. Engraved by Benjamin Winkles (1805-1856) from a drawing by Benjamin Baud. Originally produced for the part-work publication “Winkles’s Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales” (London : 1835-1842).
Steel line engraving on paper. Engraved surface 157 x 100mm (approx. 6-1/4” x 4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BEWDLEY.

DAYES, Edward, 1763-1809 : BEWDLEY.

London : J. Walker, 1801. A most attractive antique print – the then-new bridge over the Severn at Bewdley – a fisherman in the foreground – the town beyond. Engraved by John Walker (fl.1784-1802) from an original drawing by Edward Dayes. Originally produced for Walker’s “The Copper-Plate Magazine, or Monthly Cabinet of Picturesque Prints” (London : 1792-1802).
Copper line engraving on paper. Engraved surface 124 x 168mm (approx. 4-7/8” x 6-5/8”). A few faint marks to outer blank margins, but overall in very good and clean state. A guaranteed genuine antique print.

£40

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ANTIQUE PRINT: DUDLEY CASTLE, WORCESTERSHIRE.

[ENGLISH SCHOOL] : DUDLEY CASTLE, WORCESTERSHIRE.

[London : 1860]. An attractive antique print – a view towards the castle, with fashionably dressed visitors with a dog in the foreground. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Later hand colour. Engraved surface 100 x 136mm (approx. 3-7/8” x 5-5/8”). Very slight discolouration to upper margin, but otherwise in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: DUDLEY CASTLE, WORCESTERSHIRE.

[ENGLISH SCHOOL] : DUDLEY CASTLE, WORCESTERSHIRE.

[London : L. Tallis, ca.1850]. An attractive antique print – a view towards the castle, with fashionably dressed visitors with a dog in the foreground. Originally produced for Thomas Dugdale’s part-work survey published as “The Curiosities of Great Britain” or “England Delineated” in various formats between 1838 and 1860.
Steel line engraving on paper. Engraved surface 100 x 136mm (approx. 3-7/8” x 5-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HARTLEBURY CASTLE, THE PALACE OF THE BISHOP OF WORCESTER.

[ENGLISH SCHOOL] : HARTLEBURY CASTLE, THE PALACE OF THE BISHOP OF WORCESTER.

[London : for R. Goadby, 1776]. An elegant antique print – a bird’s-eye view of Hartlebury Castle near Kidderminster – now the County Museum. Originally produced for “A New Display of the Beauties of England” (London : 1776-1777).
Copper line engraving on paper. Engraved surface 113 x 189mm (approx. 4-1/2” x 7-3/8”). A few faint marks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: WORCESTER CATHEDRAL, FROM THE RIVER.

[ENGLISH SCHOOL] : WORCESTER CATHEDRAL, FROM THE RIVER.

[London : Cassell & Co., 1883]. A pretty antique print – a vignette view of Worcester from the river. Originally produced for the partwork publication “Our Own Country” (London : 1879-1883).
Wood engraving on paper. Engraved surface 93 x 135mm (approx. 3-5/8” x 5-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: MALVERN ABBEY.

GODFREY, Richard Bernard : MALVERN ABBEY.

London : Richard Godfrey, [1779 (or later)]. A handsome antique print of the abbey and the adjacent dwellings, the Malvern hills behind. Dated 1779 in the plate (although possibly a slightly later printing). Engraved and published by Richard Bernard Godfrey (b.1728).
Copper line engraving on paper. Later hand colour. Engraved surface 171 x 214mm (approx. 6-3/4” x 8-3/8”). In very good and clean state. A guaranteed genuine antique print.

£75

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ANTIQUE PRINT: VIEW OF LEASOWES NEAR HALES-OWEN IN SHROPSHIRE, INCLUDING THE PRIORY & SEAT OF THE LATE WILL.M SHENSTONE ESQR.

JENKINS, D. : VIEW OF LEASOWES NEAR HALES-OWEN IN SHROPSHIRE, INCLUDING THE PRIORY & SEAT OF THE LATE WILL.M SHENSTONE ESQR.

