ANTIQUE PRINTS OF MARYLEBONE AT
ASH RARE BOOKS
43 HURON ROAD
LONDON SW17 8RE
UNITED KINGDOM

London : Richard Phillips, 1804. An interesting and uncommon antique print – an itinerant Jewish dealer in second-hand clothes does his morning round of the still not completed Fitzroy Square. The clothes (bought mainly from servants who were allowed cast-offs as perquisites) were taken to the daily Rag Fair in Rosemary Lane which commenced at noon. Engraved from an original study by William Marshall Craig, water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (London : 1804), and here in the earlier state with the more elaborate border.
Etching, line and stipple engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 132 x 100mm (approx. 5-1/4” x 4”). A couple of marks to borders, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/045.

£50

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London : Richard Phillips, 1804. An attractive and unusual antique print – late June or early July in London and a street-crier with her barrow offers new potatoes at three-halfpence or a penny a pound. Behind her is the the Middlesex Hospital – the county hospital at the top of Berners Street, built in 1755. Engraved from an original study by William Marshall Craig, water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (1804), and here in the earlier state with the more elaborate border.
Etching and line engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 131 x 102mm (approx. 5-1/8” x 4”). Some faint marking to outer blank margins, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/044.

£50

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London : Richard Phillips, 1804. An attractive and unusual antique print – a street-crier offers rabbits for eating in Portland Place – then a fashionable street on the northern perimeter of town, with views across open country to the hills of Harrow, Hampstead and Highgate. Engraved from an original study by William Marshall Craig, water-colour painter to Queen Charlotte. Originally produced for Phillips’ part-work “Modern London : Being the History and Present State of the British Metropolis” (1804), and here in the earlier state with the more elaborate border.
Etching, line and stipple engraving on paper. Original hand colour. Engraved surface (including quadruple-rule outer border) 134 x 103mm (approx. 5-1/4” x 4-1/8”). A few faint marks and spots to outer blank margins, but the image in very good and clean state. A guaranteed genuine antique print. Adams 89/047.

£50

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[London : Cassell & Co., 1878]. A clear and elegant antique print of this early example of the grand hotel – built on Portland Place in the style of a Florentine Palace in 1864. Engraved by the Dutch-born artist-engraver Leopold H. Lowenstam and originally produced as a supplementary presentation plate to the part-work “Old and New London” (London : 1873-1878).
Line engraving on paper. Engraved surface 149 x 197mm (approx. 5-7/8” x 7-3/4”). A few tiny specks to outer blank margins,but overall in very good and clean state. A guaranteed genuine antique print.

£40

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[London : J. Mead, 1843]. An attractive antique print of the interior of the celebrated waxwork exhibition opened by Marie Tussaud (1760-1850) in 1802, settling in Baker Street in 1835. The display features George IV in his coronation robes. Drawn and engraved by Henry Melville and originally produced for the part-work “London Interiors : A Grand National Exhibition” (London : 1841-1844).
Steel line engraving on paper. Later hand colour. Engraved surface 154 x 181mm (approx. 6-1/8” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 195/036.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 14997 – or simply click on the button

[London : J. Mead, 1843]. An attractive antique print of the interior of the celebrated waxwork exhibition opened by Marie Tussaud (1760-1850) in 1802, settling in Baker Street in 1835. The display features George IV in his coronation robes. Drawn and engraved by Henry Melville and originally produced for the part-work “London Interiors : A Grand National Exhibition” (London : 1841-1844).
Steel line engraving on paper. Engraved surface 154 x 181mm (approx. 6-1/8” x 7-1/8”). In very good and clean state. A guaranteed genuine antique print. Adams 195/036.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37482 – or simply click on the button

[London : 1878 (or later)]. An attractive antique print of the old Marylebone Manor House – once a hunting lodge for Henry VIII and later a boarding-school. Engraved from a study (based on an earlier source) by William Henry Prior. Originally produced for the part-work “Old and New London” (London : 1873-1878).
Wood engraving on paper. Engraved surface 141 x 208mm (approx. 5-1/2” x 8-1/4”). In very good and clean state. A guaranteed genuine antique print.