[London : J. Cooke, 1779]. A handsome eighteenth-century antique print – a sweeping view of the estate at the Leasowes near Halesowen. Engraved by D. Jenkins and originally produced for the John Cooke part-work publication “The Modern Universal British Traveller” (London : 1779).
Copper line engraving on paper. Engraved surface 182 x 270mm (approx. 7-1/8” x 10-5/8”). Trimmed a little tight, with some creasing, but otherwise in very good and clean state. A guaranteed genuine antique print.

£50

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ANTIQUE PRINT: MALVERN PRIORY CHURCH.

LAMB, Henry : MALVERN PRIORY CHURCH.

Malvern : H. Lamb, [ca.1845]. An uncommon antique print – a drawing by the local bookseller and lending-library proprietor Henry Lamb, lithographed by Charles Graf of London, Lithographer to Queen Victoria, for local publication.
Lithograph on paper. Later hand colour. Image area 174 x 253mm (approx. 6-3/4” x 10"). In very good and clean state. A guaranteed genuine antique print.

£100

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ANTIQUE PRINT: MEER HALL.

[LYDON, Frank (Alexander Francis), 1836-1917] : MEER HALL.

[London : W. Mackenzie, 1880]. An attractive antique print – Meer or Mere Hall – the sixteenth-century half-timbered house near Droitwich. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 136 x 194mm (approx. 5-3/8” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: RHYDD COURT.

[LYDON, Frank (Alexander Francis), 1836-1917] : RHYDD COURT.

[London : W. Mackenzie, 1880]. A handsome antique print – Rhydd Court near Upton-upon-Severn, at this time the home of the Lechmere family. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 140 x 193mm (approx. 5-1/2” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WESTWOOD PARK.

[LYDON, Frank (Alexander Francis), 1836-1917] : WESTWOOD PARK.

[London : W. Mackenzie, 1880]. A handsome antique print – Westwood House near Droitwich with its diagonal wings. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 143 x 195mm (approx. 5-5/8” x 7-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: WHITLEY [WITLEY] COURT.

[LYDON, Frank (Alexander Francis), 1836-1917] : WHITLEY [WITLEY] COURT.

[London : W. Mackenzie, 1880]. A handsome antique print – the once magnificent Witley Court near Droitwich, then the home of the Earl of Dudley, now a spectacular ruin. A technically highly accomplished production, colour printed in eight or more overlays from separate wooden blocks by Benjamin Fawcett (1808-1893) from original draughts (drawn on the wood) by Frank Lydon. Originally produced for the Francis Orpen Morris part-work “County Seats of the Noblemen and Gentlemen of Great Britain and Ireland” (1864-1880).
Multiple wood block engraving in colours (chromoxylograph). Engraved surface 132 x 188mm (approx. 5-1/8” x 7-3/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: BECKFORD HALL. GLOUCESTERSHIRE.

[NEALE, John Preston, 1780-1847] : BECKFORD HALL. GLOUCESTERSHIRE.

[London : Jones & Co., 1831]. An attractive antique print – the seventeenth-century Beckford Hall – with its seven bays and continuous dripmoulds. Engraved by Henry Winsor Bond (1804-1881) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 97 x 126mm (approx. 3-7/8” x 5”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: CROME COURT. WORCESTERSHIRE.

NEALE, John Preston, 1780-1847 : CROME COURT. WORCESTERSHIRE.

London : Jones & Co., 1831. A handsome antique print – Croome Court – a view from the deer park. Engraved by William Radclyffe (1783-1855) from an original study by John Preston Neale. Originally produced for the partwork series “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 96 x 127mm (approx. 3-3/4” x 5”). A couple of tiny specks, one tiny hole to blank margin, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GREAT MALVERN CHURCH, WORCESTERSHIRE. (VIEW IN JESUS CHAPEL.)

NEALE, John Preston, 1780-1847 : GREAT MALVERN CHURCH, WORCESTERSHIRE. (VIEW IN JESUS CHAPEL.)