£25

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London : Jones & Co., 1827. An elegant antique print – a view of the unusual Nash church built in 1822-1824 – a combination of Greek peristyle and spire. Engraved by James Tingle (1801-1858) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 159 x 95mm (approx. 6-1/4” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print. Adams 154/007.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38632 – or simply click on the button

London : Jones & Co., 1827. A charming antique print – the elegant Christ Church in Cosway Street with its domed tower, built by Philip Hardwick 1822-1825. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 154 x 92mm (approx. 6-1/8” x 3-5/8”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42232 – or simply click on the button

London : Jones & Co., 1827. A charming antique print – the elegant Christ Church in Cosway Street with its domed tower, built by Philip Hardwick 1822-1825. Engraved by Thomas Dale (fl.1818-1828) from an original study by Thomas Hosmer Shepherd, the master recorder of ninetenth-century London. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 154 x 92mm (approx. 6-1/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38825 – or simply click on the button

[London : Jones & Co., 1829]. A very pleasant antique print – a view of the eastern half of Park Crescent and the Gardens from the Marylebone Road. Engraved by James Redaway (1797-1858) from an original study by Thomas Hosmer Shepherd. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 104 x 150mm (approx. 4-1/8” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/144.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 38633 – or simply click on the button

[London : Jones & Co., 1830]. An antique print – an elegant view of the old Middlesex Hospital on Mortimer Street (largely rebuilt in the 1930s). Engraved by John Rogers (1800?-1882) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. Originally produced for Shepherd’s series “London and its Environs in the Nineteenth Century” (1829-1832).
Steel line engraving on paper. Engraved surface 105 x 151mm (approx. 4-1/8” x 6”). A few tiny specks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 161/054.

£40

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 46589 – or simply click on the button

[London : R. Ackermann, 1816]. A handsome antique print – a view of Portland Place looking north to the hills of North London. Engraved by Thomas Hosmer Shepherd from his own water-colour study (now in Westminster Library). Originally produced for the April 1815 issue of Ackermann’s fashionable magazine, “The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics” – and here in the slightly later state utilised for John B. Papworth’s “Select Views of London" (1816).
Aquatint on paper. Original hand colour. Engraved surface 132 x 198mm (approx. 5-1/8” x 7-3/4”). A couple of faint marks, but overall in very good and clean state. A guaranteed genuine antique print. Adams 117/045.

£75

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37604 – or simply click on the button

London : Jones & Co., 1828. A charming antique print – an exterior view of the graceful church built by Sir Robert Smirke between 1821 and 1824. Engraved by John Wykeham Archer (1806-1864) from an original study by Thomas Hosmer Shepherd. Originally produced for Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 155 x 92mm (approx. 6-1/8” x 3-5/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/083.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 43064 – or simply click on the button

London : Jones & Co., 1828. A pleasant antique print of the elegant church at the head of Great Portland Street – built by John Soane between 1824 and 1828. Engraved by Henry Winsor Bond (1804-1881) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Later hand colour. Engraved surface 155 x 95mm (approx. 6-1/8” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 26863 – or simply click on the button

London : Jones & Co., 1828. A pleasant antique print of the elegant church at the head of Great Portland Street – built by John Soane between 1824 and 1828. Engraved by Henry Winsor Bond (1804-1881) from an original study (now in Westminster Public Library) by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 155 x 95mm (approx. 6-1/8” x 3-3/4”). In very good and clean state. A guaranteed genuine antique print.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 42115 – or simply click on the button

London : Jones & Co., 1828. An elegant antique print – a view of the recently built Langham Place, looking towards the John Nash church of All Souls. Engraved by S. Owen (fl.1796-1838) from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 98 x 152mm (approx. 3-7/8” x 6”). In very good and clean state. A guaranteed genuine antique print. Adams 154/126.

£25

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 37647 – or simply click on the button

London : Jones & Co., 1827. A very attractive antique print – a view from the Outer Circle of Regent’s Park looking south across the Marylebone Road towards Marylebone Church. Engraved from an original study by Thomas Hosmer Shepherd, the master recorder of nineteenth-century London. From Shepherd’s part-work series “Metropolitan Improvements; or London in the Nineteenth Century” (London : 1827-1830).
Steel line engraving on paper. Engraved surface 100 x 148mm (approx. 4” x 5-7/8”). In very good and clean state. A guaranteed genuine antique print. Adams 154/004.

£30

To purchase, call us or e-mail us at prints@ashrare.com quoting stock number 45936 – or simply click on the button