London : J. P. Neale & J. Le Keux, 1824. A carefully worked antique print – the Jesus Chapel of Great Malvern Priory. Engraved by John le Keux (1783-1846) from an original study by John Preston Neale. Originally produced for their partwork series “Views of the Most Interesting Collegiate and Parochial Churches in Great Britain” (London : 1824-1825).
Line engraving in proof state on india paper. Engraved surface 140 x 88mm (approx. 5-1/2” x 3-1/2”). In very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: GREAT MALVERN CHURCH, WORCESTERSHIRE. VIEW LOOKING SOUTH EAST.

NEALE, John Preston, 1780-1847 : GREAT MALVERN CHURCH, WORCESTERSHIRE. VIEW LOOKING SOUTH EAST.

London : J. P. Neale & J. Le Keux, 1824. A pleasant antique print – the interior of Great Malvern Priory. Engraved by John le Keux (1783-1846) from an original study by John Preston Neale. Originally produced for their partwork series “Views of the Most Interesting Collegiate and Parochial Churches in Great Britain” (London : 1824-1825).
Line engraving in proof state on india paper. Engraved surface 139 x 89mm (approx. 5-1/2” x 3-1/2”). A few faint spots to extreme outer margins, but overall in very good and clean state. A guaranteed genuine antique print.

£25

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ANTIQUE PRINT: HAGLEY HALL. WORCESTERSHIRE.

[NEALE, John Preston, 1780-1847] : HAGLEY HALL. WORCESTERSHIRE.

[London : Jones & Co., 1831]. An attractive antique print – the eighteenth-century house – a view from the grounds. Engraved by Thomas Barber (fl.1818-1840) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 96 x 127mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: MOSELEY HALL. WORCESTERSHIRE.

NEALE, John Preston, 1780-1847 : MOSELEY HALL. WORCESTERSHIRE.

London : Jones & Co., 1831. An attractive antique print – Moseley Hall, then the home of John Taylor, as it stood in the early nineteenth century – a view from the grounds. Engraved by Thomas Barber (fl.1818-1840) from an original study by John Preston Neale. Originally produced for the part-work “Views of the Seats, Mansions, Castles, etc. of Noblemen and Gentlemen in England” (London : 1829-1831).
Steel line engraving on paper. Engraved surface 94 x 128mm (approx. 3-3/4” x 5”). In very good and clean state. A guaranteed genuine antique print.

£30

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ANTIQUE PRINT: KEEP OF DUDLEY CASTLE.

STORER, James Sargant, 1771-1853 : KEEP OF DUDLEY CASTLE.

London : W. Clarke and J. Carpenter, 1810. A pleasant small antique print – a view of the castle through the trees. Engraved by John Greig (fl.1800-1843) from a study by James Sargant Storer. Originally produced for the part-work series “The Antiquarian and Topographical Cabinet” (London : 1807-1811).
Copper line engraving on paper. Engraved surface 95 x 60 (approx. 3-3/4” x 2-1/4”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: N. VIEW OF MALVERN ABBEY CHURCH, WORCESTERSHIRE.

STORER, James Sargant, 1771-1853 : N. VIEW OF MALVERN ABBEY CHURCH, WORCESTERSHIRE.

London : William Clark, 1807. A charming small antique print of Great Malvern. Drawn and engraved by James Sargant Storer and originally produced for the part-work series “The Antiquarian and Topographical Cabinet” (London : 1807-1811).
Copper line engraving on paper. Engraved surface 69 x 84mm (approx. 2-3/4” x 3-3/8”). In very good and clean state. A guaranteed genuine antique print.

£20

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ANTIQUE PRINT: WORCESTER CATHEDRAL. THE CLOISTERS.

WARREN, Charles & BAUD, Benjamin : WORCESTER CATHEDRAL. THE CLOISTERS.

[London : 1842]. An attractive antique print – visitors admire the cloisters. Engraved by Benjamin Winkles (1805-1856) from a sketch by Benjamin Baud (1806-1875), worked up for final publication by Charles Warren (fl.1833-1847). Originally produced for the part-work publication “Winkles’s Architectural and Picturesque Illustrations of the Cathedral Churches of England and Wales” (London : 1835-1842).
Steel line engraving on paper. Engraved surface 122 x 144mm (approx. 4-7/8” x 5-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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